Archives for posts with tag: catwoman

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Homes across the the United States have gotten drunk on the high aesthetic that is Baby Nightsoil Home Décor. As the laws of interior design continue to be repealed by terrorists of good taste, more and more people are embracing non-traditional art, adding unique pieces such as Baby Nightsoil throwpillows to tie their home environments together. With the rising popularity of these bold accoutrements, no portion of the population is more thrilled than our friends in the animal kingdom.

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In the photograph above, you’ll see a wild yet sharply dressed bear snuggling with a pillow that tells a love story that is open to interpretation. The bear and pillow are in Atlanta, Georgia. Bears have always complimented Baby Nightsoil art and the other way around. The shared worldview of fuzzy peace through loud roars unites them in life and in art.

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Even more than bears, Baby Nightsoil has had a long connection to cats- perhaps rivaled only by the connection between Baby Nightsoil and the panda, which is essentially a cross between a cat and a bear. In the picture below, which comes to us from Brooklyn, New York, you’ll see two cats dance the magic dance over a pillow that celebrates centuries of dignified beauty among felines.

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Several time zones to the left in Los Angeles, California, we find a cat  warming up next to a pillow portrait of a cat who is a member of at least one Catwoman fan club.

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Join these forward-thinkers and stock your home with Baby Nightsoil Home Décor! Your animal friends will thank you, possibly with dead animal friends. Please send pictures of animals enjoying their newly enriched environments and I’ll post them here. The pillows make excellent gifts for cats, bears, dogs, co-workers, ferrets, snails, significant others, birds, planes, speeding bullets, cowboys, aliens, predators, garbage pail kids, alligators, and grandparents. Several other items are available including, but not limited to, duvet covers, shower curtains, mugs, clocks, and tote bags.

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Dragon Con was a blast and I felt like the DC Comics and Cultural Studies panel went well. I’ve had a few requests so I’ve posted my paper “Discipline & Punish: Michel Foucault & the Suicide Squad” here. Hopefully I’ll get around to posting my paper from last year some time soon, but until then, enjoy this one.

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Series 4 stickers are available now. This series is special for a number of reasons.

1) It’s the biggest batch yet. If you want some, contact me at waynexiaolong-at-gmail.com. They’re not exactly for sale, but I’d love to trade them for help/collaboration on some of my projects (coloring, modeling, writing, etc.)

2) They sparkle in the sunshine, but don’t worry- it’s still 亲爱的 Dracula, not 亲爱的  Twilight.

3) No pandas….what?!? This batch honors some of my other favorite critters in the animal kingdom.

4) Several feature cat erotica. By fateful coincidence, I was visiting one of my favorite friends the same weekend I picked up these stickers. I had totally forgotten my friend was a cat erotica enthusiast! Maybe the next batch will have some sexy gentlemen in them…

5) Some are cut to look like creepy polaroids in a 1970s animal kingdom pornography basement.

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After weeks of ambiguity regarding the fates of their titles after moving their offices from New York to California, DC Comics cleared things up somewhat with a statement this week. The simple answer: The New 52 is dead! Long live the New 52! The truth: DC Comics is removing the label New 52 and making continuity less of a concern if favor of greater diversity in story-telling. DC is not simply shedding the label, but also an ideological commitment to an experiment. The experiment? A new (err..rebooted) and thoroughly connected (err…though filled with holes) universe (err…multiverse)! Originally planned as 52 titles a month published in sync, following a universal timeline, the New 52 was a lofty ambition. For the experiment to work, creators had to work within a tight framework not only in narrative, but in artistic style- prompting the oft-used terms “DC house-style” or “Jim Lee house style.” These rules allowed a pretty cohesive fictional universe to thrive, but also alienated many creators and readers who wanted stories outside the framework of the larger experiment. By abandoning the New 52 and their ideological commitment to the New 52 experiment, DC Comics will be opening itself up to new, smaller experiments. The publisher’s lineup will be more chaotic this June not only because many titles will leave and many new titles will arrive, but those new titles and even the continuing titles will draw from a larger creative arsenal- new creators, new styles, new impressions on the characters, and new impressions on what super-hero comic books can do. To be fair, DC Comics continued to publish an assortment of books outside of the New 52 such as Lil Gotham and all those video game-related titles. Now new books like Bat-Mite and Bizarro promise to approach comics without the baggage of the New 52 experiment. The official word from DC suggests the end of the New 52 is motivated purely by creative ambitions, but it’s obvious to most readers that DC has found an awkward but workable solution to several concerns: 1) the move to California 2) the stress of managing the big continuity 3) the desire to attract more casual comics readers (the ones reading Image titles) 4) the New 52 is destroying itself.

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That 4th one can be broken down to specific problems within the New 52. I believe the beginning of the end came when the original creative team of J.H. Williams III and W. Haden Blackman left Batwoman over creative differences on whether or not Batwoman would marry. While this was not the first dispute-driven departure of a respected creator during the New 52, this departure, unlike George Perez leaving Superman, shook up something that most people believed the New 52 was doing right. Fans and critics alike couldn’t say enough nice things about the work being done on that book. The rush to replace Williams and Blackman with not only a talented creator, but one with a little LGBT cred to ease PR concerns, left Batwoman in the hands of Marc Andreyko and the book got noticeably worse. After Geoff Johns and associates completed their run on the Green Lantern titles, DC found a new creative team, but things fell apart and they again found themselves scrambling the fill some roles. Luckily they found a sort of dream team to take over those titles. Most problematic about the Green Lantern creative team shift, Geoff Johns wrote an epilogue in his final issue of Green Lantern, an epilogue whose authenticity would come immediately into question as the new creative team found ways to destroy all the love stories in that blossomed in that epilogue. Other books saw transitions. The success and failures of titles in transition were surprising. I really expected Chew’s John Layman to write a better Detective Comics while Jeff Lemire wrote a Green Arrow story unlike anything else he’d ever written, reinforcing what his run on Animal Man had suggested- the guy who draws those creepy picture book also has a visionary take on the super-hero model. Another reason why I see the Batwoman shift as the beginning of the end can be seen in the fifth collected volume of the title-  an inconsistency that runs along the spine, singling out the volume among all other New 52 titles as the unmentionable yet obvious stain on the whole endeavor.

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Look at that tiny little five! How embarrassing that must be for Batwoman Vol. 5: Webs! The other book that sticks out in a complete New 52 collection is Batman Vol. 3: Death of the Family because it’s white instead of black. While it may still drive the obsessive and compulsive a bit mad to look at, the change is obviously intentional. The tiny 5 on Batwoman Vol. 5 appears to be a Freudian slip, a subconscious expression of shame in ruining one of the New 52’s best titles.

