Archives for posts with tag: Dragon Con

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For the past couple of months I’ve been hosting Comic Book, Etc. Nerd Trivia at My Parents Basement Comic Book Bar in Avondale Estates, Georgia. In a short time, the game has grown quite popular and I’ve had the chance to reconnect with some old friends and meet plenty of news ones. I’ve been hosting general trivia games with Outspoken Entertainment for a couple of years and I’ve sneaked a fair share of Batman questions here and there, but I’d always had a larger comic book game in the back of the mind. One of the owners and an old friend Tim approached me over a year ago about asking some trivia questions at their Dollar A Pound Comic Book Yard Sales that they held leading up to and to raise money for the opening of the bar. These yard sales were fun affairs with beer, barbecue, music, and of course, comic books. I’d set up a table, sell some art (not much (sad emoji)), and ask a few questions and folks could win bags of comics. When they opened the bar last summer (2015), the response was tremendous. I have a ‘comic book’ news alert on my Google news and every day there was a new article about my friends’ comic book bar. After a few months of continued success, Tim thought they were ready for trivia and I hosted the first game on December 1, 2015 to three teams made up of employees- not a great start, but not uncommon for a bar’s first game. I was a little worried, especially since conventional trivia knowledge dictates that winter is the worst time of year to try to start a game. My worries have since subsided as our last game hinged on standing room only. I think everybody that has come so far has had fun and will keep coming back.

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The spot is actually in the old building of the James Joyce Pub and can be found just outside of downtown Decatur near the set of Scream 2 and the Waffle House Museum, just past the Avondale Estates border. Firstly, there’s a lot of nice things to say about the bar itself. The parking situation is divine and if you don’t drive, it’s a short walk from the Avondale MARTA Station. They have a phenomenal patio, which is where I host the games. It’s actually quite toasty in the winter thanks to modern science. Inside, the decorations are special, many one-of-a-kind treasures and something new every week. I can’t speak to the food as I haven’t eaten it, but some of it smells really good. Their beer menu will impress your friends if your friends are into beer menus. I drink their craft root beer every week and I love it. It’s syrup-heavy and light on the bubbles. The owners are wonderful. All of the staff that I’ve dealt with has been beyond delightful. Having hosting games all over Atlanta and its surrounding villages, I’ve been witness to how many restaurants and bars operate and this one is special. They actually save the discarded golf pencils from the week before and give them to me when I return. That’s just one example of their courtesy. From what I can tell, they’re kind and courteous to the customers, each other, and me. As far as trivia locations go, every place will give the winners a gift certificate to the restaurant. I’ve hosted a few $100 games too where my company puts up some cash to drive excitement. However, My Parents Basement does something different. In addition to gift certificates to the spot, they also give tangibly fun prizes like comics, funko pops, beer coozies, wall art, key chains, and more.

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I write the games themselves and we’ve had a few theme games. The week that the Force Awakens awoke, we hosted a Star Wars themed game. On December 23, the categories were themed around Christmas Carols, but the content remained comic book, etc. nerd subjects. In honor of Alan Rickman’s passing, I created a round based on his characters in Hitchhiker’s Guide to the Galaxy, the Harry Potter films, Alice in Wonderland, and Robin Hood: Prince of Thieves. The February 9th game will contain elements to celebrate Spring Festival. On February 16th, I’m excited to host a game that celebrates the contributions of black creators and the adventures of black characters for Black History Month. Similarly, I look forward to hosting at least one game for Women’s History Month in March (along with a Batman v. Superman game, of course!). My enthusiasm might surprise you because I’m not black or a woman, but you forget that I’m an historian and I love history months! As I put together the game for Black History Month, I’m reminded of the embarrassing lack of characters of color in mainstream nerd media. I think creating such a trivia game would be a good exercise for the editors and executives that oversee the modes of production. It would be impossible I think to create a meaningful trivia game about transgender characters for a mainstream audience at this point in our history and it’s still pretty difficult to do it for black characters. I remember Daniel Amrhein  did some exhaustive research about representation in the big superhero teams over the course of a year at Dragon Con a few years back. He did his best to quantify how different characters of different races, genders, and maybe sexual preference or religion compared in terms of appearances in big titles like X-Men, Justice League, and Avengers. He kept having to qualify his findings by pointing out that “yes, Wolverine is non-American, but he’s white non-American” or “technically four women heroes appear in fifty-something panels, but they only say a combined three and a half sentences.” As I put together the games, his remarks resonate with me as the difficulty isn’t simply having characters of color, but having characters of color that matter. (If you ever get a chance to hear Daniel speak, he puts together a really good presentation and provides ample evidence for his conclusions.) One way to gauge how a character matters is to see if a general audience can answer a trivia question about them. Luckily, the players of my games aren’t a general audience. These folks are pretty clever, well-read, well-watched, and well-versed. The players have gotten into any fights or shoot-outs or orgies or anything; pretty civilized.

