Archives for posts with tag: Red Lanterns

nolightblood

Halloween has come and gone again like a murderous curse stuck on repeat or our ham-and-egg existence riding that eternal recurrence merry-go-round one more time for the sake of eternity. I love Halloween. This one (2015) was a pretty good one- candy, costumes, and a few Great Pumpkins. My wife and I attended a pumpkin carving party and she immediately took control of our pumpkin, deciding by executive order that we would make a Red Lantern pumpkin. This continues a tradition we started last year with our Green Lantern pumpkin. It worked out well since we didn’t have all of our pumpkin art tools at the party and the Red Lantern logo is probably the easiest Lantern logo to recreate.

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Our friends made some pretty good pumpkins too, but I didn’t take any pictures of them so you’ll have to use your imagination. One featured a cat and the others were spooky in their own way. One of our friends tried to carve about thirty letters into his pumpkin. He gave up after about nine. Some people aren’t cut out for the pumpkin life.

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Last year we scored some really good quality green lights for the Green Lantern pumpkin so we tried to do the same with red lights this year. After we were finished with with the pumpkin, I installed the lights in a small display of my Green Lantern toys.

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We did acquire some red lights, but they unfortunately they are as good quality as the green ones we got last year. They’re really candy cane lights, not red lights. Now that Halloween is over, I plan to use them in a display of my Harley Quinn toys.

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Pumpkins in Georgia are a bittersweet bit of Halloween. On the one hand, people from Georgia love stabbing things with knives. On the other hand, it’s still pretty warm around Halloween here and the pumpkins get pretty gross pretty fast. Once a pumpkin starts to devolve into a mushy, moldy insect orgy, you can feel more confident in your witchcraft.

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My wife is adamant that we keep making Lantern pumpkins every year until we’ve done the logos of every Corps, so I’m not too worried about the strength of our marriage. I love Halloween.

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thenew52ends

After weeks of ambiguity regarding the fates of their titles after moving their offices from New York to California, DC Comics cleared things up somewhat with a statement this week. The simple answer: The New 52 is dead! Long live the New 52! The truth: DC Comics is removing the label New 52 and making continuity less of a concern if favor of greater diversity in story-telling. DC is not simply shedding the label, but also an ideological commitment to an experiment. The experiment? A new (err..rebooted) and thoroughly connected (err…though filled with holes) universe (err…multiverse)! Originally planned as 52 titles a month published in sync, following a universal timeline, the New 52 was a lofty ambition. For the experiment to work, creators had to work within a tight framework not only in narrative, but in artistic style- prompting the oft-used terms “DC house-style” or “Jim Lee house style.” These rules allowed a pretty cohesive fictional universe to thrive, but also alienated many creators and readers who wanted stories outside the framework of the larger experiment. By abandoning the New 52 and their ideological commitment to the New 52 experiment, DC Comics will be opening itself up to new, smaller experiments. The publisher’s lineup will be more chaotic this June not only because many titles will leave and many new titles will arrive, but those new titles and even the continuing titles will draw from a larger creative arsenal- new creators, new styles, new impressions on the characters, and new impressions on what super-hero comic books can do. To be fair, DC Comics continued to publish an assortment of books outside of the New 52 such as Lil Gotham and all those video game-related titles. Now new books like Bat-Mite and Bizarro promise to approach comics without the baggage of the New 52 experiment. The official word from DC suggests the end of the New 52 is motivated purely by creative ambitions, but it’s obvious to most readers that DC has found an awkward but workable solution to several concerns: 1) the move to California 2) the stress of managing the big continuity 3) the desire to attract more casual comics readers (the ones reading Image titles) 4) the New 52 is destroying itself.

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That 4th one can be broken down to specific problems within the New 52. I believe the beginning of the end came when the original creative team of J.H. Williams III and W. Haden Blackman left Batwoman over creative differences on whether or not Batwoman would marry. While this was not the first dispute-driven departure of a respected creator during the New 52, this departure, unlike George Perez leaving Superman, shook up something that most people believed the New 52 was doing right. Fans and critics alike couldn’t say enough nice things about the work being done on that book. The rush to replace Williams and Blackman with not only a talented creator, but one with a little LGBT cred to ease PR concerns, left Batwoman in the hands of Marc Andreyko and the book got noticeably worse. After Geoff Johns and associates completed their run on the Green Lantern titles, DC found a new creative team, but things fell apart and they again found themselves scrambling the fill some roles. Luckily they found a sort of dream team to take over those titles. Most problematic about the Green Lantern creative team shift, Geoff Johns wrote an epilogue in his final issue of Green Lantern, an epilogue whose authenticity would come immediately into question as the new creative team found ways to destroy all the love stories in that blossomed in that epilogue. Other books saw transitions. The success and failures of titles in transition were surprising. I really expected Chew’s John Layman to write a better Detective Comics while Jeff Lemire wrote a Green Arrow story unlike anything else he’d ever written, reinforcing what his run on Animal Man had suggested- the guy who draws those creepy picture book also has a visionary take on the super-hero model. Another reason why I see the Batwoman shift as the beginning of the end can be seen in the fifth collected volume of the title-  an inconsistency that runs along the spine, singling out the volume among all other New 52 titles as the unmentionable yet obvious stain on the whole endeavor.

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Look at that tiny little five! How embarrassing that must be for Batwoman Vol. 5: Webs! The other book that sticks out in a complete New 52 collection is Batman Vol. 3: Death of the Family because it’s white instead of black. While it may still drive the obsessive and compulsive a bit mad to look at, the change is obviously intentional. The tiny 5 on Batwoman Vol. 5 appears to be a Freudian slip, a subconscious expression of shame in ruining one of the New 52’s best titles.

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Since the official announcement of the New 52’s end, I’ve tried to figure what the New 52 really has been. Despite all the Convergence hype, it feels like the experiment is going out with more a whimper than a bang. There’s no real story to tie up as far as I can figure. So the question remains what was the New 52?