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Since the official announcement of the New 52’s end, I’ve tried to figure what the New 52 really has been. Despite all the Convergence hype, it feels like the experiment is going out with more a whimper than a bang. There’s no real story to tie up as far as I can figure. So the question remains what was the New 52?

Here are 52 things I think made the New 52:

1) The Court of Owls

2) Wonder Woman’s new origin story

3) introduction (and reintroduction) of Vertigo characters into the DC universe

4) Superman-Wonder Woman love story

5) Triumphant revitalization of Aquaman (Throne of Atlantis arc)

6) Titles created just to foster the continuity experiment (Blackhawks, Team 7, OMAC, Threshhold)

7) Crime Syndicate and Forever Evil

8) Darkseid’s destruction of Earth-2 and Superman’s subsequent reign

9) Death of Damian Wayne

10) Skinny Lobo

11) Rotworld arc

12) Justice League Dark formation

13) Central role for The Phantom Stranger

14) Central role for Pandora

15) Future’s End

16) Joker cut off his face

17) Muslim Green Lantern

18) Gay Green Lantern

19) Young Green Arrow

20) Walking Barbara Gordon

21) Brother-killing Batgirl

22) Jonah Hex and Amadeus Arkham

23) Penguin takes control and loses control and regains control of Gotham criminal underworld

24) Catwoman takes control of Gotham criminal underworld

25) The Riddler brings Gotham to its knees

26) Batman Eternal and Jim Gordon’s blues

27) The most sophisticated Mr. Mxyzptlk story in DC history

28) Guy Gardner became a Red Lantern

29) The Guardians of the Universe were replaced by new Guardians of the Universe after proving themselves fascist tyrants one too many times

30) Kyle Rayner continued to become more messianic

31) Hal Jordan became the leader of the Green Lantern Corps

32) Superboy was a clone of Superman’s wicked son Jonathan Lane Kent from the future and also there were other Superboys

33) Cyborg Superman is… Supergirl’s father?

34) Lucius Fox’s son becomes Batwing

35) Harley Quinn did it with Deadshot

36) H’el on Earth (and Krypton)

37) The Culling of Teen Titans and Ravagers and a general feeling that Scott Lobdell was going to end up writing every title in the DC universe

38) Short lives of good titles (I, Vampire; Voodoo; Mr. Terrific; Captain Atom; Dial H)

39) Huntress and Power Girl, the World’s Finest of Earth-2, arrived on the primary Earth

40) Daniel West is the Reverse-Flash

41) Bad futures depicted in Justice League 3000, Future’s End, Superboy, Teen Titans, and the Legion of Super-heroes

42) Aimless movement from the Legion of the Super-heroes

43) Two heavy-handed comics nobody liked (The Green Team and The Movement)

44) Martian Manhunter with Stormwatch, Martian Manhunter without Stormwatch

45) The return of Lyssa Drak and a Sinestro-led Sinestro Corps

46) Frankenstein: Agent of SHADE and other Dark titles

47) Trinity War

48) Lights Out, Relic, and the draining of the emotional spectrum

49) Trying to figure out what to do with Darkseid

50) Trying to figure out what to do with Deathstroke

51) The Rogues with super-powers

52) Company-wide campaigns particularly in Septmember- 3D covers, MAD variants, Scribblenauts, Robot Chickens, Zero Year, etc.

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“And the Justice League is dead,” announces Ultraman in the first issue of Geoff Johns and David Finch’s mini-series Forever Evil, the main book of the DC Comics event of the same name that resurrects the Crime Syndicate. “And Jesus wept,” John recalls as he tells the resurrection of Lazarus. If the DC Universe died when the New 52 initiative began, Forever Evil is a way of telling those bemoaning the reboot to stop weeping because that old universe has come back to life. The event certainly shook up the New 52, but has only left the universe stronger for it. Remember that Lazarus lived an additional 30 years after his resurrection and that was spent mostly signing autographs and trying not to laugh.

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Forever Evil tells a great threat to our world and features a lot of villains. The great threat is employed to expose the more intimate natures of DC Comics fan-favorite villains. The threat comes from the Crime Syndicate, an alternate and “evil” version of the Justice League, with a roster of villains that correspond to members of the Justice League.

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The Crime Syndicate comes from Earth-3, a parallel Earth that resembles Earth-1 but lives under the thumb of the Crime Syndicate. An over-simplified assessment could describe Earth-3 similarly to the original conception of Qward, a place where evil is law- right is wrong and wrong is right, but the narrative of Forever Evil shows the impossibility of such an idea by showing how the villains of Earth-1 themselves are beyond good and evil. Earth-3 is not the opposite of Earth-1, but rather an Earth where those in power care even less for the people than those in power in ours. While the spirit of the Crime Syndicate is nastily selfish and sadistic, the people of Earth-3 are quite aware of the boot stamping on their face- forever (evil).

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The Crime Syndicate hope to recruit the villains of Earth-1 but encounter some resistance. This resistance comes from major villains like Catwoman, Lex Luthor, Black Manta, Black Adam, and the Rogues. More minor villains like Blockbuster and Parasite have an easier time towing the line. The Crime Syndicate do a few things that irk the villains and it’s hard to say if these actions are even evil based on their motivations and the villain’s reactions. For Ultra-Man’s survival and strength, he blocks the sun with the moon, something that pisses off most Earth-1 residents and particularly Poison Ivy. Black Manta opposes them because they “killed” Aquaman and his anger does not come from grief for the “fallen” Atlantean, but because the Syndicate robbed him of the chance to kill him. It is the autocratic imposing of their will upon the nations and people of Earth-1 that angers both Lex Luthor and Black Adam- two individuals who pride themselves in their abilities to impose their will on others. The Rogues initially consider joining the Crime Syndicate until the Crime Syndicate orders them to destroy their own home towns, the Gem Cities. The Rogues, of course, have long been known to stick to a no-kill code and their motivations clearly financial, so their repulsion at the thought of decimating Central City and Keystone City makes perfect sense. Two-Face’s response is typically loyal to the outcome of his coin flip.

