Archives for posts with tag: Cyborg

batmite

With the announcement that the New 52 would be coming to an end, DC Comics also announced 24 new (or at least variations of previous) titles that would be debuting in June and the creative teams that would be working on them. Of the titles, a few stand out to me- Cyborg with art by Ivas Reis and Joe Prado, a couple of Robin-related titles, a Midnighter book, to name a few. Similarly new creative teams on current titles were announced and I’m intrigued to see how American Born Chinese and Boxers and Saints writer Gene Luen Yang taking over Superman– an author who writes about alienation writing about my favorite alien. In honor of the new titles, I’ve thrown together a few ugly bits of fan art. In addition to the Bat-Mite image up top, you’ll find renditions of Black Canary and Starfire.

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thenew52ends

After weeks of ambiguity regarding the fates of their titles after moving their offices from New York to California, DC Comics cleared things up somewhat with a statement this week. The simple answer: The New 52 is dead! Long live the New 52! The truth: DC Comics is removing the label New 52 and making continuity less of a concern if favor of greater diversity in story-telling. DC is not simply shedding the label, but also an ideological commitment to an experiment. The experiment? A new (err..rebooted) and thoroughly connected (err…though filled with holes) universe (err…multiverse)! Originally planned as 52 titles a month published in sync, following a universal timeline, the New 52 was a lofty ambition. For the experiment to work, creators had to work within a tight framework not only in narrative, but in artistic style- prompting the oft-used terms “DC house-style” or “Jim Lee house style.” These rules allowed a pretty cohesive fictional universe to thrive, but also alienated many creators and readers who wanted stories outside the framework of the larger experiment. By abandoning the New 52 and their ideological commitment to the New 52 experiment, DC Comics will be opening itself up to new, smaller experiments. The publisher’s lineup will be more chaotic this June not only because many titles will leave and many new titles will arrive, but those new titles and even the continuing titles will draw from a larger creative arsenal- new creators, new styles, new impressions on the characters, and new impressions on what super-hero comic books can do. To be fair, DC Comics continued to publish an assortment of books outside of the New 52 such as Lil Gotham and all those video game-related titles. Now new books like Bat-Mite and Bizarro promise to approach comics without the baggage of the New 52 experiment. The official word from DC suggests the end of the New 52 is motivated purely by creative ambitions, but it’s obvious to most readers that DC has found an awkward but workable solution to several concerns: 1) the move to California 2) the stress of managing the big continuity 3) the desire to attract more casual comics readers (the ones reading Image titles) 4) the New 52 is destroying itself.

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That 4th one can be broken down to specific problems within the New 52. I believe the beginning of the end came when the original creative team of J.H. Williams III and W. Haden Blackman left Batwoman over creative differences on whether or not Batwoman would marry. While this was not the first dispute-driven departure of a respected creator during the New 52, this departure, unlike George Perez leaving Superman, shook up something that most people believed the New 52 was doing right. Fans and critics alike couldn’t say enough nice things about the work being done on that book. The rush to replace Williams and Blackman with not only a talented creator, but one with a little LGBT cred to ease PR concerns, left Batwoman in the hands of Marc Andreyko and the book got noticeably worse. After Geoff Johns and associates completed their run on the Green Lantern titles, DC found a new creative team, but things fell apart and they again found themselves scrambling the fill some roles. Luckily they found a sort of dream team to take over those titles. Most problematic about the Green Lantern creative team shift, Geoff Johns wrote an epilogue in his final issue of Green Lantern, an epilogue whose authenticity would come immediately into question as the new creative team found ways to destroy all the love stories in that blossomed in that epilogue. Other books saw transitions. The success and failures of titles in transition were surprising. I really expected Chew’s John Layman to write a better Detective Comics while Jeff Lemire wrote a Green Arrow story unlike anything else he’d ever written, reinforcing what his run on Animal Man had suggested- the guy who draws those creepy picture book also has a visionary take on the super-hero model. Another reason why I see the Batwoman shift as the beginning of the end can be seen in the fifth collected volume of the title-  an inconsistency that runs along the spine, singling out the volume among all other New 52 titles as the unmentionable yet obvious stain on the whole endeavor.