Here are 52 things I think made the New 52:

1) The Court of Owls

2) Wonder Woman’s new origin story

3) introduction (and reintroduction) of Vertigo characters into the DC universe

4) Superman-Wonder Woman love story

5) Triumphant revitalization of Aquaman (Throne of Atlantis arc)

6) Titles created just to foster the continuity experiment (Blackhawks, Team 7, OMAC, Threshhold)

7) Crime Syndicate and Forever Evil

8) Darkseid’s destruction of Earth-2 and Superman’s subsequent reign

9) Death of Damian Wayne

10) Skinny Lobo

11) Rotworld arc

12) Justice League Dark formation

13) Central role for The Phantom Stranger

14) Central role for Pandora

15) Future’s End

16) Joker cut off his face

17) Muslim Green Lantern

18) Gay Green Lantern

19) Young Green Arrow

20) Walking Barbara Gordon

21) Brother-killing Batgirl

22) Jonah Hex and Amadeus Arkham

23) Penguin takes control and loses control and regains control of Gotham criminal underworld

24) Catwoman takes control of Gotham criminal underworld

25) The Riddler brings Gotham to its knees

26) Batman Eternal and Jim Gordon’s blues

27) The most sophisticated Mr. Mxyzptlk story in DC history

28) Guy Gardner became a Red Lantern

29) The Guardians of the Universe were replaced by new Guardians of the Universe after proving themselves fascist tyrants one too many times

30) Kyle Rayner continued to become more messianic

31) Hal Jordan became the leader of the Green Lantern Corps

32) Superboy was a clone of Superman’s wicked son Jonathan Lane Kent from the future and also there were other Superboys

33) Cyborg Superman is… Supergirl’s father?

34) Lucius Fox’s son becomes Batwing

35) Harley Quinn did it with Deadshot

36) H’el on Earth (and Krypton)

37) The Culling of Teen Titans and Ravagers and a general feeling that Scott Lobdell was going to end up writing every title in the DC universe

38) Short lives of good titles (I, Vampire; Voodoo; Mr. Terrific; Captain Atom; Dial H)

39) Huntress and Power Girl, the World’s Finest of Earth-2, arrived on the primary Earth

40) Daniel West is the Reverse-Flash

41) Bad futures depicted in Justice League 3000, Future’s End, Superboy, Teen Titans, and the Legion of Super-heroes

42) Aimless movement from the Legion of the Super-heroes

43) Two heavy-handed comics nobody liked (The Green Team and The Movement)

44) Martian Manhunter with Stormwatch, Martian Manhunter without Stormwatch

45) The return of Lyssa Drak and a Sinestro-led Sinestro Corps

46) Frankenstein: Agent of SHADE and other Dark titles

47) Trinity War

48) Lights Out, Relic, and the draining of the emotional spectrum

49) Trying to figure out what to do with Darkseid

50) Trying to figure out what to do with Deathstroke

51) The Rogues with super-powers

52) Company-wide campaigns particularly in Septmember- 3D covers, MAD variants, Scribblenauts, Robot Chickens, Zero Year, etc.

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I recently embarked on an intense reading/rereading mission. Throwing myself into the Green Lantern narrative as I had never before, I set off to read the entire GLC chronology up to this point beginning with Hal Jordan becoming a Green Lantern again in Green Lantern: Rebirth. For GL fans, this ambitious reading project is something similar, on a much smaller scale, to the Islamic rite of the Hajj. As Muslims fulfill their religious duty by making their pilgrimage, modern Green Lantern fans owe it to themselves to familiarize themselves with as much of the story as possible and while it isn’t possible to read the entire story in one sitting, I believe there is something special about reading it all at once.

Light reading

Light reading

My motivation for this spurred from my wife giving me the Brightest Day omnibus for Christmas. I had read much of the story out of sequence and I had picked up a few trades at conventions- saving them for when I had amassed a complete set. With the introduction of the Brightest Day omnibus, I went ahead and filled in the rest of the holes though I did miss a few- I haven’t read the Teen Titans trade associated with Brightest Day and I’d really like to because the Black Adam/Isis family from 52 is one of my favorite storylines in DC history.

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As an active member of the comic book internet community, I intended to write about the experience as I went along. I considered starting a twitter account and live-tweeting as I read, but I ending up just getting lost in the narrative. It’s hard not to. This run on Green Lantern is extremely well-executed- a sophisticated narrative with a reaching stories that attempt to take the notion of a universe controlled by tiny blue fascists to its ultimate absurd conclusion. During the first few trades, those leading up the Sinestro Corps War, I found myself constantly impressed with Geoff Johns forethought. The seeds of the Blackest Night and all the new Lantern corps as sowed in the very first issues where Johns brings Hal back. The integral roles played by Mongul, Cyborg Superman, and the Manhunters in the arrival of the Blackest Night and the writing of Atrocitus into Hal Jordan’s origin story all demonstrate such solid planning I wonder how much Johns had planned when he first began writing the character.

pucca-starsapphireWhile Johns’s master plan is certainly apparent, reading the whole story together allowed a chance to see how characters and concepts developed. The voices of certain writers who joined Johns become easily recognizable- primarily Dave Gibbons, Peter Tomasi, Tony Bedard, and Peter Milligan- and the end of Johns run is not only noticeable, but the final issue is included in the collected trades of every GL title published at that time. The creative teams that followed that crew brought their own voices as well. Though the art is largely consistent, both following and creating the DC house styles of their time. Some characters are drawn wildly different from artist to artist. None more so than Arisia Rrab- Reis gives her an adorable pixie face, Gleason makes her a hideous troll, and all the other artists find themselves somewhere in between. The female lanterns of all the applicable Lantern Corps often find themselves most easily distinguished by the nature of their scanty uniforms, but even that changes over time. When Rob Vendetti took Johns’s place as the guiding hand of the GL legacy, female characters in nearly all of the GL titles found their uniforms had become more conservative or at least less revealing. Green Lanterns like Arisia Rrab and the Star Sapphires received more modest outfits, but Red Lantern Bleez kept her trademark skeleton wings and black thong- which I’m happy about it. I can’t really imagine Bleez without some sort of overwhelming sexuality- it’s part of her origin story to some degree that she be sexually desirable and hostile to sexual advances. Sinestro Corps member and hot librarian Lyssa Drak actually sports a more conversative garb in the Sinestro series, but rocks her more traditional barely-there attire in the Sinestro issue published as part of Villains Month and in the Sinestro: Future’s End issue. It could be intentional, but I suspect disrupted communication as the likely culprit.

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When I first read Blackest Night, I read a digital copy that put every issue in chronological order. Unfortunately DC hasn’t collected the event that way. Instead, they separate the trades by title. To recreate the single issue experience, one would need to carry a lot of books with them, juggle them intermittently, and do their best to keep their bookmarks from falling into the wrong hands. If you don’t want to do that, I’d recommend reading the books in this order and split a few of the books in half.

Blackest Night: Tales of the Corps

1/2 Blackest Night

1/2 Blackest Night: Green Lantern

Blackest Night: Black Lantern Corps Vol. 1

1/2 Blackest Night: Green Lantern Corps

Blackest Night: Rise of the Black Lanterns

2/2 Blackest Night: Green Lantern

2/2 Blackest Night: Green Lantern Corps

Blackest Night: Black Lantern Corps Vol. 2

2/2 Blackest Night

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Both Blackest Night and Brightest Day require the reader to know a bit about the DC universe, both contemporary and historical, to fully appreciate all the ins and outs. In the Blackest Night trades, they’ve provided blurbs about how each character rising from the dead to become a Black Lantern originally died, which I definitely appreciate.

