Archives for posts with tag: animation

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Last night the missus and I headed down to The Goat Farm to check out The Cricket Gallery‘s exhibit featuring animation art from 1990s cartoons including several Nicktoons like Ren and Stimpy, Rugrats, Doug, Aaah! Real Monsters, Rocko’s Modern Life, and Hey Arnold, but also MTV icons Beavis and Butthead as well as Aeon Flux. While the weather was chilly, the response from everyone in attendance was very warm- the crowd  ooh’d and aah’d at all these artifacts from their childhood. Not all of the cartoons made their way to China, but my wife still recognized a lot of them. She would’ve been really happy to see Daria, who she’s fallen a bit in love with since coming to the US, but the cynical Miss Morgendorffer was nowhere to be found.

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The exhibit also features some classic Disney and Warner Bros. cells and sketches.

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There was a good lot of Simpsons sketches, but they weren’t represented on the scale of the Nickelodeon stuff. In addition to the Lisa sketch below, there were sketches of several Simpsons characters. There’s a particularly charming one of Krusty the Clown that I didn’t get a picture of, so you should really go there yourself. It’s free and lasts until November 16.

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Of course, my favorite items in the exhibit feature a certain Caped Crusader and some of the rogues who really came to life in Batman: The Animated Series- Clayface, Two-Face, Joker. The exhibit was great and my only complaint is that it’s a little small considering the size of the Cricket Gallery collection and the size of the venue- also, how could you display Batman: TAS stuff and not include any Harley Quinn item?

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I’ll be the first to admit that these photos don’t do any of the pieces justice. I forgot my proper camera and just took there with my phone. You should go to the exhibit yourself anyway. Like I said, it’s free and lasts  until November 16. I hope the Cricket Gallery will share more of their collection in the future.

 

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For the second year, the World’s Second Greatest Detective presents an assessment of the comics I’ve read, awarding accolades to books that impressed me. Like last year’s list, this one comes at the beginning of September because my comics year begins and ends with Dragon Con in Atlanta. A lot of titles that I mentioned last year continue to turn out great work: Saga, Revival, Batman, Manhattan Projects– but I’d rather steer attention to titles that didn’t make last year’s list either because of my ignorance, their slow creep to trade, or the fact they didn’t exist last year. There will also be some categories this year. For example:

Best Comic Book Character portrayed in an animation

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Katana in “Beware the Batman”

I should remind you that I don’t read any Marvel books, though the announcement that Charles Soule is leaving all his DC titles and the particular temptation of his Death of Wolverine has me eying the other side of the fence a bit. My decision to abstain from Marvel Comics is sort of arbitrary, but not totally without reason- limits on time and resource do not permit me the luxury of reading every comic book, so I picked one of the big two companies and don’t read the other at all. Though I do read a lot of independent comics and that’s really where my heart belongs. I picked DC over Marvel because of many reasons, but the simplest is Batman.

Not all of the accolades will categorized. Nor may all those mentioned really be ‘comics of 2014’ in the truest sense. For example, thanks to a generous donation by Oni Press to the WonderRoot Jackie Ormes Comic Book Library. I had the privilege to read two series that knocked my socks off:

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Courtney Crumrin is the fun story about a misanthropic little girl who lives a society worth hating, but luckily finds an uneasy friendship with her witch uncle and a few easier friendships with netherbeasts. It’s a clever book and the content is acceptable for most age levels.

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The Sixth Gun is an epic story set in a very Wild West, shaped by all sorts of occult and heebie jeebie ghost stuff. Cullen Bunn and the other creators of The Sixth Gun have moved onto other things and the news that DC would cancel All Star Western saddened me a little. East of West is still kicking around, but 2014 has  introduced a Western title that I may enjoy more than all three of those titles.

