Archives for posts with tag: suicide squad

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Dragon Con was a blast and I felt like the DC Comics and Cultural Studies panel went well. I’ve had a few requests so I’ve posted my paper “Discipline & Punish: Michel Foucault & the Suicide Squad” here. Hopefully I’ll get around to posting my paper from last year some time soon, but until then, enjoy this one.

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comics and popular arts conference hosted by dr. sivana

With Dragon Con less than two weeks away, the schedule for Dragon Con’s academic side-con has been released and I thought I’d share it with you here. While some events certainly appeal to me more than others, I’ll likely attend as much of the comics programming as my volunteer schedule allows. Quick observations: The schedule is pretty dominated by gender studies stuff. There seem to be a lot more television based panels than last year and most of the comic book stuff is on Monday. Sunday has almost nothing.

Anyway, here’s the schedule:

Friday

11:30 AM Comics, Trauma, and Psychiatric Disorders  (Hanover F Hyatt)

  1. Austin Hendricks (Georgia Regents University), “Waiting for Heroes: An Examination of Psychological Disorders, Existentialism, and General Strain Theory in Superhero Films”
  2. Kari Storla (University of Southern California), “Superheroes, super trauma: Is trauma in superhero comics a human or superhuman experience?”

2:30 PM – Game of Thrones: The Dark Time – (M301-M302 – Marriott)

        CPAC Panelist: Matthew J. Brown (UT Dallas)

4:00 PM – The Wayfaring Gater and Other Traveling Metaphors  (Westin, Chastain FGH)

CPAC Panelist: Richard Scott Nokes (Troy University)

7:00 PM – Of Monsters and (Super)Men (Hanover F – Hyatt)

  1. Corey Goergen (Emory University), “’It’s [Not] Alive!’: Disability, Eugenics, Zombies, and Frankenstein’s Creature”
  2. Shanna Early (Emory University), “Are Superheroes Monsters: Of Monsters, Superheroes, and the Law”
  3. Stephanie Larson (Emory University), “Dial Meow for Murder: The Figure of the Feline in Horror Literature, Film, and Comics”

8:30 PM – Roundtable: History of Gender and Race in Comics (Hanover F – Hyatt)

Comics Scholars: Daniel Amrhein (Independent Scholar), Matthew J. Brown (UT Dallas), Kari Storla (University of Southern California)

8:30 PM – Anime, Manga, and Japanese History  (Location)

  1. Yasemin Davarcı (Ankara University), “1904 – 1905 Russo Japanese War in Historical Japanese Manga”

8:30 PM – Hannibal Fannibals– Horror Track (Peachtree 1-2 – Westin)

        CPAC Panelist: Damien Williams (Kennesaw State University

Saturday

10:00 AM – Wonder Woman and Greek Mythology (Hanover F – Hyatt)

  1. Daniel Amrhein (Independent Scholar), “Wonder Woman and the Reappropriation of Women Warriors of Greek Myth”
  2. Matthew J. Brown (University of Texas at Dallas), “Love and Strife, Aphrodite and Ares – Marston’s Manichean Reconfiguration of Greek Mythology and Philosophy in the Wonder Woman Comics.”

11:30 AM – Hannibal: Brunch (Peachtree 1-2 – Westin)

Aaron Abrams and Scott Thompson dissect Hannibal’s elegant take on the horror genre

CPAC Panelist: Damien Williams (Kennesaw State University)

5:30 PM – Virtual Reality in Japanese Anime

        Panelists: Damien Williams, Michael Bugajski, Carl Dull

8:30 PM – Roundtable: Race, Gender, and Sexuality in Contemporary Comics – (Hanover F – Hyatt)

Professional Participants: Kelly Sue DeConnick, Amanda Conner, Laurenn McCubbin

Comics Scholars: Kari Storla, John Flowers, Tini Howard (Cape Fear Community College), Daniel Amrhein (Independent Scholar)

8:30 PM – Sense8 – Is this just another Cluster? (M301-M302 – Marriott)

 Panelists: Matthew J. Brown

Sunday

11:00 AM – CPAC Scholars Forum

Topic: Incorporating Comics and Pop Culture in the Classroom.

7:00 PM – Philosophical Perspectives on Japanese Anime

Scholars Carl Dull and Michael Bugajski discuss the philosophical themes in Madoka Magica and Cowboy Bebop.