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If you find yourself in the Atlanta area on a Tuesday with an urge to show off whatever wisdom you’ve siphoned from a lifetime of watching cartoons, reading comics, and shouting at video games, I welcome you to join us for a game. You might win something, see a celebrity, fall in love, who knows? If you find yourself in the Atlanta area on a Wednesday in a similar mood, I hear there’s a geek trivia game in Sandy Springs that I haven’t check out yet, but maybe you and I could go together. We’d probably make a great team. If it’s Thursday, I think you’ll have to find something to do, but Tuesday will come quicker than you think. Before you attend, you may want to go and ‘like’ the facebook page because I give away an answer every week. While you’re on that darn facebook, you should go ahead and like the page for this site.

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Dragon Con was a blast and I felt like the DC Comics and Cultural Studies panel went well. I’ve had a few requests so I’ve posted my paper “Discipline & Punish: Michel Foucault & the Suicide Squad” here. Hopefully I’ll get around to posting my paper from last year some time soon, but until then, enjoy this one.

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Yesterday I received the Baby Nightsoil Series 5 Stickers in the mail. This batch is even bigger than Series 4, making it the biggest batch yet. A complete set would include 8 stickers. You may notice somewhat a return to pandas in the batch after exploring other critters in Series 4 and Series 3. This series contains a panda tribute to the recently deceased Hot Rod Rowdy Roddy Piper, a throwback from the Super Mario calendar, and some lovely panda ladies. This series also includes a sticker that will only be available for the next four days while supplies last during Atlanta’s notorious science fiction/fantasy convention Dragon Con, a send up of Jim Jones of the People’s Temple and J’onn J’onnz the Martian Manhunter, founding member of the Justice League of America. If you’re interested in any of these stickers and you’re attending this year’s convention, there are two easy ways to track me down: 1) Go to the Art Show between 3pm and 8pm and look for the most overwhelmingly handsome volunteer which will be me. 2) Attend the DC Comics an Cultural Studies panel on Monday at 2:30pm in Hanover F (the Comics track room) at the Hyatt. I like to trade stickers for art, comics, and pictures of cosplayers.

Here’s a look at the Series 5 stickers in all their glittery glory.

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My recent campaign to get panda portraits of my wife on display at our favorite restaurants has added a second location. We visited Dua Vietnamese Noodle for lunch on my wife’s birthday. Her special birthday wish was to get two to-go orders of pho- one for lunch and one for a midnight snack- from Dua. We don’t frequent Dua as much as other pho spots because their hours aren’t particularly convenient and parking is annoying, but their noodles are so good that my wife looks for any opportunity to squeeze in a visit. We made the trip on her birthday and brought the restaurant a gift- a portrait I had done of her a few weeks earlier. The owners were very receptive and have asked me to do a few more pieces.

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If you ever find yourself in Downtown Atlanta before 6pm and you’re hungry, I strongly recommend Dua. They have two locations on Broad Street: Dua and Dua 2 Go, which, as the name suggests, offers their regular menu to go. To all my fellow Dragon Con people, I recommend walking a little further down Peachtree Street to eat here during the Con. They’re closed on Sundays, so hit them up on Friday and Saturday. It’s just far enough from the major DC hotels that you won’t have to wait forever- definitely better food and experience than the spots in Peachtree Center!

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Above you can see the inaugural restaurant panda portrait which I did for Scott’s Eats and Sweets in Mableton, Georgia, which is also a Vietnamese noodle spot. We’d eat at Scott’s more often too but Mableton is pretty far from where we live. It’s a nice to spot to meet up with some of our OTP (that’s outside-the-perimeter for you out-of-towners) friends.

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I hope to get a few more restaurants in before the end of the year. If you’re interested in displaying a portrait of my wife as a panda eating the cuisine of your restaurant, send me an email (waynexiaolong@gmail.com) and we can try to put something together. I must warn you that in the interest of preserving my integrity as an artist- your food better be delicious or you get farts instead of arts.