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Beyond the White Lantern of it all, Brightest Day actually has much less to do with the Lanterns than it does the rest of the DC universe. The affiliated GL books are actually quite strong though. I particularly like the story line of the Weaponer of Qward and his quest for vengeance against Sinestro from the Green Lantern Corps title, which depends entirely on Deadman creating a net out of White Lantern light in Brightest Day. The Brightest Day overlaps with the War of the Green Lanterns through a limited series called Green Lantern: Emerald Warriors. The War of the Green Lanterns peters out through the Green Lantern titles and a small handful of limited series. In the aftermath of the War of the Green Lanters, the arrival of The New 52 is very apparent. The trade War of the Green Lanterns: Aftermath ends with two single issue stories that suggest heavily their authors were simply waiting out the clock before getting the emotional spectrum involved in any new crises. The shift from pre New 52 to New 52 is weirder for the Green Lantern titles than any of the others (even Batman) as so much of the Green Lantern story depends on a character-rich past. Rebooting Superman makes Cyborg Superman’s destruction of Coast City hard to explain. Similarly rebooting Green Arrow makes his friendship with Hal Jordan patchier than an early puberty beard. Johns, Tomasi, Milligan, and Bedard do their damnedest to balance the demands of the Lanterns with the demands of the New 52 reboot, but one character comes off really weird: J’onn J’onzz. Before the New 52, he’s one of the Brightest Day twelve while in the New 52, he’s a virtually unknown agent operating in odd stealth. Newsarama recently published a list of queer doings afoot in the New 52 and Martian Manhunter featured prominently among their findings

J'imm J'onzz

J’imm J’onzz

In addition to reading all the texts, I also watched all the films and must regret that DC has pursued more Green Lantern animated movies. I liked the television series okay, though it paled in comparison to the superior series Beware the Batman!, which suffered the same cancellation fate, but the tv series was a bit more childish than the animated movies. I stand by my earlier contention that outside of the comics, the best use of Green Lantern in media is Lego Batman 3: Beyond Gotham.

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…And somehow this all felt relevant because something big is coming for the Green Lanterns as DC is cancelling most Green Lantern titles in the coming months. With that knowledge, I spent much of my time reading also speculating.

 

 

 

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For the second year, the World’s Second Greatest Detective presents an assessment of the comics I’ve read, awarding accolades to books that impressed me. Like last year’s list, this one comes at the beginning of September because my comics year begins and ends with Dragon Con in Atlanta. A lot of titles that I mentioned last year continue to turn out great work: Saga, Revival, Batman, Manhattan Projects– but I’d rather steer attention to titles that didn’t make last year’s list either because of my ignorance, their slow creep to trade, or the fact they didn’t exist last year. There will also be some categories this year. For example:

Best Comic Book Character portrayed in an animation

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Katana in “Beware the Batman”

I should remind you that I don’t read any Marvel books, though the announcement that Charles Soule is leaving all his DC titles and the particular temptation of his Death of Wolverine has me eying the other side of the fence a bit. My decision to abstain from Marvel Comics is sort of arbitrary, but not totally without reason- limits on time and resource do not permit me the luxury of reading every comic book, so I picked one of the big two companies and don’t read the other at all. Though I do read a lot of independent comics and that’s really where my heart belongs. I picked DC over Marvel because of many reasons, but the simplest is Batman.

Not all of the accolades will categorized. Nor may all those mentioned really be ‘comics of 2014’ in the truest sense. For example, thanks to a generous donation by Oni Press to the WonderRoot Jackie Ormes Comic Book Library. I had the privilege to read two series that knocked my socks off:

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Courtney Crumrin is the fun story about a misanthropic little girl who lives a society worth hating, but luckily finds an uneasy friendship with her witch uncle and a few easier friendships with netherbeasts. It’s a clever book and the content is acceptable for most age levels.

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The Sixth Gun is an epic story set in a very Wild West, shaped by all sorts of occult and heebie jeebie ghost stuff. Cullen Bunn and the other creators of The Sixth Gun have moved onto other things and the news that DC would cancel All Star Western saddened me a little. East of West is still kicking around, but 2014 has  introduced a Western title that I may enjoy more than all three of those titles.

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Pretty Deadly contains some amazing art. Much like the best work of J.H. Williams III or Francis Manpaul, Emma Rios’s artwork stands out for her creative use of the medium. Panels and pages work together to create a fantastic pace. As Kelly Sue Deconnick’s writing takes the story in and out of stories and timelines, the art and especially the coloring distinguish the different parts of the whole quite well. Deconnick opened the Comics and Popular Arts Conference at this year’s Dragon Con with a rousing talk touching on a variety of subjects such as how we learn publicly and with record in a fast-paced technological society and how that empowers a ‘gotcha culture’ which in turn hinders our ability to learn; the use of the white male as the default character; the futility of overly emotional and aggressive responses to opposing ideas; and comic books. Her husband writes a pretty good comic too.

doing it and doing it and doing it well

Sex Criminals is a twist on Bonnie and Clyde, Robin Hood, Out of this World, 9 Songs, the Matrix, A Dirty Shame…and yeah, it isn’t. It’s an incredibly original story about a girl who stops time when she orgasms and a boy who also stops time when he orgasms. They discover this shared ability during the act of coitus and put it to good use, robbing banks to raise money for a library under attack by a viciously greedy bank that the boy happens to work for and where he poops in his boss’s office plant once a day.

Another catergory?

Worst Comic Book Character portrayed in an animation

For the video game-inspired animated movie Batman: Assault on Arkham, a bit of a revolution for the animated superhero movie with its Guy Ritchie-like pace, excessive profanity, explicit sexuality, and a level of violence exceeding even last year’s The Dark Knight Returns, DC made a Suicide Squad movie under the guise of a Batman movie. One thing I like about it is how they retained the original physical attributes of Amanda Waller instead going for the Angela Bassett model. One thing I didn’t like is how they turned King Shark from this:

Joker lipstick on a shark

King Shark in the comics to:

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King Shark in Batman: Assault on Arkham

He looks a cross between Bane and Jaws from The Spy Who Loved Me. Their motivation for desharking the shark is unclear to me. I also don’t understand why David Goyer wants to demartian the Martian Manhunter.

Best Comic Book Companion to a video game

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Injustice: Gods Among Us begins before the video game’s storyline. In the simplest terms, Joker has tricked Superman into killing Lois Lane who is pregnant with Superman’s baby. Superman gets so mad that he kills the Joker, beginning the fascist reign of Superman and a doting Wonder Woman. Because it is an Elsworlds story with so many DC characters involved, the opportunities for bringing the essences and flaws of these characters abound. Tom Taylor wastes none of them. The Bat family is especially well-done is the book- particularly Alfred and Catwoman.

