Archives for posts with tag: superheroes

carsonwithcast

As previously mentioned in the World’s Second Greatest Detective’s interview with Actor Matt Myers, Atlanta’s Synchronicity Theatre  will be presenting Carson Kreitzer’s Lasso of Truth, a play about Wonder Woman and her creator William Moulton Marston. The play opened on September 26 and will run until October 19, 2014 at the Synchronicity Theatre’s new location at Peachtree Pointe 1545 Peachtree Street in Atlanta, Georgia. Here I’ve had the privilege of asking the scribe herself Carson Kreitzer a few questions about the play and her interest in Wonder Woman. Kreitzer has written several plays, many inspired by peculiar characters from history like Marston.

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WXL: What originally attracted you to the story of William Moulton Marston and the character of Wonder Woman?

CARSON KREITZER: Well, I was a Wonder Woman fan from way back.  Lynda Carter was huge for me. Then, a few years ago, I was writing a play that involved a scene with a lie detector.  (1:23, which was produced by Synchronicity in 2009)  I was doing some research on the lie detector, and came across all this information about William Marston and Wonder Woman.  And bondage.  And polyamory. And the two women living together after Marson’s death, raising the children in sleepy little Rye, New York in the 1950’s…. -that detail still just blows my mind.   And I thought, Holy Cow!  That’s my next play.

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WXL: Marston’s original vision for Wonder Woman has undergone significant change over the years. These changes came about through the collective efforts of writers, artists, and the general public. Do you believe this democratic participation has strengthened or weakened the character?

CARSON: It’s gone up and down. She went through some terrible times after Marson died, in the 1950’s and 1960’s.  But then, the writers who picked up the mantle of her true strength and feminist core have been awesome.  Trina Robbins and Phil Jimenez are the ones I’m most familiar with, but I know she’s had lots of amazing talent creating her stories. I loved the Brian Azzarello/Cliff Chiang/Tony Akins Wonder Woman New 52 relaunch, Blood, Guts, and Iron, which I read as we were rehearsing for the first production in Marin in February. Lasso of Truth is a National New Play Network Rolling World Premiere, with productions at Marin Theatre Company, Synchronicity here in Atlanta, and Unicorn Theatre in Kansas City.  Like the ancient greek myths the story is rooted in, many bards step in to tell the tales.  It seems fitting.

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WXL: Despite suggestions from certain magazines, Wonder Woman couldn’t legally become President of the United States because she was born in Themyscira. Is there an eligible superhero that you’d like to see in the White House? For our purposes here, you can assume younger American superheroes would wait until they were old enough to run.

CARSON: I guess I’ll say Rogue. Though Zephyr Teachout sounds like a superhero name, don’t you think?  With the ability to withstand the corrupting influence of money? Actually, I’m gonna say Elizabeth Warren.   She’s a superhero.

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WXL:  I’ve never seen a play about Bob Kane, Jerry Siegel, or Joe Shuster. How is that you’re able to bring Wonder Woman to the stage, and in a sophisticated and challenging way, before DC Comics can bring Wonder Woman to the movies?

CARSON: Actually, there’s a bit of a movement going on with Comic Book plays!  There is a wonderful, heartbreaking play called The History of Invulnerability, by David Bar Katz, about the creation of Superman.  And there was just a play in New York called King Kirby, which I didn’t see, but it got great notices.  (Bob Kane may still be waiting for his play…)  And I don’t know why they can’t get it together for a Wonder Woman movie… although I do have empathy.  I think Lynda Carter left some pretty big red boots to fill.  She’s so indelibly connected with Wonder Woman, at least for anyone who grew up with the TV show.  I actually had no idea how much Wonder Woman had disappeared from the popular culture until I started working on this play. She was everywhere when I was a kid- TV, lunch boxes, the whole deal. It was shocking to audition actresses, and find that they had not had Wonder Woman to look up to, to emulate, as little girls.  It is definitely time for more Wonder Woman!

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WXL:  What comics are you reading these days?