8:30 PM – Diversity and Sexuality in Comics (Hanover F – Hyatt)

        CPAC Panelists: Johnathan Flowers (SIU Carbondale), Daniel Amrhein (Independent Scholar)

10:00 PM – Con Culture and the changing face of Fandom (Hanover F – Hyatt)

CPAC Panelists: Molly Dilts (Pennsylvania State University), Kari Storla (University of Southern California)

Monday

10:00 AM – Comics and Feminism (Hanover F – Hyatt)

  1. Molly Dilts (Pennsylvania State University), “The “Fake Geek Girl”: Female-Occupied Space and Masculinity in Geek Culture”
  2. Tini Howard (Cape Fear Community College), “Thinking Outside the Fridge – Changing Comics with the Subject/Object Problem”

11:30 AM – Kelly Sue DeConnick in Focus

  1. Ahmed Younis (Chapman University), “Comic Feminism: Re-Imagining Traditional Perceptions of Heroism”
  2. John Flowers (SIU Carbondale), “Captain Marvel and John Dewey’s Theory of Imagination”

Response: Kelly Sue DeConnick

1:00 PM – Comics in the Classroom Hanover F – Hyatt)

  1. Elizabeth Perkins (Morehead State University), “Teaching Critical Thinking Skills to College Freshman Utilizing the Portrayal of Crime & Justice in Superhero Movies and Comics”

2:30 PM – DC Comics and Cultural Studies  (Hanover F – Hyatt)

  1. Durf Humphries (Independent Scholar), “Discipline and Punish: Foucault and the Suicide Squad”
  2. Jessica Dambruch (Old Dominion University), “Rev Up Your Harley: Cultural Constructions of Gender In The Batman Universe”

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The Suicide Squad have been in the news a lot lately, especially since the release of the trailer for the 2016 film. As I put together my presentation for this year’s Comics and Popular Arts Conference, I’m becoming more and more entrenched in the lives of Task Force X as my presentation tries to place the Suicide Squad within the timeline of modern discipline and punishment as put forth in Michel Foucault’s Discipline and Punish: The Birth of the Prison. As I go through the source material, I’m also reading a lot of what people are writing online about the upcoming movie and I notice a dearth of articles written about the movie by people who have much experience with the actual comics. In an attempt to bring comic books back into the discussion of comic book movies, I thought I’d put together a few interesting tidbits about the Suicide Squad as they appeared in the comics.

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1. The Suicide Squad is older than the Justice League…sort of.

When the Suicide Squad first appeared in DC Comics The Brave and The Bold #25, they weren’t a chain gang of super-villains, but rather of a state-sponsored group of everyday heroes having not-so-everyday adventures. None of them had any superpowers and none of them had criminal notoriety. In many ways, they barely resemble the Suicide Squad in the comics today or the Suicide Squad as its been portrayed in popular media (Smallville; Batman: Assault on Arkham; the upcoming Suicide Squad film). What connects the original Squad to the contemporary Squad are the memberships of Rick Flag- a character who hasn’t been on the Squad in the comics for a long time- and Karin Grace- a character that, excepts for a few issues in the first revival of the Squad, has largely been lost to comic book history. Still, that old Suicide Squad of scrappy superpowerless do-gooders appeared in the pages of The Brave and The Bold before the Justice League, which made its debut in The Brave and The Bold #28.

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2. Those thugs were first assembled to defeat Darkseid.

While the Suicide Squad mostly goes on sketchy espionage missions to serve the interests of A.R.G.U.S. or Checkmate, they were first brought together to defend the planet against the terrible tourist from Apokolips, Darkseid. In his usual fashion, Darkseid has attacked the Earth on many fronts- physical, social, and psychological- which has made ordinary folks despise ‘heroes.’ Superheroes become unable to perform their basic function and villains are brought in to do the hero work. This may remind readers of how Lex Luthor, Captain Cold, and others came to perform heroic feats in the recent Forever Evil storyline when the Justice League was incapacitated by being locked up in the ever-unstable Firestorm matrix motel.

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3. They are a group of predominantly white super-powered convicts being bossed around by a high-ranking government official, an out-of-shape and overweight black woman.

In the United States, we haven’t had a black female president yet. We haven’t had a female president and it’s arguable that we’ve only had half of a black president. In our most female-filled congress of all-time, only 20% of the elected officials serving in the legislative branch are women. Only half of the fifty United States have ever elected a black person to the House of Representatives. There’s only been nine black senators ever and only one of them was a woman. Still, overseeing the Suicide Squad isn’t really the responsibility of an elected official, so we can assume Amanda Waller wouldn’t have to campaign for votes. Well… no CIA director has ever been black nor female. The same is true regarding directors of the NSA, FBI, and ONI. Carolyn Payton was black and a woman, but she was just served as the Director of the US Peace Corps which seems like a job that would bore Amanda Waller. Growing up in poverty, it seems strange that Amanda Waller would also have the social connections to end up in such a position. Likewise, it’s not until Amanda Waller is skinnied up in the New 52 that she has any real military experience as part of her background. Sure, the US  government is racially biased against black women in terms of promotion and Amanda Waller lacks the necessary background and physical fitness to perform her job, but we find Amanda Waller directing the affairs of the Suicide Squad, literally holding their lives in her hands- such is the unlikely magic of fiction.