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Look at that tiny little five! How embarrassing that must be for Batwoman Vol. 5: Webs! The other book that sticks out in a complete New 52 collection is Batman Vol. 3: Death of the Family because it’s white instead of black. While it may still drive the obsessive and compulsive a bit mad to look at, the change is obviously intentional. The tiny 5 on Batwoman Vol. 5 appears to be a Freudian slip, a subconscious expression of shame in ruining one of the New 52’s best titles.

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Since the official announcement of the New 52’s end, I’ve tried to figure what the New 52 really has been. Despite all the Convergence hype, it feels like the experiment is going out with more a whimper than a bang. There’s no real story to tie up as far as I can figure. So the question remains what was the New 52?

Here are 52 things I think made the New 52:

1) The Court of Owls

2) Wonder Woman’s new origin story

3) introduction (and reintroduction) of Vertigo characters into the DC universe

4) Superman-Wonder Woman love story

5) Triumphant revitalization of Aquaman (Throne of Atlantis arc)

6) Titles created just to foster the continuity experiment (Blackhawks, Team 7, OMAC, Threshhold)

7) Crime Syndicate and Forever Evil

8) Darkseid’s destruction of Earth-2 and Superman’s subsequent reign

9) Death of Damian Wayne

10) Skinny Lobo

11) Rotworld arc

12) Justice League Dark formation

13) Central role for The Phantom Stranger

14) Central role for Pandora

15) Future’s End

16) Joker cut off his face

17) Muslim Green Lantern

18) Gay Green Lantern

19) Young Green Arrow

20) Walking Barbara Gordon

21) Brother-killing Batgirl

22) Jonah Hex and Amadeus Arkham

23) Penguin takes control and loses control and regains control of Gotham criminal underworld

24) Catwoman takes control of Gotham criminal underworld

25) The Riddler brings Gotham to its knees

26) Batman Eternal and Jim Gordon’s blues

27) The most sophisticated Mr. Mxyzptlk story in DC history

28) Guy Gardner became a Red Lantern

29) The Guardians of the Universe were replaced by new Guardians of the Universe after proving themselves fascist tyrants one too many times

30) Kyle Rayner continued to become more messianic

31) Hal Jordan became the leader of the Green Lantern Corps

32) Superboy was a clone of Superman’s wicked son Jonathan Lane Kent from the future and also there were other Superboys

33) Cyborg Superman is… Supergirl’s father?

34) Lucius Fox’s son becomes Batwing

35) Harley Quinn did it with Deadshot

36) H’el on Earth (and Krypton)

37) The Culling of Teen Titans and Ravagers and a general feeling that Scott Lobdell was going to end up writing every title in the DC universe

38) Short lives of good titles (I, Vampire; Voodoo; Mr. Terrific; Captain Atom; Dial H)

39) Huntress and Power Girl, the World’s Finest of Earth-2, arrived on the primary Earth

40) Daniel West is the Reverse-Flash

41) Bad futures depicted in Justice League 3000, Future’s End, Superboy, Teen Titans, and the Legion of Super-heroes

42) Aimless movement from the Legion of the Super-heroes

43) Two heavy-handed comics nobody liked (The Green Team and The Movement)

44) Martian Manhunter with Stormwatch, Martian Manhunter without Stormwatch

45) The return of Lyssa Drak and a Sinestro-led Sinestro Corps

46) Frankenstein: Agent of SHADE and other Dark titles

47) Trinity War

48) Lights Out, Relic, and the draining of the emotional spectrum

49) Trying to figure out what to do with Darkseid

50) Trying to figure out what to do with Deathstroke

51) The Rogues with super-powers

52) Company-wide campaigns particularly in Septmember- 3D covers, MAD variants, Scribblenauts, Robot Chickens, Zero Year, etc.