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Pretty Deadly contains some amazing art. Much like the best work of J.H. Williams III or Francis Manpaul, Emma Rios’s artwork stands out for her creative use of the medium. Panels and pages work together to create a fantastic pace. As Kelly Sue Deconnick’s writing takes the story in and out of stories and timelines, the art and especially the coloring distinguish the different parts of the whole quite well. Deconnick opened the Comics and Popular Arts Conference at this year’s Dragon Con with a rousing talk touching on a variety of subjects such as how we learn publicly and with record in a fast-paced technological society and how that empowers a ‘gotcha culture’ which in turn hinders our ability to learn; the use of the white male as the default character; the futility of overly emotional and aggressive responses to opposing ideas; and comic books. Her husband writes a pretty good comic too.

doing it and doing it and doing it well

Sex Criminals is a twist on Bonnie and Clyde, Robin Hood, Out of this World, 9 Songs, the Matrix, A Dirty Shame…and yeah, it isn’t. It’s an incredibly original story about a girl who stops time when she orgasms and a boy who also stops time when he orgasms. They discover this shared ability during the act of coitus and put it to good use, robbing banks to raise money for a library under attack by a viciously greedy bank that the boy happens to work for and where he poops in his boss’s office plant once a day.

Another catergory?

Worst Comic Book Character portrayed in an animation

For the video game-inspired animated movie Batman: Assault on Arkham, a bit of a revolution for the animated superhero movie with its Guy Ritchie-like pace, excessive profanity, explicit sexuality, and a level of violence exceeding even last year’s The Dark Knight Returns, DC made a Suicide Squad movie under the guise of a Batman movie. One thing I like about it is how they retained the original physical attributes of Amanda Waller instead going for the Angela Bassett model. One thing I didn’t like is how they turned King Shark from this:

Joker lipstick on a shark

King Shark in the comics to:

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King Shark in Batman: Assault on Arkham

He looks a cross between Bane and Jaws from The Spy Who Loved Me. Their motivation for desharking the shark is unclear to me. I also don’t understand why David Goyer wants to demartian the Martian Manhunter.

Best Comic Book Companion to a video game

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Injustice: Gods Among Us begins before the video game’s storyline. In the simplest terms, Joker has tricked Superman into killing Lois Lane who is pregnant with Superman’s baby. Superman gets so mad that he kills the Joker, beginning the fascist reign of Superman and a doting Wonder Woman. Because it is an Elsworlds story with so many DC characters involved, the opportunities for bringing the essences and flaws of these characters abound. Tom Taylor wastes none of them. The Bat family is especially well-done is the book- particularly Alfred and Catwoman.

Best Art in a Superhero Comic Book

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Jae Lee did some of the best work of his career during his time on Grag Pak’s Batman/Superman. Of all the superstar artists from the 1990s that have continued in comics, I think the development of Jae Lee’s work has been the most interesting to watch. If you haven’t seen his work on Before Watchmen: Ozymandias, I highly recommend that one too. Batman/Superman is a dreamy book, but it is not without a strong sense of character and expression. This collaboration between Pak and Lee stands out as a triumph in comic storytelling.

Second Attempt That Makes The Most Sense in the New 52

Giving Deathstroke another chance at having his own title. Also looking forward to Gail Simone returning to her Secret Six roots later this year.

Second Attempt That Makes The Least Sense in the New 52

Why are the Teen Titans starting over again with issue 1?

Best Volume 3 collection of the New 52

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Grant Morrison’s run on Action Comics fulfilled its own prophecies in Vol. 3: At The End Of  Days. Morrison’s writes for the long haul and sometimes it works really well (Seven Soldiers of Victory, All-Star Superman, the epic story of Damian Wayne, Doom Patrol, Filth). His eighteen issues on Action Comics is separated into three acts, best illustrated by their separate trade collections. Vol. 1: Superman and the Men of Steel comes off as a pretty typical superhero comic- it’s action-packed and reintroduces many classic characters from Superman’s mythology such as Lex Luthor, Lois Lane, Jimmy Olsen, Metallo (Metal-Zero), and Brainiac. There are few weirdo moments, typical of Morrison’s work, but don’t overpower the straight-forward superhero elements. Vol. 2: Bulletproof is pretty weird, more distinctly Morrison. The story is all over the place, referencing itself, making the most out of the queer moments from Vol. 1: Superman and the Men of Steel, as well as introducing a Barack Obama doppelganger named Calvin Ellis- another dimension’s Superman. Finally, in Vol. 3: At the End of Days, all the kookiness starts to make sense and the details of Clark’s arrival in Metropolis in Vol. 1 become enriched by a Myxlplyxian plot that satisfies the patient reader.