Best Art in a Superhero Comic Book

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Jae Lee did some of the best work of his career during his time on Grag Pak’s Batman/Superman. Of all the superstar artists from the 1990s that have continued in comics, I think the development of Jae Lee’s work has been the most interesting to watch. If you haven’t seen his work on Before Watchmen: Ozymandias, I highly recommend that one too. Batman/Superman is a dreamy book, but it is not without a strong sense of character and expression. This collaboration between Pak and Lee stands out as a triumph in comic storytelling.

Second Attempt That Makes The Most Sense in the New 52

Giving Deathstroke another chance at having his own title. Also looking forward to Gail Simone returning to her Secret Six roots later this year.

Second Attempt That Makes The Least Sense in the New 52

Why are the Teen Titans starting over again with issue 1?

Best Volume 3 collection of the New 52

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Grant Morrison’s run on Action Comics fulfilled its own prophecies in Vol. 3: At The End Of  Days. Morrison’s writes for the long haul and sometimes it works really well (Seven Soldiers of Victory, All-Star Superman, the epic story of Damian Wayne, Doom Patrol, Filth). His eighteen issues on Action Comics is separated into three acts, best illustrated by their separate trade collections. Vol. 1: Superman and the Men of Steel comes off as a pretty typical superhero comic- it’s action-packed and reintroduces many classic characters from Superman’s mythology such as Lex Luthor, Lois Lane, Jimmy Olsen, Metallo (Metal-Zero), and Brainiac. There are few weirdo moments, typical of Morrison’s work, but don’t overpower the straight-forward superhero elements. Vol. 2: Bulletproof is pretty weird, more distinctly Morrison. The story is all over the place, referencing itself, making the most out of the queer moments from Vol. 1: Superman and the Men of Steel, as well as introducing a Barack Obama doppelganger named Calvin Ellis- another dimension’s Superman. Finally, in Vol. 3: At the End of Days, all the kookiness starts to make sense and the details of Clark’s arrival in Metropolis in Vol. 1 become enriched by a Myxlplyxian plot that satisfies the patient reader.

Best Vol. 4 Collection(s) of the New 52

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While The Flash Vol. 4: Reverse, Wonder Woman Vol. 4: War, and Batwoman Vol. 4: The Blood is Thick all continued runs by outstanding creative teams, it is books like the Green Lantern family of books, Justice League Dark, and Green Arrow that have seen new creators come in and take the books in different directions to which I’d like to draw your attention. Much praise has been tossed to Jeff Lemire and Andrea Sorrentino’s Green Arrow, collected in Green Arrow Vol. 4: The Kill Machine. The art distinguishes itself from the unofficial DC house-style and the writing invigorates Oliver Queen as a character. I do think that in praising Lemire and Sorrentino’s work, a lot of undeserved criticism has been thrown Ann Nocenti’s way. Her depiction of Oliver Queen as an Ugly American in the People’s Republic of China is one of my favorite instances of seeing China portrayed in a superhero comic. Jim DeMatteis has seemingly inherited the Dark family of DC titles, emerging from his run on The Phantom Stranger. In Justice League Dark Vol. 4: Rebirth of Evil, he takes over for Lemire- moving the story from Trinity War to Forever Evil territory. The little demon Constantine‘s are great, but I wouldn’t have minded a bit more Frankenstein, my favorite member of the Justice League Dark. With the announcement of Charles Soule signing an exclusive contract with Marvel, I expect DeMatteis may take over Swamp Thing, which had a good, but short Vol. 4: Seeder. Matteis does interesting things with the character in Justice League Dark, but if I was going to pick the new writer of Swamp Thing, I’d go for either Tim Seeley, Kurtis Wiebe, or Angelo Tirrotto. To write an Animal Man title despite his joining Justice League United, I’d recruit Corinna Sara Bechko or Joshua Ortega with the instructions to keep Animal Man dark. Finally, the new slew of Green Lantern creators gave the ring-slingers an exciting year. Ranked best to least best: Red Lanterns, Green Lantern, Green Lantern Corps, Green Lantern: New Guardians. Outside of those Vol. 4s, I was disappointed with the Larfleeze title, but look forward to Cullen Bunn’s Sinestro.

Best Non-Picture Book Author to Write a Picture Book

the boys are dead and girl just wanna have fun

Toby Litt on Dead Boy Detectives

When I lived in Ireland, I discovered the work of Toby Litt, an author whose work was not available in the United States, and absolutely fell in love with it. Deadkidsongs, in particular, left me creeped out and inspired. When I heard he would be rebooting the Vertigo series Dead Boy Detectives I waiting in hefty anticipation for the trade to be released. While I was not disappointed, I must admit that Litt has not taken to the medium as quickly as the likes of Brad Meltzer who blew the comics world away with Identity Crisis. I do however see great potential in the future comics work of Litt as he adapts to the medium. Reading the trade, you can see him become more comfortable and, in turn, more capable.

Best Superhero Live-Action Movie

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X-Men: Days of Future Past, like its predecessors, stands well above the rest of the Marvel movies (with the possible exception of Captain America: Winter Soldier). Jennifer Lawrence, Hugh Jackman, Michael Fassbender, and the rest of the classic mutants put on a great show and new arrivals like Quicksilver brought energy to the film. This and X-Men: First Class are my favorite of the X-Men movies. They somehow managed to make Fan Bing Bing look terrible, which is my only real complaint about the film.

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In conclusion, I’m looking forward to more great comics this year though I have some concerns about a few creative teams at DC (Wonder Woman) and will miss some of my favorite creators and titles as they disappear from the shelves, hopefully replaced by new books of splendor, wonder, and ideas.

 

 

jiveborg

Today marks one year of Wayne Xiao Long: The World’s Second Greatest Detective patrolling the rooftops of hyper-Gotham. Though the site suffered a few lulls when AT&T took it upon itself to punish me with no internet and terribly insulting customer service, I’m pleased with what’s been accomplished here. I’ve gotten to speak with a lot of people from different aspects of the comic book industry and I’ve discovered new ways that sequential art extends beyond the comic issue. The ESL crosswords continue to be really popular and I apologize that I’ve made and subsequently lost several that never ended up on the site. In my tutoring, the last few months have focused largely on mechanics and grammar, so there aren’t any fresh ones. I might get around to making so more aimed at native speakers. While the site has attracted a lot of crossword and comics enthusiasts, a tremendous number of readers have found this site in pursuit of adult fare. Perhaps as a thank you to all the readers, I’ll draw some of the more popular search items that bring people here such as “Teenage Mutant Ninja Turtle Gay Sex,” “Nude Zatanna,” “Nude Black Canary,” and “gay sex treasure hunter.” Probably the most disturbing search term that frequently comes up is “crush fetish.” Yeah, I might take a swing at drawing a Gay Sex Treasure Hunter- it might even like the ridiculous picture of Cyborg at the top of this article.

