Archives for posts with tag: vampires

blackestnightofthelivingdead

The best decade has been great for zombie enthusiasts. Despite speculation on zombie fatigue, great zombie media continues to be released. I’ve shared my love for zombie comics on this site before in in my annual best-of lists and also in the Graphic Novel Faceoff (SIDENOTE: Now that the new 52 is officially over, I’m planning a New 52 Face Off in the coming weeks). Some of my favorite zombie books include Revival, ’68, and The Other Dead. 2015 has introduced some hot new zombie stuff.

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DOUBLE TAKE COMICS- If you haven’t had a chance to look at this zombie-filled universe from new comers Double Take Comics, then you should and you can. In fact, you can preview all their issue ones for FREE on their website. They are really pushing the limits of what can be done with digital comics, which makes them pioneers in their fields, but what really makes these titles stand out in the story-telling and dialogues. Having only read issues digitally, I’m really curious to see how their physical counterparts work. As someone who prefers trades and long story arcs, I’m really looking forward to seeing where these comics go because the Double Take universe is off to a great start.

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G.I. ZOMBIE- Another fantastically written (and poorly selling) comic from our my favorite creative teams in comics Justin Gray and Jimmy “Mr. Amanda Conner” Palmiotti! Those two are most famous for their work on All-Star Western (Jonax Hex) and they’ve actually ventured into the world of the undead before with The Last Resort. In addition to featuring Palmiotti and Gray’s story-telling, both GI Zombie and The Last Resort feature cover art by Darwyn Cooke (who does not do the interior art in either title), but beyond those two similarities, the titles are really different. The Last Resort is cute, funny, and pokes fun at our tendency as humans to be self-obsessed, detached, greedy, and petty while G.I. Zombie is a political thriller that has its cute and funny moments, but its social criticism is far more sophisticated and biting.

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GOTHAM BY MIDNIGHT- While Gotham By Midnight is not exactly a zombie comic, it does deal with supernatural mysteries. Like Gotham Central before it, it’s about Gotham cops and it’s well-written, but comparisons can really stop there. Ben Templesmith’s art creates a very playful nightmare to accompany Ray Fawkes’s fantastic story. What I like best about Gotham By Midnight is how the mystery actually means something; without spoiling a great read for you, let me tell you that the mystery touches on one of the most shameful yet elemental parts of US history. While I’m no longer a classroom teacher, I still consider the value of each comic I read as a teaching tool and I’d recommend this one to middle school, high school, and university teachers of US History.

On a somewhat related sidenote, Dan Abnett’s The New Deadwardians is being used in one of Dr. Carol Senf’s classes as a result of my lending her my copy. If you’re not familiar with Senf’s research and you like vampires, I strongly encourage you to check her out. You can find an interview with her here by comics writer and friend of the site Van Jensen.

Back to zombies, I’d also like to encourage all of you to watch the Season 6 premiere of The Walking Dead on AMC this coming Sunday October 11.

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Series 4 stickers are available now. This series is special for a number of reasons.

1) It’s the biggest batch yet. If you want some, contact me at waynexiaolong-at-gmail.com. They’re not exactly for sale, but I’d love to trade them for help/collaboration on some of my projects (coloring, modeling, writing, etc.)

2) They sparkle in the sunshine, but don’t worry- it’s still 亲爱的 Dracula, not 亲爱的  Twilight.

3) No pandas….what?!? This batch honors some of my other favorite critters in the animal kingdom.

4) Several feature cat erotica. By fateful coincidence, I was visiting one of my favorite friends the same weekend I picked up these stickers. I had totally forgotten my friend was a cat erotica enthusiast! Maybe the next batch will have some sexy gentlemen in them…

5) Some are cut to look like creepy polaroids in a 1970s animal kingdom pornography basement.

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In honor of Wayne Xiao Long now appearing on the social media platform known as Facebook, Wayne Xiao Long is presenting the first Wayne Xiao Long Faceoff. Employing the ancient customs of facing off and offing face, Wayne Xiao Long Faceoffs will pit brother against brother, thesis against antithesis, children against their parents, and, as always, Batman against Bruce Lee. Here in the first Wayne Xiao Long Faceoff, similarly themed graphic novels will duke it out in the arena of Wayne Xiao Long’s personal preferences and refined tastes.

WAR ZOMBIES

’68 vs Graveyard of Empires

If you haven’t read this books, I recommend them both, but who has time to read every war zombie graphic novel? Both stories tell of a zombie outbreak witnessed by American military overseas. From the titles of the texts, you should be able to tell which military action that refer to (1968 was the year of the Tet Offensive and consequential change in thinking about Vietnam while Graveyard of Empires is a nickname for Afghanistan.) ’68 finds the zombies beyond the battlefield, eating brains on the domestic front as well, while Graveyard of Empires features a contained and coordinated zombie infestation that spans the Soviet invasion of Afghanistan and the U.S. occupation following 9/11. If you’re really short on time, go for Mark Sable and Paul Azaceta’s Graveyard of Empires because it’s a mini-series. While Graveyard of Empires is a great read, ’68 wins this faceoff. Both stories benefit from a lot of research and great art, but Mark Kidwell did more research and the team of Nat Jones and Jay Fotos created better art. One of the main characters in ’68 is an American-Chinese soldier named Yam; he’s fed up with the racist U.S. military, the distrusting local population, and, of course, the zombies- all in all, a very sympathetic character. As much as I like Yam, I’m disappointed with what little attention Kidwell paid to the Chinese language and to the way Chinese people speak pidgin English as he has given Yam’s mom a distinctly Japanese mispronunciation of English. Of course, if you know me or follow this blog, you know I can be a little nit-picky about how China is represented in comics.