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The Suicide Squad have been in the news a lot lately, especially since the release of the trailer for the 2016 film. As I put together my presentation for this year’s Comics and Popular Arts Conference, I’m becoming more and more entrenched in the lives of Task Force X as my presentation tries to place the Suicide Squad within the timeline of modern discipline and punishment as put forth in Michel Foucault’s Discipline and Punish: The Birth of the Prison. As I go through the source material, I’m also reading a lot of what people are writing online about the upcoming movie and I notice a dearth of articles written about the movie by people who have much experience with the actual comics. In an attempt to bring comic books back into the discussion of comic book movies, I thought I’d put together a few interesting tidbits about the Suicide Squad as they appeared in the comics.

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1. The Suicide Squad is older than the Justice League…sort of.

When the Suicide Squad first appeared in DC Comics The Brave and The Bold #25, they weren’t a chain gang of super-villains, but rather of a state-sponsored group of everyday heroes having not-so-everyday adventures. None of them had any superpowers and none of them had criminal notoriety. In many ways, they barely resemble the Suicide Squad in the comics today or the Suicide Squad as its been portrayed in popular media (Smallville; Batman: Assault on Arkham; the upcoming Suicide Squad film). What connects the original Squad to the contemporary Squad are the memberships of Rick Flag- a character who hasn’t been on the Squad in the comics for a long time- and Karin Grace- a character that, excepts for a few issues in the first revival of the Squad, has largely been lost to comic book history. Still, that old Suicide Squad of scrappy superpowerless do-gooders appeared in the pages of The Brave and The Bold before the Justice League, which made its debut in The Brave and The Bold #28.

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2. Those thugs were first assembled to defeat Darkseid.

While the Suicide Squad mostly goes on sketchy espionage missions to serve the interests of A.R.G.U.S. or Checkmate, they were first brought together to defend the planet against the terrible tourist from Apokolips, Darkseid. In his usual fashion, Darkseid has attacked the Earth on many fronts- physical, social, and psychological- which has made ordinary folks despise ‘heroes.’ Superheroes become unable to perform their basic function and villains are brought in to do the hero work. This may remind readers of how Lex Luthor, Captain Cold, and others came to perform heroic feats in the recent Forever Evil storyline when the Justice League was incapacitated by being locked up in the ever-unstable Firestorm matrix motel.

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3. They are a group of predominantly white super-powered convicts being bossed around by a high-ranking government official, an out-of-shape and overweight black woman.

In the United States, we haven’t had a black female president yet. We haven’t had a female president and it’s arguable that we’ve only had half of a black president. In our most female-filled congress of all-time, only 20% of the elected officials serving in the legislative branch are women. Only half of the fifty United States have ever elected a black person to the House of Representatives. There’s only been nine black senators ever and only one of them was a woman. Still, overseeing the Suicide Squad isn’t really the responsibility of an elected official, so we can assume Amanda Waller wouldn’t have to campaign for votes. Well… no CIA director has ever been black nor female. The same is true regarding directors of the NSA, FBI, and ONI. Carolyn Payton was black and a woman, but she was just served as the Director of the US Peace Corps which seems like a job that would bore Amanda Waller. Growing up in poverty, it seems strange that Amanda Waller would also have the social connections to end up in such a position. Likewise, it’s not until Amanda Waller is skinnied up in the New 52 that she has any real military experience as part of her background. Sure, the US  government is racially biased against black women in terms of promotion and Amanda Waller lacks the necessary background and physical fitness to perform her job, but we find Amanda Waller directing the affairs of the Suicide Squad, literally holding their lives in her hands- such is the unlikely magic of fiction.

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Are we finished with ways that the Suicide Squad narrative does not accurately reflect the way racial tribes manifest their power through our social institutions? Worry not, because despite the fact that nearly half (1 million) of the entire US prison population (2.3 million)  is black, nearly all of the members of the Suicide Squad are not black or were not black during at least part of their history- Bronze Tiger, for example, or Deadshot who has never been black until the casting of Will Smith. While short-time Squad member Black Adam has black in his name and is literally African, he’s got lighter skin than Betty White. While blacks and other ethnic minorities account for significantly less than whites in Suicide Squad membership, such disparity is not uncommon among super-teams as the superhero genre suffers famously for its lack of diversity. On the other hand, women consistently make up a larger percentage of the Suicide Squad than most super-teams (looking at you, Justice League/Avengers….), which is a little odd since men make up over 90% of the US prison population.  As statistically unlikely as the Suicide Squad’s roster would be in the real world, it is essential to the dynamic of Suicide Squad because who is the Suicide Squad?