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The Forever Evil story has been published in trade form over the past five or six weeks. As with most big events, the choices made by DC Comics in publishing the collected event cause a Groundhog Day-like disruption of narrative. The action of Forever Evil can be found in many places throughout DC’s catalog. Events unfolded in the Forever Evil mini-series itself, Forever Evil: A.R.G.U.S., Forever Evil: Arkham War, Forever Evil Aftermath: Batman Vs. Bane, Forever Evil: Rogues Rebellion, Justice League, Justice League Dark, Trinity of Sin: The Phantom Stranger, Trinity of Sin: Pandora, Constantine, many of the “Villains Month” titles, and a scattering of other titles. Some events and even panels repeat in different issues- the Rogues breaking Trickster out of Iron Heights, for example. What DC Comics generally does when there is a major event like this, they publish the trades based on the title rather than the timeline. This makes the reading experience for the trade reader (myself) distinct from the experience of the issue-reader who sees each piece of the story unfold simultaneously, much safer from spoilers. I’ve heard and read trade readers complain about this and admit some discontent myself. The phenomenon hits Green Lantern fans repeatedly. Another curse is that in collecting the trades, you end up with multiple printings of the same issue as experienced in Throne of Atlantis and Rotworld events. The Forever Evil: Blight trade contains issues that readers of Justice League Dark, Trinity of Sin: The Phantom Stranger, Trinity of Sin: Pandora, and Constantine will find already in the collected trades of those individual series. It’s a bit of a damned-if-you-do-damned-if-you-dont-paradox that leaves comics readers either missing out on chunks of story or buying multiples printings of the same material. As DC has spaced out the release of each trade, there is an implied order to reading them. Forever Evil: Arkham War and Forever Evil: Blight actually works pretty well independent of the main Forever Evil series, but Forever Evil: A.R.G.U.S and Forever Evil: Rogues Rebellion are entirely dependent on the events of the main series.

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For those readers who are considering only one additional Forever Evil beyond the main series, here is a breakdown of what you can expect:

Arkham War is obviously written with Batman fans in mind despite having very little actual Batman in it. It’s written by one of my favorite writers Peter Tomasi and I believe they picked the worst possible picture for the cover. The art within is so much better than the close-up face-off of Bat-Bane and Batman. It is predominantly a Bane story, but features a whole slew of Batman’s enemies including Scarecrow, Mr. Freeze, Poison Ivy, Penguin, Killer Croc, Man-Bat, Pyg, and Clayface.

A.R.G.U.S. centers largely around Steve Trevor and Etta Candy, making it a book for Wonder-Woman fans despite the fact Steve Trevor hasn’t really appeared in the pages of Wonder Woman. It is more closely related to Justice League, Suicide Squad, Justice League of America, and the secret agent-y government-y titles. The major villains are Killer Frost, Cheetah, and Deathstroke. Among the lesser villains, Cheetah leads a cool-looking pack of anthropomorphic antagonists. While it tells the back story of an important plot point to the greater Forever Evil narrative, it is probably the weakest, in both story and art, of all the Forever Evil subplots.

Rogues Rebellion is a story for Flash fans, obviously. It features the usual lineup of Captain Cold, Trickster, Weather Wizard, Mirror Master, Heatwave, and Glider. Classic Flash baddies Pied Piper and Gorilla Grodd appear as well. Several character more normally associated with Batman makes appearances; the Rogues find themselves transported to Gotham where they encounter Victor Zsasz, Poison Ivy, Mr. Freeze, and Black Mask.  In addition, there are quite a few second-stringers like Black Bison, Parasite, and the Royal Flush Gang making appearances. This book more than any of the others, including the main series, celebrates the community of villains operating in the DC Universe.

Blight is a Pandora story that stars John Constantine. It is readers who have been following the Dark family of titles and have familiarized themselves with the Trinity War event. This story is important to the entire plot mainly because Pandora’s box is what enables the Crime Syndicate to come over to Earth-1. It retains the feel of Justice League Dark and if you like that, you’ll like this book. If you’re expecting some Vertigo-eqsue tome, you will be disappointed and I recommend you read Rotworld for something closer to that experience.

All in all, I see Forever Evil and titles like World’s Finest and The Multiversity in the same way other comics speculators have already said: DC Comics is gearing up for an infinite crisis of infinite proportion. I’m excited. I feel I’m much better prepared to understand it than I am to understand Infinite Crisis on Infinite Earths, which is a book for its time. Will my generation’s crisis overdo the crises of the past? If Forever Evil is any indication, I believe it will.

 

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For the second year, the World’s Second Greatest Detective presents an assessment of the comics I’ve read, awarding accolades to books that impressed me. Like last year’s list, this one comes at the beginning of September because my comics year begins and ends with Dragon Con in Atlanta. A lot of titles that I mentioned last year continue to turn out great work: Saga, Revival, Batman, Manhattan Projects– but I’d rather steer attention to titles that didn’t make last year’s list either because of my ignorance, their slow creep to trade, or the fact they didn’t exist last year. There will also be some categories this year. For example:

Best Comic Book Character portrayed in an animation

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Katana in “Beware the Batman”

I should remind you that I don’t read any Marvel books, though the announcement that Charles Soule is leaving all his DC titles and the particular temptation of his Death of Wolverine has me eying the other side of the fence a bit. My decision to abstain from Marvel Comics is sort of arbitrary, but not totally without reason- limits on time and resource do not permit me the luxury of reading every comic book, so I picked one of the big two companies and don’t read the other at all. Though I do read a lot of independent comics and that’s really where my heart belongs. I picked DC over Marvel because of many reasons, but the simplest is Batman.

Not all of the accolades will categorized. Nor may all those mentioned really be ‘comics of 2014’ in the truest sense. For example, thanks to a generous donation by Oni Press to the WonderRoot Jackie Ormes Comic Book Library. I had the privilege to read two series that knocked my socks off:

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Courtney Crumrin is the fun story about a misanthropic little girl who lives a society worth hating, but luckily finds an uneasy friendship with her witch uncle and a few easier friendships with netherbeasts. It’s a clever book and the content is acceptable for most age levels.

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The Sixth Gun is an epic story set in a very Wild West, shaped by all sorts of occult and heebie jeebie ghost stuff. Cullen Bunn and the other creators of The Sixth Gun have moved onto other things and the news that DC would cancel All Star Western saddened me a little. East of West is still kicking around, but 2014 has  introduced a Western title that I may enjoy more than all three of those titles.