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Are we finished with ways that the Suicide Squad narrative does not accurately reflect the way racial tribes manifest their power through our social institutions? Worry not, because despite the fact that nearly half (1 million) of the entire US prison population (2.3 million)  is black, nearly all of the members of the Suicide Squad are not black or were not black during at least part of their history- Bronze Tiger, for example, or Deadshot who has never been black until the casting of Will Smith. While short-time Squad member Black Adam has black in his name and is literally African, he’s got lighter skin than Betty White. While blacks and other ethnic minorities account for significantly less than whites in Suicide Squad membership, such disparity is not uncommon among super-teams as the superhero genre suffers famously for its lack of diversity. On the other hand, women consistently make up a larger percentage of the Suicide Squad than most super-teams (looking at you, Justice League/Avengers….), which is a little odd since men make up over 90% of the US prison population.  As statistically unlikely as the Suicide Squad’s roster would be in the real world, it is essential to the dynamic of Suicide Squad because who is the Suicide Squad?

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4. Amanda Waller is the Suicide Squad.

The Wall wasn’t part of the original Suicide Squad from the B&B days- there weren’t a lot of black female characters in 1950s comic books. She didn’t arrive on the scene until the Legends mini-series that introduced the world to the Suicide Squad as we understand them today and she’s been with them ever since. While the Squad certainly has its usual suspects (Captain Boomerang, Deadshot, Bronze Tiger, Enchantress, Plastique, King Shark, Killer Frost, Count Vertigo- to name a few), the only constant is Amanda Waller. As a character, Amanda Waller remained pretty consistent during her tenure in the DC universe. She’s operates from some shadowy government organization (Checkmate, ARGUS), monitoring and managing the world’s ugliest secrets. She doesn’t take shit from anybody, even presidents. Her existence is kept somewhat a secret, but she’s got connections everywhere. Physically, she’s short and heavy-set. Her figure distinguishes her from the bombshells that make up most female characters in the superhero genre. Her weapons include the power of persuasion and the ability to circumvent bureaucracy.

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Following in the 2011 film Green Lantern, Amanda Waller is portrayed by the lovely Angela Bassett- a casting decision that would have significant effects on the character. While the actress retained Waller’s authoritarian attitude, she did nothing to portray the character’s physical attributes and turned Amanda Waller not only into a sex symbol, but a much more physically violent character. Bassett’s portrayal heavily informed the way Amanda Waller would appear in the New 52, the company-wide overhaul that occurred in September 2011, the same year that the Green Lantern movie came out. In the New 52, Amanda Waller is a former member of Team 7 and actually joins the Suicide Squad in punching up the bad guys. The military background, weapons mastery, and martial arts expertise give Amanda Waller new strength, but at the cost of the original character. While I miss the original Amanda Waller character, I must admit I really enjoyed the New 52 Suicide Squad. The storylines related Waller’s past came across as very fresh, but I wonder if they couldn’t have created a different character- one skinny ex-military bad-ass and Amanda Waller instead of one skinny ex-military bad-ass as Amanda Waller.

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5. Belle Reve is the official Suicide Squad prison.

The inductees of the Suicide Squad Hall of Fame come from the halls of Belle Reve prison in Louisiana. Amanda Waller is the on-again off-again warden. The prison first appeared in Suicide Squad #1 back in 1987. It shares the same name of Blanche Dubois’s lost estate in Tennessee Williams’s A Streetcar Named Desire and translates roughly as “beautiful dream.”

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I got some good news a while back that I meant to share here. My paper Discipline & Punish: Foucault & the Suicide Squad has been accepted as part of the 2015 Comics and Popular Arts Conference at this year’s Dragon Con. This will be my third consecutive year presenting as part of CPAC. In the previous years, I had the privilege of sharing panels with some outstanding scholars and I’m anxious to see where I placed. As soon as I know the conference schedule I’ll share it here, but past experience tells me that won’t happen for a while. Still, I encourage all of you who will be attending Dragon Con to make time for a few CPAC presentations. Hopefully I won’t be booked at the same time as the parade like I was last year- not that it stopped folks from attending our panel.