Best Vol. 4 Collection(s) of the New 52

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While The Flash Vol. 4: Reverse, Wonder Woman Vol. 4: War, and Batwoman Vol. 4: The Blood is Thick all continued runs by outstanding creative teams, it is books like the Green Lantern family of books, Justice League Dark, and Green Arrow that have seen new creators come in and take the books in different directions to which I’d like to draw your attention. Much praise has been tossed to Jeff Lemire and Andrea Sorrentino’s Green Arrow, collected in Green Arrow Vol. 4: The Kill Machine. The art distinguishes itself from the unofficial DC house-style and the writing invigorates Oliver Queen as a character. I do think that in praising Lemire and Sorrentino’s work, a lot of undeserved criticism has been thrown Ann Nocenti’s way. Her depiction of Oliver Queen as an Ugly American in the People’s Republic of China is one of my favorite instances of seeing China portrayed in a superhero comic. Jim DeMatteis has seemingly inherited the Dark family of DC titles, emerging from his run on The Phantom Stranger. In Justice League Dark Vol. 4: Rebirth of Evil, he takes over for Lemire- moving the story from Trinity War to Forever Evil territory. The little demon Constantine‘s are great, but I wouldn’t have minded a bit more Frankenstein, my favorite member of the Justice League Dark. With the announcement of Charles Soule signing an exclusive contract with Marvel, I expect DeMatteis may take over Swamp Thing, which had a good, but short Vol. 4: Seeder. Matteis does interesting things with the character in Justice League Dark, but if I was going to pick the new writer of Swamp Thing, I’d go for either Tim Seeley, Kurtis Wiebe, or Angelo Tirrotto. To write an Animal Man title despite his joining Justice League United, I’d recruit Corinna Sara Bechko or Joshua Ortega with the instructions to keep Animal Man dark. Finally, the new slew of Green Lantern creators gave the ring-slingers an exciting year. Ranked best to least best: Red Lanterns, Green Lantern, Green Lantern Corps, Green Lantern: New Guardians. Outside of those Vol. 4s, I was disappointed with the Larfleeze title, but look forward to Cullen Bunn’s Sinestro.

Best Non-Picture Book Author to Write a Picture Book

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Toby Litt on Dead Boy Detectives

When I lived in Ireland, I discovered the work of Toby Litt, an author whose work was not available in the United States, and absolutely fell in love with it. Deadkidsongs, in particular, left me creeped out and inspired. When I heard he would be rebooting the Vertigo series Dead Boy Detectives I waiting in hefty anticipation for the trade to be released. While I was not disappointed, I must admit that Litt has not taken to the medium as quickly as the likes of Brad Meltzer who blew the comics world away with Identity Crisis. I do however see great potential in the future comics work of Litt as he adapts to the medium. Reading the trade, you can see him become more comfortable and, in turn, more capable.

Best Superhero Live-Action Movie

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X-Men: Days of Future Past, like its predecessors, stands well above the rest of the Marvel movies (with the possible exception of Captain America: Winter Soldier). Jennifer Lawrence, Hugh Jackman, Michael Fassbender, and the rest of the classic mutants put on a great show and new arrivals like Quicksilver brought energy to the film. This and X-Men: First Class are my favorite of the X-Men movies. They somehow managed to make Fan Bing Bing look terrible, which is my only real complaint about the film.

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In conclusion, I’m looking forward to more great comics this year though I have some concerns about a few creative teams at DC (Wonder Woman) and will miss some of my favorite creators and titles as they disappear from the shelves, hopefully replaced by new books of splendor, wonder, and ideas.