This Cyborg appears in Flash: Our Worlds At War and surely tells us something about imagined racial realities in the United States in the twenty-first century. Vic Stone is one of the characters who I think get one of the best and most long overdue makeovers in the New 52 and seeing him in this Jiveborg set-up from 2001 reminds me of just how desperately Cyborg needed a reboot. The writer of Flash: Our Worlds At War Geoff Johns has a long history of reviving characters and transforming them into more vital elements of the DCU, most famously Barry Allen’s Flash and Hal Jordan’s Green Lantern. Immediately prior to the New 52 reboot, Geoff Johns created the Flashpoint storyline which gave Cyborg a leading role, allowing him to further shed his Teen Titans stigma and sit at the grown up table of Justice Leaguers.

I really like Geoff Johns. I would vote for him for political office as I think he has an incredibly thoughtful grasp on global politics and what issues affects Americans locally. His depictions of Keystone City and Coast City echo of a very genuine patriotism and belief in American ingenuity. In the recent released Necessary Evil: Super-Villains of DC Comics documentary, Johns speaks about the use of villains as metaphors for larger dilemmas facing humanity and that’s something he does particularly well. Whether creating the richly complex members of the Red Lantern Corps, all of whom comment on some compelling and topical  form of abuse, or portraying villains like Goldface with an understanding of labor unions that is neither superficially supportive nor dismissive, Johns pours a lot of the real world into his comics. He gave the ring back to Hal, life back to Barry, and to Aquaman? His arm and much needed shave, plus a little studio time with Diana in Flashpoint. Johns brought the Justice Society onto the small screen in Smallville, bringing Dr. Fate, Hawkman, and Stargirl to life in stunning fashion.

Still, I have a bone to pick with Mr. Johns. DC Comics recently released two New 52 trades by Johns. First, they released Justice League Vol. 3: Throne of Atlantis and then they released Aquaman Vol. 3: Throne of Atlantis. The problem is that these two books are essentially identical and DC is just forcing its readers to buy 6 issues twice for the thrill of reading Aquaman #0. It’s not as if Aquaman fans arent’ reading Justice League. The whole thing stinks of greed beyond normal comic book greed. It’s a pity.

Anyway, happy Year One to Wayne Xiao Long! Thanks for reading!

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To see more pictures from Dragon Con, click HERE

(warning: some pictures might not be suitable for all audiences)

Dragon Con this year went pretty well. I enjoyed nearly every panel which I attended, which was considerably less this year as I volunteered for the first time. As usual, the panels from the academic conference were the most interesting. I must admit I had the most fun at my panel, “Comics Through A Socio-Political Lens.” The other speakers were very nice and delivered witty papers. The crowd was engaging and even included a real life superhero- Jet from the Rock City, Alabama! I got to speak with a lot of artists and writers, such as Neal Adams, Jimmy Palmiotti, Amanda Connor, Brian Stelfreeze, Darwyn Cooke, Van Jensen, and others. Because I was a volunteer, I ended up meeting a lot of movie and TV stars including Malcolm Macdowell, George Takei, Edward James Olmos, and the guy who plays Hank on Grimm. I did feel a bit starstruck meeting the cast of Smallville, especially Allison Mack- talking to her was just like talking to Chloe Sullivan. Supergirl is even more beautiful in real life and Brainiac has been working out. The other volunteers I met were generally nice. Some of them were more interesting than others.

The most interesting person I met wasn’t actually a guest at Dragon Con. I was walking out the Marriott when I spotted a guy wearing a Strange Talent of Luther Strode t-shirt and I complimented him on it. It turns out he’s Tradd Moore and he gave me a copy of Luther Strode Vol. 2, which was pretty sweet.

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To see more pictures from Dragon Con, click HERE

After Dragon Con, I realize that I left two great titles from the past year off the list of best comics. Obviously the omission of Luther Strode is a bit embarrassing and perhaps even a little corrupt in light of his recent generosity, but it’s definitely a book that stood out this year. The other omission is the unreasonably controversial and incredibly well-done Before Watchmen series, which I really feel like rereading after hearing Darwyn Cooke and Amanda Connor talk about it.

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To see more pictures from Dragon Con, click HERE

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2013 is turning out to be a busy year for Charles Soule. Debuting his creator-owned series Strange Attractors and his first issues on two of my personal favorite DC properties Swamp Thing and Red Lanterns, Mr. Soule is one of the reason’s your local comic rack suddenly got so much more exciting. While I’ve enjoyed the Green Lantern run under the reign of Geoff Johns, DC has picked some incredible creative teams to take over the Green Lanterns, bringing up some of independent comics’ most innovative talent including Mr. Soule.

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INTERVIEW WITH CHARLES SOULE

WAYNEXIAOLONG: First of all, congratulations on being chosen to write two of what I consider to be DC’s best titles right now, Swamp Thing and Red Lanterns. These two titles are pretty different from each other. Can we expect to see any overlap between the two books?

CHARLES SOULE: Well, you said it yourself – these two titles are quite different from each other.  The fantasy/horror tone of Swamp Thing doesn’t obviously mesh with the sci-fi space opera of Red Lanterns, but it’s comics, so never say never.  In the short term, I’m trying to do a bunch of world-building in each title, to really give them their own identity.  Once that’s established, though, why not? No specific plans, but one of the great joys of working in a big shared universe is actually sharing the universe.  We’ll see where it goes.

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WAYNEXIAOLONG: From your comics and your blog, you demonstrate a fiercely independent spirit, reminiscent of grassroots activists and punk rockers. Are you having any trouble reconciling that spirit with the fact that you are now working for the Man?

CHARLES SOULE: Ha! Creating comics is hardly the same as slaving away over a set of accounts ledgers.  My experience with writing company-owned characters has been remarkably open so far, to be honest.  I think DC (and any other comics publisher) just wants fantastic stories that push things in interesting directions.  There are certainly bullet points to be hit in any story, and you can’t really burn a franchise to the ground, but since that’s not something I particularly want to do, it’s all good.

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WAYNEXIAOLONG: Like you, I am an historian and I’m thrilled whenever someone with a strong sense of history translates that into comics. Recently, fans like myself have been blessed with far out works like 68, The Manhattan Projects, and your brilliant 27 that mess with historical conventions to reveal some invisible cracks in the narratives we use to comfort ourselves.  Likewise, the past twenty years have shown a significant rise in the study of environmental elements of social history. What kind of research have you done in preparation for writing Swamp Thing?