CARSON: I’m a bit more of a graphic novel buff, myself. Art Spiegelman’s Maus got me hooked, let me know what was possible with pen and ink and words.  Allison Bechdel’s Fun Home is one of my favorite works of art in any genre whatsoever, and I’m so thrilled she just won a MacArthur Genius grant!  I love Stitches, by David Small.  The combination of words and images is so potent, in some ways so like theater… But it’s also very personal and internal as an experience: you create all the voices in your own head, and you can linger on any page or image to fully take in the detail or the moment, or rush image to image as you race to find out what happens.  My mother actually just sent me Jules Feiffer’s Kill My Mother, which is pretty funny of her.  That’s what I’m reading as soon as I get home from Atlanta.

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classybestof2014

For the second year, the World’s Second Greatest Detective presents an assessment of the comics I’ve read, awarding accolades to books that impressed me. Like last year’s list, this one comes at the beginning of September because my comics year begins and ends with Dragon Con in Atlanta. A lot of titles that I mentioned last year continue to turn out great work: Saga, Revival, Batman, Manhattan Projects– but I’d rather steer attention to titles that didn’t make last year’s list either because of my ignorance, their slow creep to trade, or the fact they didn’t exist last year. There will also be some categories this year. For example:

Best Comic Book Character portrayed in an animation

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Katana in “Beware the Batman”

I should remind you that I don’t read any Marvel books, though the announcement that Charles Soule is leaving all his DC titles and the particular temptation of his Death of Wolverine has me eying the other side of the fence a bit. My decision to abstain from Marvel Comics is sort of arbitrary, but not totally without reason- limits on time and resource do not permit me the luxury of reading every comic book, so I picked one of the big two companies and don’t read the other at all. Though I do read a lot of independent comics and that’s really where my heart belongs. I picked DC over Marvel because of many reasons, but the simplest is Batman.

Not all of the accolades will categorized. Nor may all those mentioned really be ‘comics of 2014’ in the truest sense. For example, thanks to a generous donation by Oni Press to the WonderRoot Jackie Ormes Comic Book Library. I had the privilege to read two series that knocked my socks off:

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Courtney Crumrin is the fun story about a misanthropic little girl who lives a society worth hating, but luckily finds an uneasy friendship with her witch uncle and a few easier friendships with netherbeasts. It’s a clever book and the content is acceptable for most age levels.

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The Sixth Gun is an epic story set in a very Wild West, shaped by all sorts of occult and heebie jeebie ghost stuff. Cullen Bunn and the other creators of The Sixth Gun have moved onto other things and the news that DC would cancel All Star Western saddened me a little. East of West is still kicking around, but 2014 has  introduced a Western title that I may enjoy more than all three of those titles.

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Pretty Deadly contains some amazing art. Much like the best work of J.H. Williams III or Francis Manpaul, Emma Rios’s artwork stands out for her creative use of the medium. Panels and pages work together to create a fantastic pace. As Kelly Sue Deconnick’s writing takes the story in and out of stories and timelines, the art and especially the coloring distinguish the different parts of the whole quite well. Deconnick opened the Comics and Popular Arts Conference at this year’s Dragon Con with a rousing talk touching on a variety of subjects such as how we learn publicly and with record in a fast-paced technological society and how that empowers a ‘gotcha culture’ which in turn hinders our ability to learn; the use of the white male as the default character; the futility of overly emotional and aggressive responses to opposing ideas; and comic books. Her husband writes a pretty good comic too.

doing it and doing it and doing it well

Sex Criminals is a twist on Bonnie and Clyde, Robin Hood, Out of this World, 9 Songs, the Matrix, A Dirty Shame…and yeah, it isn’t. It’s an incredibly original story about a girl who stops time when she orgasms and a boy who also stops time when he orgasms. They discover this shared ability during the act of coitus and put it to good use, robbing banks to raise money for a library under attack by a viciously greedy bank that the boy happens to work for and where he poops in his boss’s office plant once a day.