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Pretty Deadly contains some amazing art. Much like the best work of J.H. Williams III or Francis Manpaul, Emma Rios’s artwork stands out for her creative use of the medium. Panels and pages work together to create a fantastic pace. As Kelly Sue Deconnick’s writing takes the story in and out of stories and timelines, the art and especially the coloring distinguish the different parts of the whole quite well. Deconnick opened the Comics and Popular Arts Conference at this year’s Dragon Con with a rousing talk touching on a variety of subjects such as how we learn publicly and with record in a fast-paced technological society and how that empowers a ‘gotcha culture’ which in turn hinders our ability to learn; the use of the white male as the default character; the futility of overly emotional and aggressive responses to opposing ideas; and comic books. Her husband writes a pretty good comic too.

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Sex Criminals is a twist on Bonnie and Clyde, Robin Hood, Out of this World, 9 Songs, the Matrix, A Dirty Shame…and yeah, it isn’t. It’s an incredibly original story about a girl who stops time when she orgasms and a boy who also stops time when he orgasms. They discover this shared ability during the act of coitus and put it to good use, robbing banks to raise money for a library under attack by a viciously greedy bank that the boy happens to work for and where he poops in his boss’s office plant once a day.

Another catergory?

Worst Comic Book Character portrayed in an animation

For the video game-inspired animated movie Batman: Assault on Arkham, a bit of a revolution for the animated superhero movie with its Guy Ritchie-like pace, excessive profanity, explicit sexuality, and a level of violence exceeding even last year’s The Dark Knight Returns, DC made a Suicide Squad movie under the guise of a Batman movie. One thing I like about it is how they retained the original physical attributes of Amanda Waller instead going for the Angela Bassett model. One thing I didn’t like is how they turned King Shark from this:

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King Shark in the comics to:

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King Shark in Batman: Assault on Arkham

He looks a cross between Bane and Jaws from The Spy Who Loved Me. Their motivation for desharking the shark is unclear to me. I also don’t understand why David Goyer wants to demartian the Martian Manhunter.

Best Comic Book Companion to a video game

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Injustice: Gods Among Us begins before the video game’s storyline. In the simplest terms, Joker has tricked Superman into killing Lois Lane who is pregnant with Superman’s baby. Superman gets so mad that he kills the Joker, beginning the fascist reign of Superman and a doting Wonder Woman. Because it is an Elsworlds story with so many DC characters involved, the opportunities for bringing the essences and flaws of these characters abound. Tom Taylor wastes none of them. The Bat family is especially well-done is the book- particularly Alfred and Catwoman.

Best Art in a Superhero Comic Book

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Jae Lee did some of the best work of his career during his time on Grag Pak’s Batman/Superman. Of all the superstar artists from the 1990s that have continued in comics, I think the development of Jae Lee’s work has been the most interesting to watch. If you haven’t seen his work on Before Watchmen: Ozymandias, I highly recommend that one too. Batman/Superman is a dreamy book, but it is not without a strong sense of character and expression. This collaboration between Pak and Lee stands out as a triumph in comic storytelling.

Second Attempt That Makes The Most Sense in the New 52

Giving Deathstroke another chance at having his own title. Also looking forward to Gail Simone returning to her Secret Six roots later this year.

Second Attempt That Makes The Least Sense in the New 52

Why are the Teen Titans starting over again with issue 1?

Best Volume 3 collection of the New 52

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Grant Morrison’s run on Action Comics fulfilled its own prophecies in Vol. 3: At The End Of  Days. Morrison’s writes for the long haul and sometimes it works really well (Seven Soldiers of Victory, All-Star Superman, the epic story of Damian Wayne, Doom Patrol, Filth). His eighteen issues on Action Comics is separated into three acts, best illustrated by their separate trade collections. Vol. 1: Superman and the Men of Steel comes off as a pretty typical superhero comic- it’s action-packed and reintroduces many classic characters from Superman’s mythology such as Lex Luthor, Lois Lane, Jimmy Olsen, Metallo (Metal-Zero), and Brainiac. There are few weirdo moments, typical of Morrison’s work, but don’t overpower the straight-forward superhero elements. Vol. 2: Bulletproof is pretty weird, more distinctly Morrison. The story is all over the place, referencing itself, making the most out of the queer moments from Vol. 1: Superman and the Men of Steel, as well as introducing a Barack Obama doppelganger named Calvin Ellis- another dimension’s Superman. Finally, in Vol. 3: At the End of Days, all the kookiness starts to make sense and the details of Clark’s arrival in Metropolis in Vol. 1 become enriched by a Myxlplyxian plot that satisfies the patient reader.

Best Vol. 4 Collection(s) of the New 52

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While The Flash Vol. 4: Reverse, Wonder Woman Vol. 4: War, and Batwoman Vol. 4: The Blood is Thick all continued runs by outstanding creative teams, it is books like the Green Lantern family of books, Justice League Dark, and Green Arrow that have seen new creators come in and take the books in different directions to which I’d like to draw your attention. Much praise has been tossed to Jeff Lemire and Andrea Sorrentino’s Green Arrow, collected in Green Arrow Vol. 4: The Kill Machine. The art distinguishes itself from the unofficial DC house-style and the writing invigorates Oliver Queen as a character. I do think that in praising Lemire and Sorrentino’s work, a lot of undeserved criticism has been thrown Ann Nocenti’s way. Her depiction of Oliver Queen as an Ugly American in the People’s Republic of China is one of my favorite instances of seeing China portrayed in a superhero comic. Jim DeMatteis has seemingly inherited the Dark family of DC titles, emerging from his run on The Phantom Stranger. In Justice League Dark Vol. 4: Rebirth of Evil, he takes over for Lemire- moving the story from Trinity War to Forever Evil territory. The little demon Constantine‘s are great, but I wouldn’t have minded a bit more Frankenstein, my favorite member of the Justice League Dark. With the announcement of Charles Soule signing an exclusive contract with Marvel, I expect DeMatteis may take over Swamp Thing, which had a good, but short Vol. 4: Seeder. Matteis does interesting things with the character in Justice League Dark, but if I was going to pick the new writer of Swamp Thing, I’d go for either Tim Seeley, Kurtis Wiebe, or Angelo Tirrotto. To write an Animal Man title despite his joining Justice League United, I’d recruit Corinna Sara Bechko or Joshua Ortega with the instructions to keep Animal Man dark. Finally, the new slew of Green Lantern creators gave the ring-slingers an exciting year. Ranked best to least best: Red Lanterns, Green Lantern, Green Lantern Corps, Green Lantern: New Guardians. Outside of those Vol. 4s, I was disappointed with the Larfleeze title, but look forward to Cullen Bunn’s Sinestro.