As you can tell from the title (and hopefully the graphic), my paper will use the tools offered by Michel Foucault, particularly those found in Discipline & Punish: The Birth of the Prison, to look at one of my favorite DC Comics super-teams- Task Force X aka the Suicide Squad. Loftily I hope this presentation will also offer some insight into the desperate need for prison reform outside the DC Universe.

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After weeks of ambiguity regarding the fates of their titles after moving their offices from New York to California, DC Comics cleared things up somewhat with a statement this week. The simple answer: The New 52 is dead! Long live the New 52! The truth: DC Comics is removing the label New 52 and making continuity less of a concern if favor of greater diversity in story-telling. DC is not simply shedding the label, but also an ideological commitment to an experiment. The experiment? A new (err..rebooted) and thoroughly connected (err…though filled with holes) universe (err…multiverse)! Originally planned as 52 titles a month published in sync, following a universal timeline, the New 52 was a lofty ambition. For the experiment to work, creators had to work within a tight framework not only in narrative, but in artistic style- prompting the oft-used terms “DC house-style” or “Jim Lee house style.” These rules allowed a pretty cohesive fictional universe to thrive, but also alienated many creators and readers who wanted stories outside the framework of the larger experiment. By abandoning the New 52 and their ideological commitment to the New 52 experiment, DC Comics will be opening itself up to new, smaller experiments. The publisher’s lineup will be more chaotic this June not only because many titles will leave and many new titles will arrive, but those new titles and even the continuing titles will draw from a larger creative arsenal- new creators, new styles, new impressions on the characters, and new impressions on what super-hero comic books can do. To be fair, DC Comics continued to publish an assortment of books outside of the New 52 such as Lil Gotham and all those video game-related titles. Now new books like Bat-Mite and Bizarro promise to approach comics without the baggage of the New 52 experiment. The official word from DC suggests the end of the New 52 is motivated purely by creative ambitions, but it’s obvious to most readers that DC has found an awkward but workable solution to several concerns: 1) the move to California 2) the stress of managing the big continuity 3) the desire to attract more casual comics readers (the ones reading Image titles) 4) the New 52 is destroying itself.

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That 4th one can be broken down to specific problems within the New 52. I believe the beginning of the end came when the original creative team of J.H. Williams III and W. Haden Blackman left Batwoman over creative differences on whether or not Batwoman would marry. While this was not the first dispute-driven departure of a respected creator during the New 52, this departure, unlike George Perez leaving Superman, shook up something that most people believed the New 52 was doing right. Fans and critics alike couldn’t say enough nice things about the work being done on that book. The rush to replace Williams and Blackman with not only a talented creator, but one with a little LGBT cred to ease PR concerns, left Batwoman in the hands of Marc Andreyko and the book got noticeably worse. After Geoff Johns and associates completed their run on the Green Lantern titles, DC found a new creative team, but things fell apart and they again found themselves scrambling the fill some roles. Luckily they found a sort of dream team to take over those titles. Most problematic about the Green Lantern creative team shift, Geoff Johns wrote an epilogue in his final issue of Green Lantern, an epilogue whose authenticity would come immediately into question as the new creative team found ways to destroy all the love stories in that blossomed in that epilogue. Other books saw transitions. The success and failures of titles in transition were surprising. I really expected Chew’s John Layman to write a better Detective Comics while Jeff Lemire wrote a Green Arrow story unlike anything else he’d ever written, reinforcing what his run on Animal Man had suggested- the guy who draws those creepy picture book also has a visionary take on the super-hero model. Another reason why I see the Batwoman shift as the beginning of the end can be seen in the fifth collected volume of the title-  an inconsistency that runs along the spine, singling out the volume among all other New 52 titles as the unmentionable yet obvious stain on the whole endeavor.

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Look at that tiny little five! How embarrassing that must be for Batwoman Vol. 5: Webs! The other book that sticks out in a complete New 52 collection is Batman Vol. 3: Death of the Family because it’s white instead of black. While it may still drive the obsessive and compulsive a bit mad to look at, the change is obviously intentional. The tiny 5 on Batwoman Vol. 5 appears to be a Freudian slip, a subconscious expression of shame in ruining one of the New 52’s best titles.

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Since the official announcement of the New 52’s end, I’ve tried to figure what the New 52 really has been. Despite all the Convergence hype, it feels like the experiment is going out with more a whimper than a bang. There’s no real story to tie up as far as I can figure. So the question remains what was the New 52?