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4. Amanda Waller is the Suicide Squad.

The Wall wasn’t part of the original Suicide Squad from the B&B days- there weren’t a lot of black female characters in 1950s comic books. She didn’t arrive on the scene until the Legends mini-series that introduced the world to the Suicide Squad as we understand them today and she’s been with them ever since. While the Squad certainly has its usual suspects (Captain Boomerang, Deadshot, Bronze Tiger, Enchantress, Plastique, King Shark, Killer Frost, Count Vertigo- to name a few), the only constant is Amanda Waller. As a character, Amanda Waller remained pretty consistent during her tenure in the DC universe. She’s operates from some shadowy government organization (Checkmate, ARGUS), monitoring and managing the world’s ugliest secrets. She doesn’t take shit from anybody, even presidents. Her existence is kept somewhat a secret, but she’s got connections everywhere. Physically, she’s short and heavy-set. Her figure distinguishes her from the bombshells that make up most female characters in the superhero genre. Her weapons include the power of persuasion and the ability to circumvent bureaucracy.

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Following in the 2011 film Green Lantern, Amanda Waller is portrayed by the lovely Angela Bassett- a casting decision that would have significant effects on the character. While the actress retained Waller’s authoritarian attitude, she did nothing to portray the character’s physical attributes and turned Amanda Waller not only into a sex symbol, but a much more physically violent character. Bassett’s portrayal heavily informed the way Amanda Waller would appear in the New 52, the company-wide overhaul that occurred in September 2011, the same year that the Green Lantern movie came out. In the New 52, Amanda Waller is a former member of Team 7 and actually joins the Suicide Squad in punching up the bad guys. The military background, weapons mastery, and martial arts expertise give Amanda Waller new strength, but at the cost of the original character. While I miss the original Amanda Waller character, I must admit I really enjoyed the New 52 Suicide Squad. The storylines related Waller’s past came across as very fresh, but I wonder if they couldn’t have created a different character- one skinny ex-military bad-ass and Amanda Waller instead of one skinny ex-military bad-ass as Amanda Waller.

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5. Belle Reve is the official Suicide Squad prison.

The inductees of the Suicide Squad Hall of Fame come from the halls of Belle Reve prison in Louisiana. Amanda Waller is the on-again off-again warden. The prison first appeared in Suicide Squad #1 back in 1987. It shares the same name of Blanche Dubois’s lost estate in Tennessee Williams’s A Streetcar Named Desire and translates roughly as “beautiful dream.”

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I got some good news a while back that I meant to share here. My paper Discipline & Punish: Foucault & the Suicide Squad has been accepted as part of the 2015 Comics and Popular Arts Conference at this year’s Dragon Con. This will be my third consecutive year presenting as part of CPAC. In the previous years, I had the privilege of sharing panels with some outstanding scholars and I’m anxious to see where I placed. As soon as I know the conference schedule I’ll share it here, but past experience tells me that won’t happen for a while. Still, I encourage all of you who will be attending Dragon Con to make time for a few CPAC presentations. Hopefully I won’t be booked at the same time as the parade like I was last year- not that it stopped folks from attending our panel.

As you can tell from the title (and hopefully the graphic), my paper will use the tools offered by Michel Foucault, particularly those found in Discipline & Punish: The Birth of the Prison, to look at one of my favorite DC Comics super-teams- Task Force X aka the Suicide Squad. Loftily I hope this presentation will also offer some insight into the desperate need for prison reform outside the DC Universe.

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With the release a few weeks ago of Wonder Woman Vol. 6: Bones, Brian Azzarello and Cliff Chiang’s spectacular run on Wonder Woman is now available in full in trade format. The story, told over 35 issues and a few annuals, is compiled in six volumes each sporting a one word title: Blood, Guts, Iron, War, Flesh, and Bones. I imagine DC will release the run in a more concise form- maybe two volumes? omnibus? In its current state, you’ll want to read all six volumes as it is one complete story with suspense constantly building to a very classy plot twist.