Best Non-Picture Book Author to Write a Picture Book

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Toby Litt on Dead Boy Detectives

When I lived in Ireland, I discovered the work of Toby Litt, an author whose work was not available in the United States, and absolutely fell in love with it. Deadkidsongs, in particular, left me creeped out and inspired. When I heard he would be rebooting the Vertigo series Dead Boy Detectives I waiting in hefty anticipation for the trade to be released. While I was not disappointed, I must admit that Litt has not taken to the medium as quickly as the likes of Brad Meltzer who blew the comics world away with Identity Crisis. I do however see great potential in the future comics work of Litt as he adapts to the medium. Reading the trade, you can see him become more comfortable and, in turn, more capable.

Best Superhero Live-Action Movie

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X-Men: Days of Future Past, like its predecessors, stands well above the rest of the Marvel movies (with the possible exception of Captain America: Winter Soldier). Jennifer Lawrence, Hugh Jackman, Michael Fassbender, and the rest of the classic mutants put on a great show and new arrivals like Quicksilver brought energy to the film. This and X-Men: First Class are my favorite of the X-Men movies. They somehow managed to make Fan Bing Bing look terrible, which is my only real complaint about the film.

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In conclusion, I’m looking forward to more great comics this year though I have some concerns about a few creative teams at DC (Wonder Woman) and will miss some of my favorite creators and titles as they disappear from the shelves, hopefully replaced by new books of splendor, wonder, and ideas.

 

 

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One day our consciousnesses or rather those of our descendants will be able to perceive the multi-verse, defy space and time, and engage in a logic beyond the childish way you and I have been thinking. As our cells ready the coming mutations and our technologies reflect our peculiar ambitions, we grasp for examples that can anchor us in the blurred existential hurricane that is surely multi-versal living. One Virgil to our Dante in this exciting stage of development is the Batman. We are living in an age where people are living in multiple Batman universes. A noticeable portion of the world population coexists with multiple Batmans. While Batman is not unique in this and certainly not among other comic heroes, Batman is special. His multiple universes are more fully developed than any other superhero.

Look at some of the universes that continue to expand:

New 52 Batman (This universe is the same (sort of) as the Justice League War animated movie universe, but not necessarily the Son of Batman animated movie universe. Batman of the New 52 is complicated because he and Green Lantern have a lot more history than Superman and other heroes, making this particular universe great exercise for our evolving brains. All of which has been twisted even more strangely with the all whole Zero Year timing and whatever Jonah Hex and Dr. Arkham get into in the past. Of all the characters in the New 52, Batman holds the distinction of appearing in the most titles with no serious competition for the honor. At any given time, well over 10 creators at DC Comics are working on Batman stories.)

New 52 Batman Earth-2 (where he is notably the father of Huntress/Robin)

Lil Gotham (Here we find familiar characters celebrating familiar holidays)

Batman ’66 (A reflection of the old Batman TV Show universe, itself a reflection of the Silver Age Batman universe and the Warholian utopia/dystopia of the Swinging Sixties- it’s not inception, it’s not an Alanis Morrissette song, it’s more like Medeski Martin & Wood playing their own arrangement of an American jazz song about French people impersonating Chinese porcelain work)

Batman Earth One (Remember this gem from a few years ago? Will there be a Volume 2?)

Injustice (The storyline constitutes multiple universes itself and features multiple Batmans)

Batman Arkham (This universe has its fair share of continuity problems, especially when it dabbled in the prequel arts with Arkham Origins)

Zack Snyder Universe (where the Dark Knight is portrayed by the kid on Voyage of the Mimi)

LEGO Batman (and arguably LEGO Movie Batman is a separate universe; the missus and I recently assembled a LEGO batmobile tumbler, the ride from the Nolanverse, which would be a separate universe from the LEGO Batman universe as it exists in most of the sets, the video games, and the LEGO Batman movie (and, again, the LEGO Movie))

The upcoming Gotham TV series (This universe, much like other universes, rearranges chronology without causing major rifts to meaning. This phenomenon is one of the more popular Elseworlds literary devices- it relies on the familiar to give its new universe strength and recognizes time as a variable, not a constant.)

DCU Online/Infinite Crisis (The online playable universes of the DC multi-verse are (or have the potential to be) some of the highest functioning universes outside of the metanarrative (and what, dear readers, is the Batman metanarrative?))

JL8 (Yale Stewart’s charming running comic of Justice League members as kids is one of many amazing fan-created universes out there. Don’t we all have our own Batman universes that we’ve created? When kids play with Batman toys, they create narratives and become architects of our practice multiverse. Also there’s a bit of perverted Bat-fiction, even pornographic productions of the highest quality. I think Lexi Belle makes a more convincing batgirl than Sunny Lane, but it’s amazing that the modern Batman reader even has a choice in selecting their adult film Barbara Gordon.)

Meanwhile, many Batman universes that we accept as being closed continue to remain alive in our consciousnesses:

The Nolanverse (A self-contained universe spanning three films, the Dark Knight trilogy has solidified itself as my generation’s  onscreen Batman, forcing me to face all the issues surrounding my own mortality as a new Batman, Batfleck, appears in the near future. A glitch in this universe transforms Batman’s love interest into a more talented actress between films.)

Batman: The Animated Series (Hardly the only time the Dark Knight has been animated, but one that resonates so strongly and featured the work of true legends like Marv Wolfman and Denny O’Neil. The show also introduced Harley Quinn who quickly transuniversed across the multiverse into established Batman universes.)

The Dark Knight Returns universe (Frank Miller’s classic Elseworlds story had new life breathed into it with last year’s animated film. This story, closely tied to the zeitgeist (equal parts apathy and fascism) of the 1980s, continues to help readers, and now viewers, transport to a time when Batman was disappointed in both the hippies and the conservatives.)

Jeph Loeb has provided two separate Batman universes. With Tim Sale, he created the Long Halloween universe, which is not much of a departure from Frank Miller’s Year One universe. Later Loeb launches the Superman/Batman series, which brings Supergirl back to the DC universe in a form I believe far superior to the Supergirl that died back in Crisis on Infinite Earths- itself being a primer on balancing an overwhelming multi-verse with an accessible story (with varying degrees of success)

Year 100, DC One Million (Paul Pope and Grant Morrisson probably walk with each foot in a different universe at all times.)

Whatever Happened to the Caped Crusader? (This very short yet poignant set of mixed up eulogies for the Dark Knight delivered by his closest friends and enemies provides multiple alternate histories for the Dark Knight. One of the very few Batman stories that Neil Gaiman has written.)