Here are 52 things I think made the New 52:

1) The Court of Owls

2) Wonder Woman’s new origin story

3) introduction (and reintroduction) of Vertigo characters into the DC universe

4) Superman-Wonder Woman love story

5) Triumphant revitalization of Aquaman (Throne of Atlantis arc)

6) Titles created just to foster the continuity experiment (Blackhawks, Team 7, OMAC, Threshhold)

7) Crime Syndicate and Forever Evil

8) Darkseid’s destruction of Earth-2 and Superman’s subsequent reign

9) Death of Damian Wayne

10) Skinny Lobo

11) Rotworld arc

12) Justice League Dark formation

13) Central role for The Phantom Stranger

14) Central role for Pandora

15) Future’s End

16) Joker cut off his face

17) Muslim Green Lantern

18) Gay Green Lantern

19) Young Green Arrow

20) Walking Barbara Gordon

21) Brother-killing Batgirl

22) Jonah Hex and Amadeus Arkham

23) Penguin takes control and loses control and regains control of Gotham criminal underworld

24) Catwoman takes control of Gotham criminal underworld

25) The Riddler brings Gotham to its knees

26) Batman Eternal and Jim Gordon’s blues

27) The most sophisticated Mr. Mxyzptlk story in DC history

28) Guy Gardner became a Red Lantern

29) The Guardians of the Universe were replaced by new Guardians of the Universe after proving themselves fascist tyrants one too many times

30) Kyle Rayner continued to become more messianic

31) Hal Jordan became the leader of the Green Lantern Corps

32) Superboy was a clone of Superman’s wicked son Jonathan Lane Kent from the future and also there were other Superboys

33) Cyborg Superman is… Supergirl’s father?

34) Lucius Fox’s son becomes Batwing

35) Harley Quinn did it with Deadshot

36) H’el on Earth (and Krypton)

37) The Culling of Teen Titans and Ravagers and a general feeling that Scott Lobdell was going to end up writing every title in the DC universe

38) Short lives of good titles (I, Vampire; Voodoo; Mr. Terrific; Captain Atom; Dial H)

39) Huntress and Power Girl, the World’s Finest of Earth-2, arrived on the primary Earth

40) Daniel West is the Reverse-Flash

41) Bad futures depicted in Justice League 3000, Future’s End, Superboy, Teen Titans, and the Legion of Super-heroes

42) Aimless movement from the Legion of the Super-heroes

43) Two heavy-handed comics nobody liked (The Green Team and The Movement)

44) Martian Manhunter with Stormwatch, Martian Manhunter without Stormwatch

45) The return of Lyssa Drak and a Sinestro-led Sinestro Corps

46) Frankenstein: Agent of SHADE and other Dark titles

47) Trinity War

48) Lights Out, Relic, and the draining of the emotional spectrum

49) Trying to figure out what to do with Darkseid

50) Trying to figure out what to do with Deathstroke

51) The Rogues with super-powers

52) Company-wide campaigns particularly in Septmember- 3D covers, MAD variants, Scribblenauts, Robot Chickens, Zero Year, etc.

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With LEGO Batman 3: Beyond Gotham coming out in the US in just a few days (November 11, 2014), I picked up its Bizarro version LEGO Marvel Super Heroes. As longtime readers of this blog know, I am much more a DC Comics fan than a Marvel Comics fan, which speaks more to my fondness for DC properties than for any love lost between Marvel and I. If I had all the time and money in the world, I’d probably read Marvel Comics too…and I’d probably read them while traveling the world by boat and train. However my clock and pocketbook have limits, so I’m a Marvel fan like the majority of Marvel fans- I’ve seen the movies and I watch Marvel’s Agents of SHIELD every week. I also dabble in the Marvel video games, which, like most comic book video games, are hit and miss. Captain America: Super Soldier? Hit. Fantastic Four: Rise of the Silver Surfer? Miss, but Silver Surfer serves a central role in the LEGO game and it works really well.

I’m a believer that certain superheroes produce better video games than others because of their powers. Because of the limitations for characters like Batman and Captain America, they make for better games than more powerful heroes with more complicated power sets like Superman and Green Lantern. Flying characters bring their own problems and their success lies in the gameplay- is it easy to control Iron Man’s suit? how fluid is Spidey’s swinging? Wolverine is a unique character because of his famous healing factor. Characters with hyper-developed mental abilities like Jean Grey and Professor X (or Maxwell Lord and Hector Hammond, if you like) also present challenges for video game platforms. How do your remotely control a metahuman brain with less than ten buttons and your meager human brain? Other characters with power sets that overwhelm almost any situation like Magneto or the Sentinels require the player to forgive a necessary weakening of the character in order to make them playable.