CHARLES SOULE: A fair amount – I like to immerse myself in whatever subject I’m writing about, just as a matter of course.  If you do enough homework, you get to the point where cool details rise to the surface while you’re scripting in a completely organic way.  I’ve also been a big history guy for ages, and I really enjoy integrating that into my stories.  Swamp Thing in particular is a great character for that, because part of his established history is that there have been Swamp Things on earth for billions of years, covering all of recorded history.  So, I can delve into any period I like.  In  Swamp Thing 21, we see the Avatar who was active in the 13th Century, and the upcoming Annual will cover a huge swath of Swamp Thing history. It’s one of my favorite parts of writing that title.

As far as non-historical reference goes, I took a trip down to New Orleans earlier this year and went out into the swamps in the Atchafalaya Basin region.  I checked out Houma, LA – which is the traditional “home” of old Swampy.  I just immersed myself as much as I could, so I could write about the region with a little authority.  Plus, I got to hang out in New Orleans a bit, which wasn’t half bad either.

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WAYNEXIAOLONG: You’ve studied Chinese history and culture. How do you feel about how China has been represented in the New 52?

CHARLES SOULE: That’s a good question.  One of my favorite character groups in the DCU is the Great Ten – the China-based superhero team.  I know a bit has been done with them so far, but it would be fun to see them brought out in a more significant way.  I actually have a story idea for Accomplished Perfect Physician that it would be fun to write up one of these days.  Put it in the stack with that Swamp Thing/Red Lanterns crossover idea – we’ll see!

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WAYNEXIAOLONG: Which figure in Chinese history do you think a Green Lantern ring would most likely have chosen?

CHARLES SOULE: This might be a bit inside baseball (or inside Chinese history), but I think Zhu Yuanzhang, aka the Hongwu Emperor.  He’s the guy who started out as a Chinese peasant during the latter years of the Yuan Dynasty (which was when the Mongols – guys like Genghis Khan – were running China).  He ended up fronting a revolution against the Yuan, and, eventually, taking over the whole country and founding the Ming Dynasty.  Talk about willpower.  I actually shudder to think of what the world would look like today if that guy had gotten his hands on a ring. He did plenty with nothing other than what he was born with.

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WAYNEXIAOLONG: Which figure in human history do you think would be most justified in putting on a Red Lantern ring?

CHARLES SOULE: Red rings are given to people who have experienced great rage. You know who’s always seemed incredibly ticked off about just about everything? John Lydon, aka Johnny Rotten from the Sex Pistols.  Harlan Ellison, too – neither one of those guys seems to get through a day without flipping out about something or other.  I realize you might have been looking for someone more like Boudicca (the revenge-crazy Celtic queen who whipped through Roman Britain like a well-sharpened scythe), but hey, there’s plenty of room in the Reds for everyone.

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The cosplay phenomenon manifested itself, mostly at a grassroots level, from the collision of social forces old and new. Equal parts post-modern hyper-consumerism and ancient ritual, cosplay combines humanity’s celebration of its own imagination and a refusal to accept its natural limits. Like mating dances and funeral marches, it is inherently sexual with its multiple sexual identities decided by its multiple audiences. Through cosplay, the cosplayer rejects their reality in favor of a reality augmented by a fantasy element. The act is both self-destructive and self-affirming. It is both personal and social. During the act, the cosplayer is constantly engaging the character being recreated and through this process, an intimacy is created. For fans of those character, observing others in the cosplay act can stimulate their own feelings of intimacy will the character, exponentially increasing the Barthesian experience of an author losing control of their work while the audience creates its own text from its own understanding of the work. People are attracted to the cosplay community because of the orgy of it all, the give and take of cerebral and sexual signs that compel visceral responses from the intellectual and physiological self.

Cosplay is real people, but it isn’t. The characters are generally more professional than the actors. Cosplay succeeds when it blurs the lines between its multiple realities in interesting ways. Lex Luthor is obvious in the Prometheus suit, but what about his birthday suit? Craftsmanship, creativity, and courage are characteristics that greatly benefit a cosplayer. Veidt.com is a unique voice in the cosplayer universe. Describing themselves as “a stupid little fansite celebrating alt cosplay, post-human culture, and parody,” Veidt offers what a lot of people are looking for in their cosplay- nudity. Veidt is not a pornographic site, but it will likely stir a few of those feelings you discovered during puberty. In addition to its erotic character, Veidt maintains a minimalist aesthetic more John Waters than Andrew Blake, punker than it is pretty.

Additionally, Veidt stands on the merits of its own street credibility or rather its geekdom authenticity. Named after the ozziest of the Watchmen, Veidt demonstrates flawlessly a genuine interest and understanding of comics’ rich culture without the need to boast Comic-Book-Guy-style about its own authority. At a time when an embarrassing number of males in the sci-fi community are attacking females in the community under the ridiculous charge of being fake nerds, Veidt is a site maintained by women that are real nerds- I mean that as a compliment, of course. Sure, you will find Supergirl and Catwoman on their site, but also several Green Lanterns (even a pre-Red Lantern Green Lantern), characters from independent comics, characters of their own creation, and other characters of varying obscurity.

Anyway, I spoke with some of the ladies at Veidt.com and did a few Wayne Xiao Long interpretations of some of their photos. I encourage you to check out their site to see what it is these remarkable women do.

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INTERVIEW WITH THE WOMEN OF VEIDT.COM

WXL: Who are you?

VEIDT.COM: I’m the concept artist behind the alt cosplay site Veidt.com, which encompasses pretty much everything on there, except for the part that actually matters- wearing the costumes.

WXL: You maintain a site that features pop culture news and your opinions, but is mainly known for featuring beautiful and beautifully tattooed women dressed as characters from video games, comic books, and your own imagination. Unlike many other cosplay sites, yours sometimes offers a more intimate look at the bodies of the cosplay models. It’s a very popular site that doesn’t generate income, right? So, my question is, why do you do it?

VEIDT.COM: This was never intended as a for-profit venture, it’s a silly little art project that’s somehow developed a following. There are very definitely real costs to the stuff we do, but have been quite fortunate that whenever we put up a crowdfunding campaign to keep going, the audience has responded. I’m so grateful for their interest and support, which has allowed us to continue growing.

That’s not to suggest there’s anything wrong with generating revenue. I’m very much a fan of capitalism, and will do other things, but I’d like to keep Veidt as freely available as I can, for the foreseeable.

WXL: Your site gives the impression that all of you are friends. How did you meet each other?

VEIDT.COM: There’s definitely a couple of interesting stories there.