beyondgoodandevil

“And the Justice League is dead,” announces Ultraman in the first issue of Geoff Johns and David Finch’s mini-series Forever Evil, the main book of the DC Comics event of the same name that resurrects the Crime Syndicate. “And Jesus wept,” John recalls as he tells the resurrection of Lazarus. If the DC Universe died when the New 52 initiative began, Forever Evil is a way of telling those bemoaning the reboot to stop weeping because that old universe has come back to life. The event certainly shook up the New 52, but has only left the universe stronger for it. Remember that Lazarus lived an additional 30 years after his resurrection and that was spent mostly signing autographs and trying not to laugh.

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Forever Evil tells a great threat to our world and features a lot of villains. The great threat is employed to expose the more intimate natures of DC Comics fan-favorite villains. The threat comes from the Crime Syndicate, an alternate and “evil” version of the Justice League, with a roster of villains that correspond to members of the Justice League.

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The Crime Syndicate comes from Earth-3, a parallel Earth that resembles Earth-1 but lives under the thumb of the Crime Syndicate. An over-simplified assessment could describe Earth-3 similarly to the original conception of Qward, a place where evil is law- right is wrong and wrong is right, but the narrative of Forever Evil shows the impossibility of such an idea by showing how the villains of Earth-1 themselves are beyond good and evil. Earth-3 is not the opposite of Earth-1, but rather an Earth where those in power care even less for the people than those in power in ours. While the spirit of the Crime Syndicate is nastily selfish and sadistic, the people of Earth-3 are quite aware of the boot stamping on their face- forever (evil).

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The Crime Syndicate hope to recruit the villains of Earth-1 but encounter some resistance. This resistance comes from major villains like Catwoman, Lex Luthor, Black Manta, Black Adam, and the Rogues. More minor villains like Blockbuster and Parasite have an easier time towing the line. The Crime Syndicate do a few things that irk the villains and it’s hard to say if these actions are even evil based on their motivations and the villain’s reactions. For Ultra-Man’s survival and strength, he blocks the sun with the moon, something that pisses off most Earth-1 residents and particularly Poison Ivy. Black Manta opposes them because they “killed” Aquaman and his anger does not come from grief for the “fallen” Atlantean, but because the Syndicate robbed him of the chance to kill him. It is the autocratic imposing of their will upon the nations and people of Earth-1 that angers both Lex Luthor and Black Adam- two individuals who pride themselves in their abilities to impose their will on others. The Rogues initially consider joining the Crime Syndicate until the Crime Syndicate orders them to destroy their own home towns, the Gem Cities. The Rogues, of course, have long been known to stick to a no-kill code and their motivations clearly financial, so their repulsion at the thought of decimating Central City and Keystone City makes perfect sense. Two-Face’s response is typically loyal to the outcome of his coin flip.