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Tasked with rebooting Wonder Woman for the New 52, Azzarello and Chiang made the bold decision to alter her origin story- exposing her origins from clay as lie told to Diana by her mother Hippolyta to keep her own affair with Zeus a secret from Diana and more importantly, Hera, who have demanded retribution for another woman sharing a bed with her husband as is the custom among Olympians. This change to Wonder Woman’s origin story brought forth scores of fantastic characters, a true pantheon of pun-masters. The scripts for this story possess a wit rare in comics or any other medium- a wit that perhaps can only perform in the medium of comics and a wit unabashedly fond of puns.

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I spoke at length about Wonder Woman’s introduction to her extended family tree at last year’s Comics and Popular Arts Conference at Atlanta’s Dragon Con. With each issue, Wonder Woman becomes more acquainted with the citizens and standard operating procedures of Olympus. Hephaestus, Hades, Eros, Dionysus, Aphrodite, Cassandra, Artemis, Apollo, Demeter, Strife, War, and a Wesley Willis-inspired Milan are just a small sample of the colorful characters Wonder Woman now finds herself related to. The whole family adjusts not only to Wonder Woman, but other surprise family members come in to shake things up- particularly the one known only as the First Born.

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Because Wonder Woman has her hands full with all of this family drama, the rest of the DC universe stays largely off the pages of these books with the exception of regular appearances by Orion of New Genesis (not old Olympus). Readers who follow Superman/Wonder Woman know that Superman’s absence from the adventures outlined in this story has left the Man of Steel with some feelings of inadequacy.

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The lack of other DC superheroes is a bit of a blessing. Readers can read this run without feeling the baggage of an entire universe’s continuity. The series has since the New 52’s inception been a title that non-superhero readers could digest more easily than more continuity-rich titles like Green Lantern, Superboy, or any of the Trinity (War or Sin) related titles. Because of this, I highly recommend the collection as a gift for beginner readers. While the book contains a healthy bit of violence, some sexual content, and an intrinsic critique of religion, I believe the book is not only appropriate for young readers, but particularly valuable to a younger audience as it introduces them to Greek mythology as well as sophisticated story-telling elements in a way that’s more enjoyable than formal education.

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As the New 52 comes to a close, this run on Wonder Woman will be remembered as one of the best elements of the reboot. Unlike other great runs (Manupaul and Buccellato’s Flash, Williams and Blackman’s Batwoman (especially), Johns and Reis’s Aquaman) that have ended, this series demonstrates a more perfect overall architecture. As I read the final pages, I feel more satisfied as the story came to its conclusion. The only other run from the New 52 that comes to mind that demonstrated the kind of forethought seen here is Morrison’s Action Comics but the creative teams behind both titles approached rebooting two of DC’s biggest titles. I don’t include Snyder and Capullo’s Batman here because their run hasn’t ended (and hopefully won’t end for a good long while)

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Here’s another slew of panda portraits. Subjects include happy young pandas in rocking chairs, panda academics exploring the substance and consequence of popular culture, the War Corps Starlord, and a fantastic noodle spot in Mableton, Georgia called Scott’s Eats and Sweets that I highly recommend.

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“Soyez réalistes, demandez l’impossible.

If scholars were more like pandas, it would be easier to secure a faculty position.

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The Jackie Ormes Comic Book Memorial Library is now open to the public and members of WonderRoot Community Arts Center in Reynoldstown, Atlanta, Georgia. I started the project at the beginning of this year and finally installed it on Friday. The library wouldn’t be possible without some generous donations, particularly from Oni Press and Valiant Comics. You can see that Oni donated some great runs- look at all those volumes of The Sixth Gun! Obviously the library could offer a more substantial selection and I encourage y’all to donate to this venture- if you don’t know what to donate, shoot me an email at waynexiaolong@gmail.com and I’d happily provide suggestions- you could tell me a little bit about yourself and I’d recommend a donation that matched not only the library’s needs, but your spirit as well.

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I chose to dedicate the library to Jackie Ormes for a number of reasons. Her role as an activist is not limited to breaking the color barrier in the newspaper funnies. The content of her comic strips, particularly Patty Jo n Ginger, confronted all sorts of society’s hypocrisies. Her approach to social change and criticism kept a good sense of humor, but didn’t cower away from a fight- this is much the spirit of WonderRoot Community Arts Center where social change and art share equal footing in their mission. We also have the same birthday.