This list could really go on and on as Batman has been featured in an overwhelming amount of material and a good chunk of that remains relevant to the modern Batman reader. When humanity is confronted with what will surely be the greatest existential crisis we will face collectively up to that point, I believe the modern Batman readers will have contributed to the evolutionary process that will enable our collective consciousness to navigate an open multiverse. Also net neutrality will prove to be even more important than even Tim Wu currently anticipates, but he deserves some credit too- not as much as Batman, but some.

 

As frequenters of this site know, crosswords of varying difficulty have appeared sporadically since the site began. The empire was built on those little boxes, penciled in between our slings and arrows, our ups and downs. Yesterday a small start up tech firm known as The Google brought attention to the 100th anniversary of the versatile medium. Those nerds celebrated with an animated doodle. The World’s Second Greatest Detective , refusing to be outdone by a bunch of coder and cooties, decided to massacre two birds with one stone by simultaneously commemorating the 100th anniversary of the crossword with the publication of DC Comics New 52 Villains Omnibus, a mammoth tome featuring each of DC Comics Villains Month issues from this past September, with a DC Villains Crossword. The answers are all titles taken from the New 52 Villains Omnibus, so don’t go looking for Catwoman, Hush, Amazo, Gentleman Ghost, etc. If you need a list of those titles, click here.  If you click on the puzzle, it gets much bigger too.

villainscw

Across

5. what’s cooler than cool? ice cold

7. classic teen tightener

8. makes lions cowardly with gas

9. say hello to their little friend

10. pointed the Flash to Flashpoint

11. more badass than Duane Chapman

16. rules Gotham from a shadowed perch, behind granite and lime

17. the blackest night’s blackest knight

22. rough in a diamond

23. lives in the worst part of Gotham City

25. if dialing h gets you preparation e, this is how you get preparation h

29. Jordan’s friend, Natu’s father

30. Aquaman’s brother

32. Can be usually be found at the Iceberg

33. Solomon Grundy died on Saturday, but Superman died on this one

34. Born in the dark, molded by it

35. I make a point of never being clueless, who am I?

36. One of the Jor-El’s best buddies if only in his mind

38. faster pussycat kill kill

39. So Raven

43. Played poorly by Kevin Spacey

44. big bad harv

45. Has a cooler collection of bottles than any frat boy you know

47. Of all of Darkseid’s minions, he probably finds the most sexual gratification from spanking

Down

1. Coast City’s least favorite Superman

2. Not the handsomest villain but possibly the hungriest

3. one of the few female characters to put on more clothes in the New 52

4. his scientific discoveries were vital to Talia’s war on Batman, Inc.

6. Wonder Woman’s brother

8. whether male or female, a problem for hawkman

10. looking to put Green Lanterns’ lights out

12. A failure for Lex Luthor, especially compared to Superboy

13. One of Jor-El’s best buddies

14. hair like the Joker

15. Inspired the pornographic thespian Jack Napier

16. poison ivy planted seeds in him

17. gave Aquaman’s dad a heart attack

18. one bullet minimalist

19. Gems of the Gem Cities

20. digs lysistrata and wearing other people’s faces

21. most wtf character choice in Injustice video game

24. Grandfather to Thomas Wayne’s grandson

26. of Super Villains

27. just another clever beat inventing knowing

28. put the rot in rot world

31. The man with a kryptonite heart

37. aims to make aiming arrows difficult

40. once wore a lot of Sinestro Corps rings

41. christened Cyrus Gold, possibly on a Tuesday

42. iconic cosplay favorite who appeared in an animated series before appearing in a comic

45. subject of the best storyline in 52

46. kisses with his Apokolips

Google across my angry middle finger

Above you can see what Google’s doodle looked like while below you can find the correct responses to the crossword clues.

answers

merrychristmasshyguy

As the last moments of 2013 are sucked up into the vortex of history, I thought I could share a few items that I feel really articulate the Christmas Spirit of Wayne Xiaolong, the World’s Second Greatest Detective.

Firstly, craft plays a huge role in what makes this site tick. One of the things that separates Wayne Xiaolong from other comic book sites is the ambition of this site to produce content rather than review or report on the content of others. This holiday season I’ve made a number of crafts and I’d like to share some of them here.

baby-nightsoil-lighters

I made a significant quantity of lighters as holiday gifts this year. I haven’t given them all out, so I’m only posting pictures of ones that have already been claimed. Making these lighters was really simple. If you want to make some yourself, you’ll need a few things: cigarette lighter(s), decoupage, paint brush, and some images. I created my images using Photoshop. I cropped pictures from the internet and pasted a gold frame to keep it classy. You don’t need to print pictures though. You can cut images out of magazines, comics, instruction manuals, etc. I would recommend thinner paper over thicker paper, so no encyclopedias except maybe Wikipedia. Then you paint a little decoupage on the lighter and the back of the picture. Place the picture on the lighter. Paint a little decoupage on the top of the picture and let it dry. Repeat that last step a few times and viola! You have a fun and inexpensive gift. Many of the lighters are made were tailored to the recipient, but the ones in the above photograph were chosen as more generic crowd-pleasers because who doesn’t love Earth Kitt, Li Xiao Long, Linda Carter, and Zhang Man Yu?

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Secondly, Wayne Xiaolong exists in response to the exciting stuff going on in comic books and the Atlanta art world. The work that I do with artists and arts organizations here in Atlanta gives me a very real sense of community while the current generation of comics creators provides me with a different sense of community as I find myself identifying with and finding inspiration from the incredible work being produced right now. WXL proudly wears its branding as an outpost for the eccentricities of the Green Lantern narrative. The last decade of Green Lantern work opened my eyes to the renaissance taking place in comics while the new crop of talent working on the title have been very supportive of this site. Now is a great time to be a Green Lantern fan and I encourage all of you to check out the independent titles that helped Vendetti, Soule, Jordan, and Jensen catch the attention of DC Comics. Anyway, last night I received a gift from Van Jensen, a GL writer who has made Atlanta his home, that I wanted to share with you. It’s a magnet featuring two classic GLs from the Silver Age, Tomar-Re and B’dg.

tomarrebdgmagnet

wherewekeepthefood

Thirdly, a desire to bring light into this dark world is fundamental to the philosophy of this site. Some of the most frequent visitors to this site come in search of ESL crossword puzzle and clozes related to superheroes. Having taught a university course on the history of superheroes to Chinese (i.e. ESL) students in Dalian, I have the unique experience and expertise in using superheroes as tools for teaching English language and Western culture to people from the East. For the past year, I’ve been creating these crosswords for the family from Myanmar that I tutor. They’re a really fantastic family from the Chin state of Myanmar- mom, dad, and two lovely little boys. The two boys often greet me with one of three battle cries: “Superhero!” “Batman!” and “Go Go Power Rangers!” They’re pretty young (2 & 4) and English is their 2nd (maybe 3rd/4th) language, but my goal is get at least the older boy to be able to recite the full GL oath (In brightest day, in blackest night; no evil shall escape my sight; let those who worship evil’s might; beware my power- Green Lantern’s light!) .  Here’s a picture of the two boys as pandas that I created last year. Like most children their age, they’ve been growing at a phenomenal rate.

pandakids

I often bring them sweets and small toys. After Free Comic Book Day, I brought them a big stack of nearly age-appropriate comics. Their joy is some of the most rewarding joy to witness and they provided what I believe will be the highlight of my holiday season. This past Wednesday I brought them their Christmas present.