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The Forever Evil story has been published in trade form over the past five or six weeks. As with most big events, the choices made by DC Comics in publishing the collected event cause a Groundhog Day-like disruption of narrative. The action of Forever Evil can be found in many places throughout DC’s catalog. Events unfolded in the Forever Evil mini-series itself, Forever Evil: A.R.G.U.S., Forever Evil: Arkham War, Forever Evil Aftermath: Batman Vs. Bane, Forever Evil: Rogues Rebellion, Justice League, Justice League Dark, Trinity of Sin: The Phantom Stranger, Trinity of Sin: Pandora, Constantine, many of the “Villains Month” titles, and a scattering of other titles. Some events and even panels repeat in different issues- the Rogues breaking Trickster out of Iron Heights, for example. What DC Comics generally does when there is a major event like this, they publish the trades based on the title rather than the timeline. This makes the reading experience for the trade reader (myself) distinct from the experience of the issue-reader who sees each piece of the story unfold simultaneously, much safer from spoilers. I’ve heard and read trade readers complain about this and admit some discontent myself. The phenomenon hits Green Lantern fans repeatedly. Another curse is that in collecting the trades, you end up with multiple printings of the same issue as experienced in Throne of Atlantis and Rotworld events. The Forever Evil: Blight trade contains issues that readers of Justice League Dark, Trinity of Sin: The Phantom Stranger, Trinity of Sin: Pandora, and Constantine will find already in the collected trades of those individual series. It’s a bit of a damned-if-you-do-damned-if-you-dont-paradox that leaves comics readers either missing out on chunks of story or buying multiples printings of the same material. As DC has spaced out the release of each trade, there is an implied order to reading them. Forever Evil: Arkham War and Forever Evil: Blight actually works pretty well independent of the main Forever Evil series, but Forever Evil: A.R.G.U.S and Forever Evil: Rogues Rebellion are entirely dependent on the events of the main series.

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For those readers who are considering only one additional Forever Evil beyond the main series, here is a breakdown of what you can expect:

Arkham War is obviously written with Batman fans in mind despite having very little actual Batman in it. It’s written by one of my favorite writers Peter Tomasi and I believe they picked the worst possible picture for the cover. The art within is so much better than the close-up face-off of Bat-Bane and Batman. It is predominantly a Bane story, but features a whole slew of Batman’s enemies including Scarecrow, Mr. Freeze, Poison Ivy, Penguin, Killer Croc, Man-Bat, Pyg, and Clayface.

A.R.G.U.S. centers largely around Steve Trevor and Etta Candy, making it a book for Wonder-Woman fans despite the fact Steve Trevor hasn’t really appeared in the pages of Wonder Woman. It is more closely related to Justice League, Suicide Squad, Justice League of America, and the secret agent-y government-y titles. The major villains are Killer Frost, Cheetah, and Deathstroke. Among the lesser villains, Cheetah leads a cool-looking pack of anthropomorphic antagonists. While it tells the back story of an important plot point to the greater Forever Evil narrative, it is probably the weakest, in both story and art, of all the Forever Evil subplots.

Rogues Rebellion is a story for Flash fans, obviously. It features the usual lineup of Captain Cold, Trickster, Weather Wizard, Mirror Master, Heatwave, and Glider. Classic Flash baddies Pied Piper and Gorilla Grodd appear as well. Several character more normally associated with Batman makes appearances; the Rogues find themselves transported to Gotham where they encounter Victor Zsasz, Poison Ivy, Mr. Freeze, and Black Mask.  In addition, there are quite a few second-stringers like Black Bison, Parasite, and the Royal Flush Gang making appearances. This book more than any of the others, including the main series, celebrates the community of villains operating in the DC Universe.

Blight is a Pandora story that stars John Constantine. It is readers who have been following the Dark family of titles and have familiarized themselves with the Trinity War event. This story is important to the entire plot mainly because Pandora’s box is what enables the Crime Syndicate to come over to Earth-1. It retains the feel of Justice League Dark and if you like that, you’ll like this book. If you’re expecting some Vertigo-eqsue tome, you will be disappointed and I recommend you read Rotworld for something closer to that experience.

All in all, I see Forever Evil and titles like World’s Finest and The Multiversity in the same way other comics speculators have already said: DC Comics is gearing up for an infinite crisis of infinite proportion. I’m excited. I feel I’m much better prepared to understand it than I am to understand Infinite Crisis on Infinite Earths, which is a book for its time. Will my generation’s crisis overdo the crises of the past? If Forever Evil is any indication, I believe it will.

 

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As the last moments of 2013 are sucked up into the vortex of history, I thought I could share a few items that I feel really articulate the Christmas Spirit of Wayne Xiaolong, the World’s Second Greatest Detective.