In the case of Magneto, LEGO lucks out as LEGOs are not magnetic, making a LEGOverse a severe handicap to Magneto. The LEGO approach to superhero gaming actually works incredibly well and not just for Magneto. Some characters suffer, but their suffering is presented in a way that 1) recognizes its limitations and 2) tries to soften it up with humor. Two particular characters come to mind. In the DC universe, we find Green Lantern being able to assemble a few green legos that no one else can assemble and while that’s a far cry from being able to create unlimited light constructs, LEGO makes reference to the classic Highball Hal Jordan’s repertoire by having him build boxing gloves and bowling balls. In the Marvel universe, Mr. Fantastic is only able to take advantage of his stretchiness when certain triggers in the game allow it. When standing on a 4 platform, he turns into situation specific shapes- something I imagine we can expect from Plastic Man in the LEGO Batman 3– and most of them are humorous. Similar he can slip through grates as long they’ve been clearly marked as passable grates.

Humor is a huge element in the LEGO games and LEGO Marvel really brings it. All of the LEGO games have the player building ridiculous things for ridiculous reasons. Because LEGO has chosen such content rich franchises as Star Wars and Harry Potter, they’ve been able to integrate into their games many in-jokes for fans of those franchises. While the Star Wars, Lord of the Rings, Harry Potter, and Indiana Jones franchises have a great deal of content to draw from, those franchises pale in comparison to either Marvel or DC in terms of source material. Even as a modest Marvel I was able to pick up on many of the game’s jokes such as Stan Lee drinking a contaminated soda a la The Incredible Hulk. Being only a Marvel novice, I’m sure I missed plenty of winks, giggles, and Easter Eggs. Several characters appear in the game that I don’t recognize and I think that’s great. I hope hardcore Marvel fans really appreciate all the little details put into the game. As a hardcore DC fan, I’m expecting a sophisticated awesomeness from LEGO Batman 3 and the pre-release hype has got me pretty excited. Some of my favorite more obscure characters have already appeared in promotional materials- Frankenstein, Detective Chimp, Swamp Thing, and so many Lanterns including my two favorite Red Lanterns Bleez and Dex-Starr. You’ll also be able to play as real like folks like Jim Lee, Geoff Johns, Kevin Smith, and Adam West- maybe in the fourth installment you’ll be able to play as a real-life woman. Maybe the adorably rad Tiffany Smith from DC All Access or iconic refrigerator inspector Gail Simone.

In LEGO Marvel Super Heroes, you can wear lots of Iron Man’s suits including the original, War Machine, Iron Patriot, and even Pepper Pots. Costumes from different points in the lives of the Fantastic Four, Spider-man, and certain X-Men are available. You can even choose between the Mandarin from the comics and the Mandarin from Iron Man 3. With LEGO Batman 3, the creators actually have less cinema to draw from than the Marvel folks, but they have a longer comics history, an expanding television universe, and a long string of brilliant Elseworlds tales to draw from.

In signing off, let me just mention that Batman: The Brave and the Bold is an underrated console game.  I’m bummed Arkham Knight isn’t coming to Wii U. I want to see Cheetah in Injustice 2, I’m really enjoying the Injustice comics, and I don’t understand why the Mortal Kombat series have to be in the Injustice games at all. I don’t know how I feel about having a Joker in the Suicide Squad movie, but then again, I don’t how I’d feel about a Suicide Squad movie without Harley Quinn. The whole thing just tears me apart like a string of LEGO blocks.

 

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“And the Justice League is dead,” announces Ultraman in the first issue of Geoff Johns and David Finch’s mini-series Forever Evil, the main book of the DC Comics event of the same name that resurrects the Crime Syndicate. “And Jesus wept,” John recalls as he tells the resurrection of Lazarus. If the DC Universe died when the New 52 initiative began, Forever Evil is a way of telling those bemoaning the reboot to stop weeping because that old universe has come back to life. The event certainly shook up the New 52, but has only left the universe stronger for it. Remember that Lazarus lived an additional 30 years after his resurrection and that was spent mostly signing autographs and trying not to laugh.

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Forever Evil tells a great threat to our world and features a lot of villains. The great threat is employed to expose the more intimate natures of DC Comics fan-favorite villains. The threat comes from the Crime Syndicate, an alternate and “evil” version of the Justice League, with a roster of villains that correspond to members of the Justice League.

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The Crime Syndicate comes from Earth-3, a parallel Earth that resembles Earth-1 but lives under the thumb of the Crime Syndicate. An over-simplified assessment could describe Earth-3 similarly to the original conception of Qward, a place where evil is law- right is wrong and wrong is right, but the narrative of Forever Evil shows the impossibility of such an idea by showing how the villains of Earth-1 themselves are beyond good and evil. Earth-3 is not the opposite of Earth-1, but rather an Earth where those in power care even less for the people than those in power in ours. While the spirit of the Crime Syndicate is nastily selfish and sadistic, the people of Earth-3 are quite aware of the boot stamping on their face- forever (evil).