Christmas gift with candies taped to it

I wrapped the gift and adorned it with candy canes, gingerbread Twix, caramel apple Milky Way bites, and a Godiva truffle. These kids love chocolate and superheroes, so we have a lot in common. When they opened the gift to find the world’s greatest heroes, their excitement could not be contained. Jumping up and down, shaking their fists, shrieking- these kids seemed to be in total awe that the seven major members  of the Justice League were now part of their toy army. In a pleasant coincidence, Young Justice was playing on the TV, which made it very easy to explain to them who Cyborg is.

The Treasure

Finally, the World’s Second Greatest Detective would like to wish a safe and happy holiday season to everyone who reads, supports, and inspires this site. Let’s all pledge to work towards a more cooperative world in 2014, to turn hope into action, and to celebrate the contributions and potential in others and ourselves. I have a feeling we can look forward to some great comics too.

veidt-poison-ivy-panda

The cosplay phenomenon manifested itself, mostly at a grassroots level, from the collision of social forces old and new. Equal parts post-modern hyper-consumerism and ancient ritual, cosplay combines humanity’s celebration of its own imagination and a refusal to accept its natural limits. Like mating dances and funeral marches, it is inherently sexual with its multiple sexual identities decided by its multiple audiences. Through cosplay, the cosplayer rejects their reality in favor of a reality augmented by a fantasy element. The act is both self-destructive and self-affirming. It is both personal and social. During the act, the cosplayer is constantly engaging the character being recreated and through this process, an intimacy is created. For fans of those character, observing others in the cosplay act can stimulate their own feelings of intimacy will the character, exponentially increasing the Barthesian experience of an author losing control of their work while the audience creates its own text from its own understanding of the work. People are attracted to the cosplay community because of the orgy of it all, the give and take of cerebral and sexual signs that compel visceral responses from the intellectual and physiological self.

Cosplay is real people, but it isn’t. The characters are generally more professional than the actors. Cosplay succeeds when it blurs the lines between its multiple realities in interesting ways. Lex Luthor is obvious in the Prometheus suit, but what about his birthday suit? Craftsmanship, creativity, and courage are characteristics that greatly benefit a cosplayer. Veidt.com is a unique voice in the cosplayer universe. Describing themselves as “a stupid little fansite celebrating alt cosplay, post-human culture, and parody,” Veidt offers what a lot of people are looking for in their cosplay- nudity. Veidt is not a pornographic site, but it will likely stir a few of those feelings you discovered during puberty. In addition to its erotic character, Veidt maintains a minimalist aesthetic more John Waters than Andrew Blake, punker than it is pretty.

Additionally, Veidt stands on the merits of its own street credibility or rather its geekdom authenticity. Named after the ozziest of the Watchmen, Veidt demonstrates flawlessly a genuine interest and understanding of comics’ rich culture without the need to boast Comic-Book-Guy-style about its own authority. At a time when an embarrassing number of males in the sci-fi community are attacking females in the community under the ridiculous charge of being fake nerds, Veidt is a site maintained by women that are real nerds- I mean that as a compliment, of course. Sure, you will find Supergirl and Catwoman on their site, but also several Green Lanterns (even a pre-Red Lantern Green Lantern), characters from independent comics, characters of their own creation, and other characters of varying obscurity.

Anyway, I spoke with some of the ladies at Veidt.com and did a few Wayne Xiao Long interpretations of some of their photos. I encourage you to check out their site to see what it is these remarkable women do.

veidt-arisia-panda

INTERVIEW WITH THE WOMEN OF VEIDT.COM

WXL: Who are you?

VEIDT.COM: I’m the concept artist behind the alt cosplay site Veidt.com, which encompasses pretty much everything on there, except for the part that actually matters- wearing the costumes.

WXL: You maintain a site that features pop culture news and your opinions, but is mainly known for featuring beautiful and beautifully tattooed women dressed as characters from video games, comic books, and your own imagination. Unlike many other cosplay sites, yours sometimes offers a more intimate look at the bodies of the cosplay models. It’s a very popular site that doesn’t generate income, right? So, my question is, why do you do it?

VEIDT.COM: This was never intended as a for-profit venture, it’s a silly little art project that’s somehow developed a following. There are very definitely real costs to the stuff we do, but have been quite fortunate that whenever we put up a crowdfunding campaign to keep going, the audience has responded. I’m so grateful for their interest and support, which has allowed us to continue growing.

That’s not to suggest there’s anything wrong with generating revenue. I’m very much a fan of capitalism, and will do other things, but I’d like to keep Veidt as freely available as I can, for the foreseeable.

WXL: Your site gives the impression that all of you are friends. How did you meet each other?

VEIDT.COM: There’s definitely a couple of interesting stories there.

People seem to have a lot of distinct impressions about the site and I kinda like that it’s open to interpretation. As long as they know the shoots are very much a collaboration, and that the best ideas often aren’t coming from me, they can think whatever they like.

I am working right now on a story that combines some of the history and experiences of the site, as a foundation for some radical leaps of imagination, to do something I haven’t seen in comics. Ideally, would love to find the right artist to work with, and make it an open-ended one-off comic book. But if not, I suppose it will go out at some point as a prose piece, with supplemental sketches and photos.

veidt-rrab-panda

WXL: Two characters your site is particularly fond of recreating are the Green Lantern characters Star Sapphire and Arisia Rrab. These are both characters under the thumb of Hal Jordan in pretty demeaning ways. By becoming Star Sapphire, any of Carol Ferris’s personality other than her love for Hal ceases to exist, revealing a very outdated perception of women. Arisia Rrab is Hal Jordan’s thirteen year-old girlfriend that alters her appearance to allow Hal to continue his pedophilia when they return to Earth. These women surrender control and even meaning over their lives to a man so easily and yet the models on your site seem to have taken a great deal of control over how they use their bodies and they allow themselves to be publicly represented. Was this a conscious choice to use such characters? More generally, what are your intellectual objectives with the site? How do you define the feminist components of your work? What is your contribution to our collective and your individual struggles with gender?