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In addition to an assortment of comics, the library also features two plaque that I made. One features a portrait of Jackie Ormes, pretty standard commemorative fare. The other features a collage I put together of Jackie’s comics work. The frames were provided by Creative Reuse, a fantastic WonderRoot program that resells donated art supplies at incredibly cheap prices- getting materials into the hands of folks who’ll use them.

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I was also able to secure some signatures for the books from a few creators.

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Rob Vendetti signed a copy of X-O Manowar Vol. 1: By The Sword during Free Comic Book Day at Criminal Records. I also had him sign my personal copies of both Surrogates books, The Homeland Directive (which you should read if you haven’t read it!), and the first collected trade of his work on Green Lantern, which he told me was the first copy of that trade he’d signed yet which is nice for me.

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I ran into Ted Naifeh at this year’s Dragon Con and had him sign volume one of Courtney Crumrin. Oni Press actually donated volumes one through four, but I didn’t feel like carrying around four hard cover books with me at the convention in addition to the other books I brought to get signed.

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At that same Dragon Con, I ran into Andrew Aydin and he personally donated a copy of March Book One, which is created with Civil Rights icon and U.S. Congressman John Lewis and artist Nate Powell. If you haven’t read March, I strongly recommend it. Of all the books in the library, this one probably fits the snuggest with the spirit of the library.

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Again, if you’re interested in donating, please contact me. Just off the top of my head, some classics the library could use- Watchmen; Maus; Perseplois; Liberty (the Comic Book Legal Defense Fund collection); Saga; Pride of Baghdad; some Fables; Green Lantern Green Arrow (the Adams-O’Neil search for the soul of America run); Girls; Criminal; Stray Bullets; Feynman; The Manhattan Projects; The Underwater Welder; and certainly any collections of classic underground comics, Golden, Silver, Bronze, etc. Age stuff, and some manga. In the meantime, I encourage you to go check it out- grab a comic and escape to an extraordinary world.

 

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For the second year, the World’s Second Greatest Detective presents an assessment of the comics I’ve read, awarding accolades to books that impressed me. Like last year’s list, this one comes at the beginning of September because my comics year begins and ends with Dragon Con in Atlanta. A lot of titles that I mentioned last year continue to turn out great work: Saga, Revival, Batman, Manhattan Projects– but I’d rather steer attention to titles that didn’t make last year’s list either because of my ignorance, their slow creep to trade, or the fact they didn’t exist last year. There will also be some categories this year. For example:

Best Comic Book Character portrayed in an animation

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Katana in “Beware the Batman”

I should remind you that I don’t read any Marvel books, though the announcement that Charles Soule is leaving all his DC titles and the particular temptation of his Death of Wolverine has me eying the other side of the fence a bit. My decision to abstain from Marvel Comics is sort of arbitrary, but not totally without reason- limits on time and resource do not permit me the luxury of reading every comic book, so I picked one of the big two companies and don’t read the other at all. Though I do read a lot of independent comics and that’s really where my heart belongs. I picked DC over Marvel because of many reasons, but the simplest is Batman.

Not all of the accolades will categorized. Nor may all those mentioned really be ‘comics of 2014’ in the truest sense. For example, thanks to a generous donation by Oni Press to the WonderRoot Jackie Ormes Comic Book Library. I had the privilege to read two series that knocked my socks off:

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Courtney Crumrin is the fun story about a misanthropic little girl who lives a society worth hating, but luckily finds an uneasy friendship with her witch uncle and a few easier friendships with netherbeasts. It’s a clever book and the content is acceptable for most age levels.

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The Sixth Gun is an epic story set in a very Wild West, shaped by all sorts of occult and heebie jeebie ghost stuff. Cullen Bunn and the other creators of The Sixth Gun have moved onto other things and the news that DC would cancel All Star Western saddened me a little. East of West is still kicking around, but 2014 has  introduced a Western title that I may enjoy more than all three of those titles.

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Pretty Deadly contains some amazing art. Much like the best work of J.H. Williams III or Francis Manpaul, Emma Rios’s artwork stands out for her creative use of the medium. Panels and pages work together to create a fantastic pace. As Kelly Sue Deconnick’s writing takes the story in and out of stories and timelines, the art and especially the coloring distinguish the different parts of the whole quite well. Deconnick opened the Comics and Popular Arts Conference at this year’s Dragon Con with a rousing talk touching on a variety of subjects such as how we learn publicly and with record in a fast-paced technological society and how that empowers a ‘gotcha culture’ which in turn hinders our ability to learn; the use of the white male as the default character; the futility of overly emotional and aggressive responses to opposing ideas; and comic books. Her husband writes a pretty good comic too.