Another catergory?

Worst Comic Book Character portrayed in an animation

For the video game-inspired animated movie Batman: Assault on Arkham, a bit of a revolution for the animated superhero movie with its Guy Ritchie-like pace, excessive profanity, explicit sexuality, and a level of violence exceeding even last year’s The Dark Knight Returns, DC made a Suicide Squad movie under the guise of a Batman movie. One thing I like about it is how they retained the original physical attributes of Amanda Waller instead going for the Angela Bassett model. One thing I didn’t like is how they turned King Shark from this:

Joker lipstick on a shark

King Shark in the comics to:

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King Shark in Batman: Assault on Arkham

He looks a cross between Bane and Jaws from The Spy Who Loved Me. Their motivation for desharking the shark is unclear to me. I also don’t understand why David Goyer wants to demartian the Martian Manhunter.

Best Comic Book Companion to a video game

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Injustice: Gods Among Us begins before the video game’s storyline. In the simplest terms, Joker has tricked Superman into killing Lois Lane who is pregnant with Superman’s baby. Superman gets so mad that he kills the Joker, beginning the fascist reign of Superman and a doting Wonder Woman. Because it is an Elsworlds story with so many DC characters involved, the opportunities for bringing the essences and flaws of these characters abound. Tom Taylor wastes none of them. The Bat family is especially well-done is the book- particularly Alfred and Catwoman.

Best Art in a Superhero Comic Book

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Jae Lee did some of the best work of his career during his time on Grag Pak’s Batman/Superman. Of all the superstar artists from the 1990s that have continued in comics, I think the development of Jae Lee’s work has been the most interesting to watch. If you haven’t seen his work on Before Watchmen: Ozymandias, I highly recommend that one too. Batman/Superman is a dreamy book, but it is not without a strong sense of character and expression. This collaboration between Pak and Lee stands out as a triumph in comic storytelling.

Second Attempt That Makes The Most Sense in the New 52

Giving Deathstroke another chance at having his own title. Also looking forward to Gail Simone returning to her Secret Six roots later this year.

Second Attempt That Makes The Least Sense in the New 52

Why are the Teen Titans starting over again with issue 1?

Best Volume 3 collection of the New 52

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Grant Morrison’s run on Action Comics fulfilled its own prophecies in Vol. 3: At The End Of  Days. Morrison’s writes for the long haul and sometimes it works really well (Seven Soldiers of Victory, All-Star Superman, the epic story of Damian Wayne, Doom Patrol, Filth). His eighteen issues on Action Comics is separated into three acts, best illustrated by their separate trade collections. Vol. 1: Superman and the Men of Steel comes off as a pretty typical superhero comic- it’s action-packed and reintroduces many classic characters from Superman’s mythology such as Lex Luthor, Lois Lane, Jimmy Olsen, Metallo (Metal-Zero), and Brainiac. There are few weirdo moments, typical of Morrison’s work, but don’t overpower the straight-forward superhero elements. Vol. 2: Bulletproof is pretty weird, more distinctly Morrison. The story is all over the place, referencing itself, making the most out of the queer moments from Vol. 1: Superman and the Men of Steel, as well as introducing a Barack Obama doppelganger named Calvin Ellis- another dimension’s Superman. Finally, in Vol. 3: At the End of Days, all the kookiness starts to make sense and the details of Clark’s arrival in Metropolis in Vol. 1 become enriched by a Myxlplyxian plot that satisfies the patient reader.