People seem to have a lot of distinct impressions about the site and I kinda like that it’s open to interpretation. As long as they know the shoots are very much a collaboration, and that the best ideas often aren’t coming from me, they can think whatever they like.

I am working right now on a story that combines some of the history and experiences of the site, as a foundation for some radical leaps of imagination, to do something I haven’t seen in comics. Ideally, would love to find the right artist to work with, and make it an open-ended one-off comic book. But if not, I suppose it will go out at some point as a prose piece, with supplemental sketches and photos.

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WXL: Two characters your site is particularly fond of recreating are the Green Lantern characters Star Sapphire and Arisia Rrab. These are both characters under the thumb of Hal Jordan in pretty demeaning ways. By becoming Star Sapphire, any of Carol Ferris’s personality other than her love for Hal ceases to exist, revealing a very outdated perception of women. Arisia Rrab is Hal Jordan’s thirteen year-old girlfriend that alters her appearance to allow Hal to continue his pedophilia when they return to Earth. These women surrender control and even meaning over their lives to a man so easily and yet the models on your site seem to have taken a great deal of control over how they use their bodies and they allow themselves to be publicly represented. Was this a conscious choice to use such characters? More generally, what are your intellectual objectives with the site? How do you define the feminist components of your work? What is your contribution to our collective and your individual struggles with gender?

VEIDT.COM: It’s even weirder, as Hal Jordan doesn’t really mean anything to me. The first DC series I devoured, outside of some Batman books, was Grant Morrison’s JLA, which had Kyle Rayner. That lead me to track down the Keith Giffen run, which came highly recommended, and that’s wall to wall Guy Gardener. And then the JL cartoon was John Stewart…all of those characters had great moments, and strong personalities, so when all of the focus seemed to suddenly shift to Hal Jordan, I didn’t get it. I have no idea what’s supposed to make him better than these other guys, and in fact my biggest exposure to Hal was the pacifist fighter pilot nonsense in the beginning of The New Frontier, and that almost made me stop reading- fortunately, I persevered through…it is an exceptional story.

Very aware of the back-stories of Arisia and Star Sapphire, and would love to go off on a screed about Arisia, in particular, but I’ve actually channeled my reactions to and fascination with that character into the more fictional aspect of the story I mentioned working on. Don’t want to spoil that, but I hope it makes for an interesting / alternate / unexpected take on an utterly absurd, yet compelling character.

As for our cosplay shoots inspired by these characters, there’s definitely a degree of satire by exaggeration behind them. Also, one of the motivations for the images was to try to channel some of the comic book, post-human world into our mundane reality. I don’t think I’ve succeeded at conveying that, as the most consistent criticism is of things like power outlets and light switches in the background. That was kind of the point, and I guess I fail at subtext for having to come out and explain it.

And while I appreciate the question on intellectual objectives, I haven’t earned that. I got accepted to CalArts after hs, but didn’t get to go (parents wouldn’t pay for art school.), made and maintained friendships with some people there, though, and because I had an outsider perspective, was able to see how uncomfortable it could get when people spoke way too much about their process. Not taking your work too seriously, I think that’s actually admirable, and can be an asset. But radically overestimating the audience’s interest in the people behind the work, or being an obv try-hard at personal brand building, is just…*shudder.*

I’ve gotten some fascinating feedback from all kinds of people, who’ve noted many things that were, and many that definitely weren’t, intentional. I appreciate getting people’s responses to this stuff.

WXL: Your site celebrates women in comic books and satisfies a desire than many people have. Most people that search for my site end up here because they were looking for naked pictures of Zatanna or some other comic book femme. It’s great they have your site for stuff like that. Are there any male comic book characters that you like to create costumes for and shoot pictures of?

VEIDT.COM: Well, I’m not short on volunteers, which is nice.

We actually did one this year, a Namor shoot for April Fool’s. A friend of mine has achieved some real fame in a particular niche, and he’s got the classic olympic swimmer’s build, so we did this…intending it to be a joke, but it actually turned out kind of amazing. Rarely look at my stuff and think, there’s a shot that could actually sell as a print, or something, but this set had one.

Sadly, someone close to him didn’t appreciate it, and I was asked to sit on them. That’s happened before, someone asking not to run certain pictures, which is fine, but this one kinda hurt.

If I don’t get the okay to use them soon, I’ll try reshooting it with someone else, as the costume and location really worked, and I’m curious to see what kind of reaction the pics might get on the site. We’ve gotten positive feedback from a pretty diverse array of people, so I’m hopeful some might be open to it.

Either way, there’s at least one other idea I has incorporating a male character; will get that done this summer, too.

WXL: Many of your shoots are in rather public locations. Could you share some interesting encounters with or reactions from the general population? Anyone cast a hex or proposition you?

VEIDT.COM: My favorite thing in the world is going hiking, really late at night. Running up and down hills, climbing and jumping like an idiot, it’s very effective for stimulating introspection and creative thought. Started doing it at night because when I’d go during the day, would occasionally run into another hiker, and that took me out of the moment, and tended to made me self-conscious. I bring this up to sort-of convey that I try to avoid people, generally, no matter what I’m doing. [And should the updates on the site abruptly stop, I’m likely dead somewhere in the Santa Monica mountains, or thereabouts. Hiking at night is very fun, but also dangerous and dumb. It’s cool, though, I will have gone out doing what I loved.

So yeah,  we have used public locations, but I’ve studied them in advance, and felt confident we could work there without running into anyone. It doesn’t always work out that way, though. We were shooting on a fire escape, once, and gradually became aware of this squat little guy masturbating from his window in the adjacent building, with a big smile on his face. We waved, and quickly went elsewhere.

It was a little surreal going into a comic store in LA, not long ago, and a couple people were looking at the Post-Human Pin-Up ebook on an iPad. They were going through it, occasionally talking about it, and I’m 3 feet away listening intently, having that comic book moment where Peter Parker has the imaginary half Spider-Man mask on his face, or Bruce Wayne’s shadow suddenly has bat ears, or whatever.

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WXL: I’m guessing that all of the models on your site have thought about this question before. Which comic book character do you think you personally could portray best on screen?

MARNIE: Cassie Hack, mofo!
HAN:  We just did Ravager, she’s the character i most wanted to do. Please, somebody, just make a Titans movie.

WXL: GL fan to GL fan, what do you think is the number one problem with the movie? Don’t say the costume- that’s a cop-out answer for a cosplayer!

VEIDT.COM: Number one problem? Radical over-reliance on ugly CG, and the costume is part of that, but so are the uninspired designs for Oa, Kilowog Potatohead, Parallax, and so many other elements.