WINNER: ’68 by Mark Kidwell, Nat Jones, and Jay Fotos

VAMPIRES OF A DISTINCT NATIONAL CHARACTER

American Vampire vs The New Deadwardians

A faceoff between Scott Snyder and Rafael Albuquerque’s American Vampire and Dan Abnett and I.N.J. Culbard’s The New Deadwardians is not exactly fair. American Vampire is a much longer ongoing work while The New Deadwardians is not. Still The New Deadwardians holds its own as a unique and valuable contribution to vampire literature and as a worthwhile criticism of Edwardian Britain. Both books feature vampires and use vampire mythology to reveal their respective nation’s essences, but they differ in many crucial ways. In The New Deadwardians, the reality of vampires is public knowledge while it remains underground (barely) in the American Vampire series. The New Deadwardians covers a much short time period than American Vampire, which stretches nearly a century from the end of the U.S. Civil War to the tumultuous times that followed the Second World War. Both works are political in nature, but follow something Margaret Thatcher said once about how European politics being compelled by history and American politics being driven by philosophy. The plot of American Vampire, like the American vampires themselves, is driven by the needs of individualism while the plot of The New Deadwardians and the European vampires of American Vampire are much more interested in social control and power than the ideals of freedom or personal justice. Having said that, the suffragettes are my favorite part of The New Deadwardians. If you have the time and resources, I highly recommend reading them both. I also highly recommend sharing comics- my copy of The New Deadwardians is on loan to a Dracula expert at Georgia Tech and I am grateful to my wife’s tallest co-worker for lending me all the American Vampire books, which is a hefty set that all public libraries should carry. Yay, sharing! The final results of this faceoff may be biased by my own totally awesome American-ness, so you should probably just read both titles (and write to DC telling them to put Dan Abnett back on Resurrection Man). Book 4 of American  Vampire is the weakest of the series, but still better than most stuff being published.

WINNER: American Vampire by Scott Snyder and Rafael Albuquerque, with others

REIMAGINED CHILDREN’S STORIES

Peter Panzerfaust vs No Place Like Home

Two of the coolest books being published right now are Kurt Wiebe and Tyler Jenkins’s Peter Panzerfaust and Angelo Tirotto and Richard Jordan’s No Place Like Home, which draw inspiration from J.M. Barrie’s Peter Pan and L. Frank Baum’s The Wizard of Oz. Peter Panzerfaust places a charismatic Peter Panzerfaust in World War II France with several lost boys. The book captures the magical excitement and child-like wonder of being an orphan in wartime as Wiebe adeptly pulls your heartstrings and stirs your imagination. Familiar characters like Tinkerbell and the Darlings slowly creep in the fill out this Peter Pan Fan Fiction. If Wiebe and Jenkins can keep up this energy, this comic could be made into a movie that my mom would absolutely love. On the other hand, No Place Like Home could be made into a movie that my mom would absolutely hate. No Place Like Home is a little trashy, much more so than Peter Panzerfaust, but that makes sense- one is a horror comic intended for adults and one is playful historical fiction meant for a wider audience. This difference makes this faceoff a little more difficult, so I’ll return to a myth a friend of mine shared with me back in Dalian:

“Hundreds and hundreds of years ago, a prince was too be married and needed simply to choose his bride. Three candidates were chosen for him and set a challenge before each of them as he directed them to one of many rooms in his palace-

‘Here is one hundred American dollars. You challenge is to fill this room.’

Each candidate left with their challenge and the money the prince had bestowed upon them. While the candidates fetched their materials, the prince and the other members of his court played FIFA Soccer 12.

The first candidate to return brought several bags of gold and put them in the room. The items covered less than one third of the floor.

The second candidate to return brought several Mylar balloons, filling nearly three quarters of the rooms volume.

The third candidate brought a candle, which she placed in the center of the room and lit, filling the room with light.

Who did the prince choose to be his bride? The one with the biggest boobs, of course.”

Using the wisdom from this ancient tale, the winner of this faceoff has been determined.

WINNER: No Place Like Home by Angelo Tirotto and Richard Jordan

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As you probably know, Geoff John’s nearly decade-long run as helmsman for the Green Lantern titles is coming to a close. Green Lantern fans nervously await a new era as all the GL titles receive entirely new creative teams and a new title Larfleeze arrives. When the new creative teams were announced, fans prepared themselves for the transition. The GL fan base was shaken up again by the announcement that Joshua Fialkov would not be writing Green Lantern Corps and Red Lanterns, despite initial announcements that he would. DC demonstrated a high level of cool when picking Fialkov’s replacements, finding two very original voices from independent comics, Van Jensen and Charles Soule.