VEIDT.COM: It’s even weirder, as Hal Jordan doesn’t really mean anything to me. The first DC series I devoured, outside of some Batman books, was Grant Morrison’s JLA, which had Kyle Rayner. That lead me to track down the Keith Giffen run, which came highly recommended, and that’s wall to wall Guy Gardener. And then the JL cartoon was John Stewart…all of those characters had great moments, and strong personalities, so when all of the focus seemed to suddenly shift to Hal Jordan, I didn’t get it. I have no idea what’s supposed to make him better than these other guys, and in fact my biggest exposure to Hal was the pacifist fighter pilot nonsense in the beginning of The New Frontier, and that almost made me stop reading- fortunately, I persevered through…it is an exceptional story.

Very aware of the back-stories of Arisia and Star Sapphire, and would love to go off on a screed about Arisia, in particular, but I’ve actually channeled my reactions to and fascination with that character into the more fictional aspect of the story I mentioned working on. Don’t want to spoil that, but I hope it makes for an interesting / alternate / unexpected take on an utterly absurd, yet compelling character.

As for our cosplay shoots inspired by these characters, there’s definitely a degree of satire by exaggeration behind them. Also, one of the motivations for the images was to try to channel some of the comic book, post-human world into our mundane reality. I don’t think I’ve succeeded at conveying that, as the most consistent criticism is of things like power outlets and light switches in the background. That was kind of the point, and I guess I fail at subtext for having to come out and explain it.

And while I appreciate the question on intellectual objectives, I haven’t earned that. I got accepted to CalArts after hs, but didn’t get to go (parents wouldn’t pay for art school.), made and maintained friendships with some people there, though, and because I had an outsider perspective, was able to see how uncomfortable it could get when people spoke way too much about their process. Not taking your work too seriously, I think that’s actually admirable, and can be an asset. But radically overestimating the audience’s interest in the people behind the work, or being an obv try-hard at personal brand building, is just…*shudder.*

I’ve gotten some fascinating feedback from all kinds of people, who’ve noted many things that were, and many that definitely weren’t, intentional. I appreciate getting people’s responses to this stuff.

WXL: Your site celebrates women in comic books and satisfies a desire than many people have. Most people that search for my site end up here because they were looking for naked pictures of Zatanna or some other comic book femme. It’s great they have your site for stuff like that. Are there any male comic book characters that you like to create costumes for and shoot pictures of?

VEIDT.COM: Well, I’m not short on volunteers, which is nice.

We actually did one this year, a Namor shoot for April Fool’s. A friend of mine has achieved some real fame in a particular niche, and he’s got the classic olympic swimmer’s build, so we did this…intending it to be a joke, but it actually turned out kind of amazing. Rarely look at my stuff and think, there’s a shot that could actually sell as a print, or something, but this set had one.

Sadly, someone close to him didn’t appreciate it, and I was asked to sit on them. That’s happened before, someone asking not to run certain pictures, which is fine, but this one kinda hurt.

If I don’t get the okay to use them soon, I’ll try reshooting it with someone else, as the costume and location really worked, and I’m curious to see what kind of reaction the pics might get on the site. We’ve gotten positive feedback from a pretty diverse array of people, so I’m hopeful some might be open to it.

Either way, there’s at least one other idea I has incorporating a male character; will get that done this summer, too.

WXL: Many of your shoots are in rather public locations. Could you share some interesting encounters with or reactions from the general population? Anyone cast a hex or proposition you?

VEIDT.COM: My favorite thing in the world is going hiking, really late at night. Running up and down hills, climbing and jumping like an idiot, it’s very effective for stimulating introspection and creative thought. Started doing it at night because when I’d go during the day, would occasionally run into another hiker, and that took me out of the moment, and tended to made me self-conscious. I bring this up to sort-of convey that I try to avoid people, generally, no matter what I’m doing. [And should the updates on the site abruptly stop, I’m likely dead somewhere in the Santa Monica mountains, or thereabouts. Hiking at night is very fun, but also dangerous and dumb. It’s cool, though, I will have gone out doing what I loved.

So yeah,  we have used public locations, but I’ve studied them in advance, and felt confident we could work there without running into anyone. It doesn’t always work out that way, though. We were shooting on a fire escape, once, and gradually became aware of this squat little guy masturbating from his window in the adjacent building, with a big smile on his face. We waved, and quickly went elsewhere.

It was a little surreal going into a comic store in LA, not long ago, and a couple people were looking at the Post-Human Pin-Up ebook on an iPad. They were going through it, occasionally talking about it, and I’m 3 feet away listening intently, having that comic book moment where Peter Parker has the imaginary half Spider-Man mask on his face, or Bruce Wayne’s shadow suddenly has bat ears, or whatever.

veidt-starsapphire-panda

WXL: I’m guessing that all of the models on your site have thought about this question before. Which comic book character do you think you personally could portray best on screen?

MARNIE: Cassie Hack, mofo!
HAN:  We just did Ravager, she’s the character i most wanted to do. Please, somebody, just make a Titans movie.

WXL: GL fan to GL fan, what do you think is the number one problem with the movie? Don’t say the costume- that’s a cop-out answer for a cosplayer!

VEIDT.COM: Number one problem? Radical over-reliance on ugly CG, and the costume is part of that, but so are the uninspired designs for Oa, Kilowog Potatohead, Parallax, and so many other elements.

But even if you somehow fixed all that, you still have the choice of Hector Hammond as a villain, the charisma vacuum that is Peter Sarsgaard, casting Blake Lively in a role that screamed out for Eva Green, the implausibility of Ryan Reynolds, Blake Lively, and Sarsgaard as a peer group with a long history, things like the GL oath and Kilowog saying,”Poozer”, which read fine on a comic page, but should probably never be spoken aloud in a film. Why was Tim Robbins in this movie? Bland music that made no impression. Also, no Arisia and no fleeting glimpse of Ferris as her future alter ego.

What it did right is a much shorter list: Ryan Reynolds wasn’t bad casting; at least someone thought to start hinting at a larger shared universe by bringing in Amanda Waller; and Mark Strong was pretty good. Happy we got to see him in Sinestro Corps mode for a few seconds.

GO VISIT VEIDT.COM!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

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