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The Crime Syndicate hope to recruit the villains of Earth-1 but encounter some resistance. This resistance comes from major villains like Catwoman, Lex Luthor, Black Manta, Black Adam, and the Rogues. More minor villains like Blockbuster and Parasite have an easier time towing the line. The Crime Syndicate do a few things that irk the villains and it’s hard to say if these actions are even evil based on their motivations and the villain’s reactions. For Ultra-Man’s survival and strength, he blocks the sun with the moon, something that pisses off most Earth-1 residents and particularly Poison Ivy. Black Manta opposes them because they “killed” Aquaman and his anger does not come from grief for the “fallen” Atlantean, but because the Syndicate robbed him of the chance to kill him. It is the autocratic imposing of their will upon the nations and people of Earth-1 that angers both Lex Luthor and Black Adam- two individuals who pride themselves in their abilities to impose their will on others. The Rogues initially consider joining the Crime Syndicate until the Crime Syndicate orders them to destroy their own home towns, the Gem Cities. The Rogues, of course, have long been known to stick to a no-kill code and their motivations clearly financial, so their repulsion at the thought of decimating Central City and Keystone City makes perfect sense. Two-Face’s response is typically loyal to the outcome of his coin flip.

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The Forever Evil story has been published in trade form over the past five or six weeks. As with most big events, the choices made by DC Comics in publishing the collected event cause a Groundhog Day-like disruption of narrative. The action of Forever Evil can be found in many places throughout DC’s catalog. Events unfolded in the Forever Evil mini-series itself, Forever Evil: A.R.G.U.S., Forever Evil: Arkham War, Forever Evil Aftermath: Batman Vs. Bane, Forever Evil: Rogues Rebellion, Justice League, Justice League Dark, Trinity of Sin: The Phantom Stranger, Trinity of Sin: Pandora, Constantine, many of the “Villains Month” titles, and a scattering of other titles. Some events and even panels repeat in different issues- the Rogues breaking Trickster out of Iron Heights, for example. What DC Comics generally does when there is a major event like this, they publish the trades based on the title rather than the timeline. This makes the reading experience for the trade reader (myself) distinct from the experience of the issue-reader who sees each piece of the story unfold simultaneously, much safer from spoilers. I’ve heard and read trade readers complain about this and admit some discontent myself. The phenomenon hits Green Lantern fans repeatedly. Another curse is that in collecting the trades, you end up with multiple printings of the same issue as experienced in Throne of Atlantis and Rotworld events. The Forever Evil: Blight trade contains issues that readers of Justice League Dark, Trinity of Sin: The Phantom Stranger, Trinity of Sin: Pandora, and Constantine will find already in the collected trades of those individual series. It’s a bit of a damned-if-you-do-damned-if-you-dont-paradox that leaves comics readers either missing out on chunks of story or buying multiples printings of the same material. As DC has spaced out the release of each trade, there is an implied order to reading them. Forever Evil: Arkham War and Forever Evil: Blight actually works pretty well independent of the main Forever Evil series, but Forever Evil: A.R.G.U.S and Forever Evil: Rogues Rebellion are entirely dependent on the events of the main series.

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For those readers who are considering only one additional Forever Evil beyond the main series, here is a breakdown of what you can expect:

Arkham War is obviously written with Batman fans in mind despite having very little actual Batman in it. It’s written by one of my favorite writers Peter Tomasi and I believe they picked the worst possible picture for the cover. The art within is so much better than the close-up face-off of Bat-Bane and Batman. It is predominantly a Bane story, but features a whole slew of Batman’s enemies including Scarecrow, Mr. Freeze, Poison Ivy, Penguin, Killer Croc, Man-Bat, Pyg, and Clayface.

A.R.G.U.S. centers largely around Steve Trevor and Etta Candy, making it a book for Wonder-Woman fans despite the fact Steve Trevor hasn’t really appeared in the pages of Wonder Woman. It is more closely related to Justice League, Suicide Squad, Justice League of America, and the secret agent-y government-y titles. The major villains are Killer Frost, Cheetah, and Deathstroke. Among the lesser villains, Cheetah leads a cool-looking pack of anthropomorphic antagonists. While it tells the back story of an important plot point to the greater Forever Evil narrative, it is probably the weakest, in both story and art, of all the Forever Evil subplots.