I had the good fortune of meeting Van Jensen last summer and we’ve eaten hot wings together several times since. When I heard the news that Van was chosen to replace Fialkov, I was excited for both Van and for the Green Lantern Corps. If you’ve seen Van’s previous work the Pinocchio Vampire Slayer series, you might have a hard time imagining this guy writing Green Lantern Corps, but you shouldn’t worry. From talking with Van, it’s clear he takes this responsibility very seriously and is thrilled to be working on the title. Growing up in Nebraska, Van’s access to comics was somewhat limited, but he could always rely on finding G.I. Joe comics and he still carries much affection for the series. Isn’t the Green Lantern really just a story about soldiers fighting vampires? Don’t worry. The Corps is in good hands. Bernard Chang will be delivering what is surely to be some amazing artwork.

Here we offer you our exclusive interview with new Green Lantern writer Van Jensen-

WAYNE XIAOLONG: Over the past decade, the Green Lantern titles have enjoyed tremendous popularity earned through outstanding writing and art. Since Hal Jordan exorcised Parallax and the Green Lantern Corps reformed, a great many iconic characters have been introduced and core elements of the DC multiverse’s quantum mechanics and metaphysics have been defined in the pages of Green Lantern books. Geoff Johns and his buddies pursued nearly absurd limits of grandeur, affecting the entire DC universe in fundamental ways. Your work in Pinocchio, Vampire Slayer has been an intimate series of small town murders while the Green Lantern books have been planet-wide genocides. As a writer, what are some adjustments you’ve been made as you tackle a narrative with consequences that reach pretty far beyond what you’ll write yourself?
VAN JENSEN: The work done by Geoff Johns, Peter Tomasi, Dave Gibbons and so many more is really remarkable, up there with some of the best creative runs that anyone has had in comics. So, first and foremost, I come in knowing that I have huge shoes to fill. I’ve worked to familiarize myself as much as possible with the details and mechanics of this universe, as well as with the complex histories of the characters. The scope of that research is quite a bit beyond what I did for Pinocchio, which relied almost entirely on Carlo Collodi’s original story. A key component is simply thinking on a grand scale about impacts—asking myself: “If this happens, what are the reactions not just within the Corps, but around the universe?” And the last component is working closely with Green Lantern writer Rob Venditti. Luckily, we come into this having been friends for years. Rob is an extremely talented, thoughtful writer, and it’s very easy to work with him.
WAYNE XIAOLONG: You’ve worked with artists long distance successfully before. What are some tips you can give creative partners separated by geography?
VAN JENSEN: The key is simply communicating clearly. Know what your expectation are, hit deadlines and work through problems together. We live in an age when distance isn’t the barrier it once was, so geography never should come between creative partners.

WAYNE XIAOLONG: For Green Lantern Corps, you are working with Bernard Chang. Chang’s style is quite different from Dustin Higgins who you worked with on Pinocchio, Vampire Slayer. Is the process very different with each artist? Any positive surprises working with Chang?

VAN JENSEN: I’ve known and admired Bernard’s work for a long time, and I count myself as extremely lucky to have a chance to work with him (as well as colorist Marcelo Maiolo). One thing I’ve learned is that Bernard is very attuned to storytelling. He asks lots of questions and brings lots of great ideas, making sure that the narrative flows effectively. That’s something that is very true of Dusty as well. So they’re fairly similar to work with, even though they are so different stylistically.
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WAYNE XIAOLONG:The internet breathed a sigh of relief when the rumor that you were going to kill John Stewart was put to rest. Many sensitive readers are still recovering from the death of Damian Wayne. Given the chance, how would you kill Superman?

VAN JENSEN: With a spoon.

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WAYNE XIAOLONG: I think what DC Comics is doing with We Can Be Heroes is really fantastic. What causes are you involved with?

VAN JENSEN: I agree completely. We Can Be Heroes is a great program, and it’s nice to see a company make such a significant effort to make a difference. Mostly, I’m involved with programs local to Atlanta—our Habitat for Humanity chapter, a couple of local homeless shelters and a creative writing mentorship program for kids at inner city schools.
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WAYNE XIAOLONG: Which U.S. President do you think a Green Lantern ring would have most likely chosen?
VAN JENSEN: I doubt that any president had as much willpower as Teddy Roosevelt, and he would’ve created some totally crazy constructs.

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WAYNE XIAOLONG: Which ring would most likely end up on your finger?
VAN JENSEN: If I’m stuck in Atlanta traffic, definitely Red.
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WAYNE XIAOLONG: Which ring would most likely end up on Pinocchio?
VAN JENSEN: Probably Red. That puppet has a lot of anger. And it’s fun to imagine him with an endless supply of stakes AND spewing flaming bile.
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