Best Vol. 4 Collection(s) of the New 52

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While The Flash Vol. 4: Reverse, Wonder Woman Vol. 4: War, and Batwoman Vol. 4: The Blood is Thick all continued runs by outstanding creative teams, it is books like the Green Lantern family of books, Justice League Dark, and Green Arrow that have seen new creators come in and take the books in different directions to which I’d like to draw your attention. Much praise has been tossed to Jeff Lemire and Andrea Sorrentino’s Green Arrow, collected in Green Arrow Vol. 4: The Kill Machine. The art distinguishes itself from the unofficial DC house-style and the writing invigorates Oliver Queen as a character. I do think that in praising Lemire and Sorrentino’s work, a lot of undeserved criticism has been thrown Ann Nocenti’s way. Her depiction of Oliver Queen as an Ugly American in the People’s Republic of China is one of my favorite instances of seeing China portrayed in a superhero comic. Jim DeMatteis has seemingly inherited the Dark family of DC titles, emerging from his run on The Phantom Stranger. In Justice League Dark Vol. 4: Rebirth of Evil, he takes over for Lemire- moving the story from Trinity War to Forever Evil territory. The little demon Constantine‘s are great, but I wouldn’t have minded a bit more Frankenstein, my favorite member of the Justice League Dark. With the announcement of Charles Soule signing an exclusive contract with Marvel, I expect DeMatteis may take over Swamp Thing, which had a good, but short Vol. 4: Seeder. Matteis does interesting things with the character in Justice League Dark, but if I was going to pick the new writer of Swamp Thing, I’d go for either Tim Seeley, Kurtis Wiebe, or Angelo Tirrotto. To write an Animal Man title despite his joining Justice League United, I’d recruit Corinna Sara Bechko or Joshua Ortega with the instructions to keep Animal Man dark. Finally, the new slew of Green Lantern creators gave the ring-slingers an exciting year. Ranked best to least best: Red Lanterns, Green Lantern, Green Lantern Corps, Green Lantern: New Guardians. Outside of those Vol. 4s, I was disappointed with the Larfleeze title, but look forward to Cullen Bunn’s Sinestro.

Best Non-Picture Book Author to Write a Picture Book

the boys are dead and girl just wanna have fun

Toby Litt on Dead Boy Detectives

When I lived in Ireland, I discovered the work of Toby Litt, an author whose work was not available in the United States, and absolutely fell in love with it. Deadkidsongs, in particular, left me creeped out and inspired. When I heard he would be rebooting the Vertigo series Dead Boy Detectives I waiting in hefty anticipation for the trade to be released. While I was not disappointed, I must admit that Litt has not taken to the medium as quickly as the likes of Brad Meltzer who blew the comics world away with Identity Crisis. I do however see great potential in the future comics work of Litt as he adapts to the medium. Reading the trade, you can see him become more comfortable and, in turn, more capable.

Best Superhero Live-Action Movie

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X-Men: Days of Future Past, like its predecessors, stands well above the rest of the Marvel movies (with the possible exception of Captain America: Winter Soldier). Jennifer Lawrence, Hugh Jackman, Michael Fassbender, and the rest of the classic mutants put on a great show and new arrivals like Quicksilver brought energy to the film. This and X-Men: First Class are my favorite of the X-Men movies. They somehow managed to make Fan Bing Bing look terrible, which is my only real complaint about the film.

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In conclusion, I’m looking forward to more great comics this year though I have some concerns about a few creative teams at DC (Wonder Woman) and will miss some of my favorite creators and titles as they disappear from the shelves, hopefully replaced by new books of splendor, wonder, and ideas.

 

 

wonderroot

I’ve been volunteering at Wonder Root Community Arts Center in the Reynoldstown neighborhood of Atlanta for the past few months. It’s a great place that offers a recording studio, performance venue, darkroom, digital media lab, art gallery, and community garden to its members for a very low rate ($10 a month or $60 a year) and it also participates in scores of community programs and activities. I drew the picture of the center above and it now hangs in the Wonder Root community library, which houses a lot of issues of ArtPapers, many rare art publications, and a cigarette machine turned art dispenser. Last week I was asked to draw a picture on the door, which the center has been sporting for a few days so far. While chalk has frustrated me as a medium, particularly when I was teaching, I managed to make a friendly doodle that I figured I’d share with y’all. It contains elements of Wonder and elements of Panda.

Wonderwoman Panda Door

Wonderpanda

Wonder Root Wonder Panda

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