Firstly, craft plays a huge role in what makes this site tick. One of the things that separates Wayne Xiaolong from other comic book sites is the ambition of this site to produce content rather than review or report on the content of others. This holiday season I’ve made a number of crafts and I’d like to share some of them here.

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I made a significant quantity of lighters as holiday gifts this year. I haven’t given them all out, so I’m only posting pictures of ones that have already been claimed. Making these lighters was really simple. If you want to make some yourself, you’ll need a few things: cigarette lighter(s), decoupage, paint brush, and some images. I created my images using Photoshop. I cropped pictures from the internet and pasted a gold frame to keep it classy. You don’t need to print pictures though. You can cut images out of magazines, comics, instruction manuals, etc. I would recommend thinner paper over thicker paper, so no encyclopedias except maybe Wikipedia. Then you paint a little decoupage on the lighter and the back of the picture. Place the picture on the lighter. Paint a little decoupage on the top of the picture and let it dry. Repeat that last step a few times and viola! You have a fun and inexpensive gift. Many of the lighters are made were tailored to the recipient, but the ones in the above photograph were chosen as more generic crowd-pleasers because who doesn’t love Earth Kitt, Li Xiao Long, Linda Carter, and Zhang Man Yu?

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Secondly, Wayne Xiaolong exists in response to the exciting stuff going on in comic books and the Atlanta art world. The work that I do with artists and arts organizations here in Atlanta gives me a very real sense of community while the current generation of comics creators provides me with a different sense of community as I find myself identifying with and finding inspiration from the incredible work being produced right now. WXL proudly wears its branding as an outpost for the eccentricities of the Green Lantern narrative. The last decade of Green Lantern work opened my eyes to the renaissance taking place in comics while the new crop of talent working on the title have been very supportive of this site. Now is a great time to be a Green Lantern fan and I encourage all of you to check out the independent titles that helped Vendetti, Soule, Jordan, and Jensen catch the attention of DC Comics. Anyway, last night I received a gift from Van Jensen, a GL writer who has made Atlanta his home, that I wanted to share with you. It’s a magnet featuring two classic GLs from the Silver Age, Tomar-Re and B’dg.

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Thirdly, a desire to bring light into this dark world is fundamental to the philosophy of this site. Some of the most frequent visitors to this site come in search of ESL crossword puzzle and clozes related to superheroes. Having taught a university course on the history of superheroes to Chinese (i.e. ESL) students in Dalian, I have the unique experience and expertise in using superheroes as tools for teaching English language and Western culture to people from the East. For the past year, I’ve been creating these crosswords for the family from Myanmar that I tutor. They’re a really fantastic family from the Chin state of Myanmar- mom, dad, and two lovely little boys. The two boys often greet me with one of three battle cries: “Superhero!” “Batman!” and “Go Go Power Rangers!” They’re pretty young (2 & 4) and English is their 2nd (maybe 3rd/4th) language, but my goal is get at least the older boy to be able to recite the full GL oath (In brightest day, in blackest night; no evil shall escape my sight; let those who worship evil’s might; beware my power- Green Lantern’s light!) .  Here’s a picture of the two boys as pandas that I created last year. Like most children their age, they’ve been growing at a phenomenal rate.

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I often bring them sweets and small toys. After Free Comic Book Day, I brought them a big stack of nearly age-appropriate comics. Their joy is some of the most rewarding joy to witness and they provided what I believe will be the highlight of my holiday season. This past Wednesday I brought them their Christmas present.

Christmas gift with candies taped to it

I wrapped the gift and adorned it with candy canes, gingerbread Twix, caramel apple Milky Way bites, and a Godiva truffle. These kids love chocolate and superheroes, so we have a lot in common. When they opened the gift to find the world’s greatest heroes, their excitement could not be contained. Jumping up and down, shaking their fists, shrieking- these kids seemed to be in total awe that the seven major members  of the Justice League were now part of their toy army. In a pleasant coincidence, Young Justice was playing on the TV, which made it very easy to explain to them who Cyborg is.