But even if you somehow fixed all that, you still have the choice of Hector Hammond as a villain, the charisma vacuum that is Peter Sarsgaard, casting Blake Lively in a role that screamed out for Eva Green, the implausibility of Ryan Reynolds, Blake Lively, and Sarsgaard as a peer group with a long history, things like the GL oath and Kilowog saying,”Poozer”, which read fine on a comic page, but should probably never be spoken aloud in a film. Why was Tim Robbins in this movie? Bland music that made no impression. Also, no Arisia and no fleeting glimpse of Ferris as her future alter ego.

What it did right is a much shorter list: Ryan Reynolds wasn’t bad casting; at least someone thought to start hinting at a larger shared universe by bringing in Amanda Waller; and Mark Strong was pretty good. Happy we got to see him in Sinestro Corps mode for a few seconds.

GO VISIT VEIDT.COM!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

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As you probably know, Geoff John’s nearly decade-long run as helmsman for the Green Lantern titles is coming to a close. Green Lantern fans nervously await a new era as all the GL titles receive entirely new creative teams and a new title Larfleeze arrives. When the new creative teams were announced, fans prepared themselves for the transition. The GL fan base was shaken up again by the announcement that Joshua Fialkov would not be writing Green Lantern Corps and Red Lanterns, despite initial announcements that he would. DC demonstrated a high level of cool when picking Fialkov’s replacements, finding two very original voices from independent comics, Van Jensen and Charles Soule.

I had the good fortune of meeting Van Jensen last summer and we’ve eaten hot wings together several times since. When I heard the news that Van was chosen to replace Fialkov, I was excited for both Van and for the Green Lantern Corps. If you’ve seen Van’s previous work the Pinocchio Vampire Slayer series, you might have a hard time imagining this guy writing Green Lantern Corps, but you shouldn’t worry. From talking with Van, it’s clear he takes this responsibility very seriously and is thrilled to be working on the title. Growing up in Nebraska, Van’s access to comics was somewhat limited, but he could always rely on finding G.I. Joe comics and he still carries much affection for the series. Isn’t the Green Lantern really just a story about soldiers fighting vampires? Don’t worry. The Corps is in good hands. Bernard Chang will be delivering what is surely to be some amazing artwork.

Here we offer you our exclusive interview with new Green Lantern writer Van Jensen-

WAYNE XIAOLONG: Over the past decade, the Green Lantern titles have enjoyed tremendous popularity earned through outstanding writing and art. Since Hal Jordan exorcised Parallax and the Green Lantern Corps reformed, a great many iconic characters have been introduced and core elements of the DC multiverse’s quantum mechanics and metaphysics have been defined in the pages of Green Lantern books. Geoff Johns and his buddies pursued nearly absurd limits of grandeur, affecting the entire DC universe in fundamental ways. Your work in Pinocchio, Vampire Slayer has been an intimate series of small town murders while the Green Lantern books have been planet-wide genocides. As a writer, what are some adjustments you’ve been made as you tackle a narrative with consequences that reach pretty far beyond what you’ll write yourself?
VAN JENSEN: The work done by Geoff Johns, Peter Tomasi, Dave Gibbons and so many more is really remarkable, up there with some of the best creative runs that anyone has had in comics. So, first and foremost, I come in knowing that I have huge shoes to fill. I’ve worked to familiarize myself as much as possible with the details and mechanics of this universe, as well as with the complex histories of the characters. The scope of that research is quite a bit beyond what I did for Pinocchio, which relied almost entirely on Carlo Collodi’s original story. A key component is simply thinking on a grand scale about impacts—asking myself: “If this happens, what are the reactions not just within the Corps, but around the universe?” And the last component is working closely with Green Lantern writer Rob Venditti. Luckily, we come into this having been friends for years. Rob is an extremely talented, thoughtful writer, and it’s very easy to work with him.
WAYNE XIAOLONG: You’ve worked with artists long distance successfully before. What are some tips you can give creative partners separated by geography?
VAN JENSEN: The key is simply communicating clearly. Know what your expectation are, hit deadlines and work through problems together. We live in an age when distance isn’t the barrier it once was, so geography never should come between creative partners.

WAYNE XIAOLONG: For Green Lantern Corps, you are working with Bernard Chang. Chang’s style is quite different from Dustin Higgins who you worked with on Pinocchio, Vampire Slayer. Is the process very different with each artist? Any positive surprises working with Chang?

VAN JENSEN: I’ve known and admired Bernard’s work for a long time, and I count myself as extremely lucky to have a chance to work with him (as well as colorist Marcelo Maiolo). One thing I’ve learned is that Bernard is very attuned to storytelling. He asks lots of questions and brings lots of great ideas, making sure that the narrative flows effectively. That’s something that is very true of Dusty as well. So they’re fairly similar to work with, even though they are so different stylistically.
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WAYNE XIAOLONG:The internet breathed a sigh of relief when the rumor that you were going to kill John Stewart was put to rest. Many sensitive readers are still recovering from the death of Damian Wayne. Given the chance, how would you kill Superman?

VAN JENSEN: With a spoon.

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WAYNE XIAOLONG: I think what DC Comics is doing with We Can Be Heroes is really fantastic. What causes are you involved with?

VAN JENSEN: I agree completely. We Can Be Heroes is a great program, and it’s nice to see a company make such a significant effort to make a difference. Mostly, I’m involved with programs local to Atlanta—our Habitat for Humanity chapter, a couple of local homeless shelters and a creative writing mentorship program for kids at inner city schools.
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WAYNE XIAOLONG: Which U.S. President do you think a Green Lantern ring would have most likely chosen?
VAN JENSEN: I doubt that any president had as much willpower as Teddy Roosevelt, and he would’ve created some totally crazy constructs.

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WAYNE XIAOLONG: Which ring would most likely end up on your finger?
VAN JENSEN: If I’m stuck in Atlanta traffic, definitely Red.
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WAYNE XIAOLONG: Which ring would most likely end up on Pinocchio?
VAN JENSEN: Probably Red. That puppet has a lot of anger. And it’s fun to imagine him with an endless supply of stakes AND spewing flaming bile.

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The inspiration for this picture came from my wife. We were watching Pucca, the story of a love-crazed girl named Pucca and the ninja who tries to avoid her affections named Garu, and she compared Pucca to the Star Sapphire.

Here’s a guide for who’s who:

Pucca: Star Sapphire (Carol Ferris)

Garu: Green Lantern (Hal Jordan)

Abyo: Tom ‘Pieface’ Kalmaku

Master Soo: Guardian (with the hair? Let’s say Sayd from the Animated Series)

Yani the Cat: Dex Starr

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You should check out the Will Power Timeline, which charts the development of the Green Lantern narrative alongside the social and political climates of the United States throughout their shared history. I’ve added a lot of stuff this month.

Yalta, Space Sector 2814

Yalta, Space Sector 2814

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