Rogues Rebellion is a story for Flash fans, obviously. It features the usual lineup of Captain Cold, Trickster, Weather Wizard, Mirror Master, Heatwave, and Glider. Classic Flash baddies Pied Piper and Gorilla Grodd appear as well. Several character more normally associated with Batman makes appearances; the Rogues find themselves transported to Gotham where they encounter Victor Zsasz, Poison Ivy, Mr. Freeze, and Black Mask.  In addition, there are quite a few second-stringers like Black Bison, Parasite, and the Royal Flush Gang making appearances. This book more than any of the others, including the main series, celebrates the community of villains operating in the DC Universe.

Blight is a Pandora story that stars John Constantine. It is readers who have been following the Dark family of titles and have familiarized themselves with the Trinity War event. This story is important to the entire plot mainly because Pandora’s box is what enables the Crime Syndicate to come over to Earth-1. It retains the feel of Justice League Dark and if you like that, you’ll like this book. If you’re expecting some Vertigo-eqsue tome, you will be disappointed and I recommend you read Rotworld for something closer to that experience.

All in all, I see Forever Evil and titles like World’s Finest and The Multiversity in the same way other comics speculators have already said: DC Comics is gearing up for an infinite crisis of infinite proportion. I’m excited. I feel I’m much better prepared to understand it than I am to understand Infinite Crisis on Infinite Earths, which is a book for its time. Will my generation’s crisis overdo the crises of the past? If Forever Evil is any indication, I believe it will.

 

As frequenters of this site know, crosswords of varying difficulty have appeared sporadically since the site began. The empire was built on those little boxes, penciled in between our slings and arrows, our ups and downs. Yesterday a small start up tech firm known as The Google brought attention to the 100th anniversary of the versatile medium. Those nerds celebrated with an animated doodle. The World’s Second Greatest Detective , refusing to be outdone by a bunch of coder and cooties, decided to massacre two birds with one stone by simultaneously commemorating the 100th anniversary of the crossword with the publication of DC Comics New 52 Villains Omnibus, a mammoth tome featuring each of DC Comics Villains Month issues from this past September, with a DC Villains Crossword. The answers are all titles taken from the New 52 Villains Omnibus, so don’t go looking for Catwoman, Hush, Amazo, Gentleman Ghost, etc. If you need a list of those titles, click here.  If you click on the puzzle, it gets much bigger too.

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Across

5. what’s cooler than cool? ice cold

7. classic teen tightener

8. makes lions cowardly with gas

9. say hello to their little friend

10. pointed the Flash to Flashpoint

11. more badass than Duane Chapman

16. rules Gotham from a shadowed perch, behind granite and lime

17. the blackest night’s blackest knight

22. rough in a diamond

23. lives in the worst part of Gotham City

25. if dialing h gets you preparation e, this is how you get preparation h

29. Jordan’s friend, Natu’s father

30. Aquaman’s brother

32. Can be usually be found at the Iceberg

33. Solomon Grundy died on Saturday, but Superman died on this one

34. Born in the dark, molded by it

35. I make a point of never being clueless, who am I?

36. One of the Jor-El’s best buddies if only in his mind

38. faster pussycat kill kill

39. So Raven

43. Played poorly by Kevin Spacey

44. big bad harv

45. Has a cooler collection of bottles than any frat boy you know

47. Of all of Darkseid’s minions, he probably finds the most sexual gratification from spanking

Down

1. Coast City’s least favorite Superman

2. Not the handsomest villain but possibly the hungriest

3. one of the few female characters to put on more clothes in the New 52

4. his scientific discoveries were vital to Talia’s war on Batman, Inc.

6. Wonder Woman’s brother

8. whether male or female, a problem for hawkman

10. looking to put Green Lanterns’ lights out

12. A failure for Lex Luthor, especially compared to Superboy

13. One of Jor-El’s best buddies

14. hair like the Joker

15. Inspired the pornographic thespian Jack Napier

16. poison ivy planted seeds in him

17. gave Aquaman’s dad a heart attack

18. one bullet minimalist

19. Gems of the Gem Cities

20. digs lysistrata and wearing other people’s faces

21. most wtf character choice in Injustice video game

24. Grandfather to Thomas Wayne’s grandson

26. of Super Villains

27. just another clever beat inventing knowing

28. put the rot in rot world

31. The man with a kryptonite heart

37. aims to make aiming arrows difficult

40. once wore a lot of Sinestro Corps rings

41. christened Cyrus Gold, possibly on a Tuesday

42. iconic cosplay favorite who appeared in an animated series before appearing in a comic

45. subject of the best storyline in 52

46. kisses with his Apokolips

Google across my angry middle finger

Above you can see what Google’s doodle looked like while below you can find the correct responses to the crossword clues.

answers

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