 

 

 

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Upon the announcement that Jesse Eisenberg would play Lex Luthor in the upcoming sequel to Man of Steel, I’ve felt a slight discomfort with the casting. I like Jesse Eisenberg, Lex Luthor is one of my favorite characters of all time, and more importantly, I think Eisenberg will do a great job as Lex Luthor. My discomfort comes from the difficulty is separating Eisenberg from his Jewish heritage. Eisenberg is not the first Jew to play Lex Luthor- Smallville’s Michael Rosenbaum played an incredible Lex- but part of Eisenberg’s charm is how well he personifies many of the characteristics that pop culture finds endearing about the way Jews behave. He’s not Woody Allen, but he played him once in a movie. Does he play up to Jewish stereotypes? Sure, to some extent, but he’s also embraced roles that challenged popular conceptions of Jews, such as playing an Orthodox Jewish MDMA smuggler in Holy Rollers. Eisenberg is Jewish and deserves a certain amount of consideration when he portrays Jews positively or negatively as it is his own culture he’s representing. From Shakespeare to Star Wars, Jews has suffered negative portrayals by gentiles and while it is a generally accepted dramatic trope, negative Jewish stereotypes are usually identified by the Anti-Defamation League swiftly and often make news. As a person of Jewish heritage myself, I’ve come to tolerate the negative depiction of Jews as unavoidable symptom of a larger systemic social problem and rarely make a crusade about the way Jews are presented. As the husband of a Chinese woman, I’ve probably become more sensitive to the portrayal of Chinese people in Western media than I am to representations of Jews that reinforce stereotypes.

So……………………

what’s wrong with a Jewish Lex Luthor?

Lex Luthor plays to some very specific Jewish stereotypes

1) Lex Luthor is the smartest man in the world. This point may be argued by Michael Holt or Ray Palmer, but it is generally accepted in the DC Universe that Lex Luthor is the smartest man on Earth. When I was living in China, the most common reaction to the discovery of my Jewish heritage was: “This is why you are so clever.” or “The Jews are very clever.” While this is not really a negative stereotype, it is a stereotype and one that makes the lives of Jewish children with learning disabilities doubly difficult. Is unforgivable to portray Jews as intelligent? No. Is it racist to portray Jews as intelligent? I’m not sure if it is. The belief that Jews are somehow smarter than others is rooted in the Jewish tradition of revering scholarship. Many cultures place an emphasis on education, but there is something special about the role education plays in the development of Jewish identity, both communally and for the individual.

2) Lex Luthor is the richest man in the world. Lex is not only one of the richest people in the DC Universe, but he has obtained his wealth through the type of ruthless business behaviors that non-Jews have frequently accused Jews of engaging in. Of course, Eisenberg’s portrayal of Lex Luthor won’t be as damaging as Bernie Madoff or any of the very Lex-Luthorian types of Jewish descent that the US government has an irrational fear of prosecuting. The stereotype that Jews have lots of money is hardly new. The phenomenon of Jewish wealth can largely be traced back to the limiting of opportunities for Jews by the gentile populatins in which they lived. The inability to own land and Christian opposition to usury can both be credited with encouraging a tradition of finance and trade in Jewish communities, making both finance and trade elemental to the Jewish economy and to Jewish social mobility.

3) Superman is Jesus. As we all know, Superman was created by a couple of nice Jewish boys from Ohio and the comic book industry itself was largely created by Jews, borrowing many of its production strategies from the garment industry where Jews were also prevalent. Why did these Jews make a caped Jesus? The Christ-like nature of Superman has always been there. While Superman’s origin story greatly mirrors the story of Moses, we should pay attention to some differences in the two stories. Moses liberates his people from the tyranny of the Egyptians while Superman liberates a foreign population from the tyranny of themselves and external forces of Darkness. Superman is Jor-El’s only son. Jor-El gives his only son to the people of Earth- people he largely look down upon while simultaneously adoring them (sounds like any god you’ve heard of?). The messianic nature of Superman is well-documented and generally accepted, so I won’t go into too much detail here and will assume that you accept that the idea of “Superman as Christ” has legitimacy. Lex Luthor hates Superman- perpetuating the idea that Jews hated Jesus or willfully contributed to his crucifixion is an irresponsible assessment of the relationship Jesus had he with members of his own community.

For these reasons, I’m a little uncomfortable with Jesse Eisenberg playing Lex Luthor, but as a comic fan, I have no doubt that he will do a better job than Kevin Spacey, the worst Lex Luthor of all time. My favorite Lex so far? Either Clancy Brown or Anthony LaPaglia.

Honestly, I might be more excited about the Son of Batman animated movie that was recently announced more than the Man of Steel sequel.

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