The Treasure

Finally, the World’s Second Greatest Detective would like to wish a safe and happy holiday season to everyone who reads, supports, and inspires this site. Let’s all pledge to work towards a more cooperative world in 2014, to turn hope into action, and to celebrate the contributions and potential in others and ourselves. I have a feeling we can look forward to some great comics too.

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Today marks one year of Wayne Xiao Long: The World’s Second Greatest Detective patrolling the rooftops of hyper-Gotham. Though the site suffered a few lulls when AT&T took it upon itself to punish me with no internet and terribly insulting customer service, I’m pleased with what’s been accomplished here. I’ve gotten to speak with a lot of people from different aspects of the comic book industry and I’ve discovered new ways that sequential art extends beyond the comic issue. The ESL crosswords continue to be really popular and I apologize that I’ve made and subsequently lost several that never ended up on the site. In my tutoring, the last few months have focused largely on mechanics and grammar, so there aren’t any fresh ones. I might get around to making so more aimed at native speakers. While the site has attracted a lot of crossword and comics enthusiasts, a tremendous number of readers have found this site in pursuit of adult fare. Perhaps as a thank you to all the readers, I’ll draw some of the more popular search items that bring people here such as “Teenage Mutant Ninja Turtle Gay Sex,” “Nude Zatanna,” “Nude Black Canary,” and “gay sex treasure hunter.” Probably the most disturbing search term that frequently comes up is “crush fetish.” Yeah, I might take a swing at drawing a Gay Sex Treasure Hunter- it might even like the ridiculous picture of Cyborg at the top of this article.

This Cyborg appears in Flash: Our Worlds At War and surely tells us something about imagined racial realities in the United States in the twenty-first century. Vic Stone is one of the characters who I think get one of the best and most long overdue makeovers in the New 52 and seeing him in this Jiveborg set-up from 2001 reminds me of just how desperately Cyborg needed a reboot. The writer of Flash: Our Worlds At War Geoff Johns has a long history of reviving characters and transforming them into more vital elements of the DCU, most famously Barry Allen’s Flash and Hal Jordan’s Green Lantern. Immediately prior to the New 52 reboot, Geoff Johns created the Flashpoint storyline which gave Cyborg a leading role, allowing him to further shed his Teen Titans stigma and sit at the grown up table of Justice Leaguers.

I really like Geoff Johns. I would vote for him for political office as I think he has an incredibly thoughtful grasp on global politics and what issues affects Americans locally. His depictions of Keystone City and Coast City echo of a very genuine patriotism and belief in American ingenuity. In the recent released Necessary Evil: Super-Villains of DC Comics documentary, Johns speaks about the use of villains as metaphors for larger dilemmas facing humanity and that’s something he does particularly well. Whether creating the richly complex members of the Red Lantern Corps, all of whom comment on some compelling and topical  form of abuse, or portraying villains like Goldface with an understanding of labor unions that is neither superficially supportive nor dismissive, Johns pours a lot of the real world into his comics. He gave the ring back to Hal, life back to Barry, and to Aquaman? His arm and much needed shave, plus a little studio time with Diana in Flashpoint. Johns brought the Justice Society onto the small screen in Smallville, bringing Dr. Fate, Hawkman, and Stargirl to life in stunning fashion.

Still, I have a bone to pick with Mr. Johns. DC Comics recently released two New 52 trades by Johns. First, they released Justice League Vol. 3: Throne of Atlantis and then they released Aquaman Vol. 3: Throne of Atlantis. The problem is that these two books are essentially identical and DC is just forcing its readers to buy 6 issues twice for the thrill of reading Aquaman #0. It’s not as if Aquaman fans arent’ reading Justice League. The whole thing stinks of greed beyond normal comic book greed. It’s a pity.

Anyway, happy Year One to Wayne Xiao Long! Thanks for reading!

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