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Sex Criminals is a twist on Bonnie and Clyde, Robin Hood, Out of this World, 9 Songs, the Matrix, A Dirty Shame…and yeah, it isn’t. It’s an incredibly original story about a girl who stops time when she orgasms and a boy who also stops time when he orgasms. They discover this shared ability during the act of coitus and put it to good use, robbing banks to raise money for a library under attack by a viciously greedy bank that the boy happens to work for and where he poops in his boss’s office plant once a day.

Another catergory?

Worst Comic Book Character portrayed in an animation

For the video game-inspired animated movie Batman: Assault on Arkham, a bit of a revolution for the animated superhero movie with its Guy Ritchie-like pace, excessive profanity, explicit sexuality, and a level of violence exceeding even last year’s The Dark Knight Returns, DC made a Suicide Squad movie under the guise of a Batman movie. One thing I like about it is how they retained the original physical attributes of Amanda Waller instead going for the Angela Bassett model. One thing I didn’t like is how they turned King Shark from this:

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King Shark in the comics to:

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King Shark in Batman: Assault on Arkham

He looks a cross between Bane and Jaws from The Spy Who Loved Me. Their motivation for desharking the shark is unclear to me. I also don’t understand why David Goyer wants to demartian the Martian Manhunter.

Best Comic Book Companion to a video game

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Injustice: Gods Among Us begins before the video game’s storyline. In the simplest terms, Joker has tricked Superman into killing Lois Lane who is pregnant with Superman’s baby. Superman gets so mad that he kills the Joker, beginning the fascist reign of Superman and a doting Wonder Woman. Because it is an Elsworlds story with so many DC characters involved, the opportunities for bringing the essences and flaws of these characters abound. Tom Taylor wastes none of them. The Bat family is especially well-done is the book- particularly Alfred and Catwoman.

Best Art in a Superhero Comic Book

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Jae Lee did some of the best work of his career during his time on Grag Pak’s Batman/Superman. Of all the superstar artists from the 1990s that have continued in comics, I think the development of Jae Lee’s work has been the most interesting to watch. If you haven’t seen his work on Before Watchmen: Ozymandias, I highly recommend that one too. Batman/Superman is a dreamy book, but it is not without a strong sense of character and expression. This collaboration between Pak and Lee stands out as a triumph in comic storytelling.

Second Attempt That Makes The Most Sense in the New 52

Giving Deathstroke another chance at having his own title. Also looking forward to Gail Simone returning to her Secret Six roots later this year.

Second Attempt That Makes The Least Sense in the New 52

Why are the Teen Titans starting over again with issue 1?

Best Volume 3 collection of the New 52

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Grant Morrison’s run on Action Comics fulfilled its own prophecies in Vol. 3: At The End Of  Days. Morrison’s writes for the long haul and sometimes it works really well (Seven Soldiers of Victory, All-Star Superman, the epic story of Damian Wayne, Doom Patrol, Filth). His eighteen issues on Action Comics is separated into three acts, best illustrated by their separate trade collections. Vol. 1: Superman and the Men of Steel comes off as a pretty typical superhero comic- it’s action-packed and reintroduces many classic characters from Superman’s mythology such as Lex Luthor, Lois Lane, Jimmy Olsen, Metallo (Metal-Zero), and Brainiac. There are few weirdo moments, typical of Morrison’s work, but don’t overpower the straight-forward superhero elements. Vol. 2: Bulletproof is pretty weird, more distinctly Morrison. The story is all over the place, referencing itself, making the most out of the queer moments from Vol. 1: Superman and the Men of Steel, as well as introducing a Barack Obama doppelganger named Calvin Ellis- another dimension’s Superman. Finally, in Vol. 3: At the End of Days, all the kookiness starts to make sense and the details of Clark’s arrival in Metropolis in Vol. 1 become enriched by a Myxlplyxian plot that satisfies the patient reader.

Best Vol. 4 Collection(s) of the New 52

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While The Flash Vol. 4: Reverse, Wonder Woman Vol. 4: War, and Batwoman Vol. 4: The Blood is Thick all continued runs by outstanding creative teams, it is books like the Green Lantern family of books, Justice League Dark, and Green Arrow that have seen new creators come in and take the books in different directions to which I’d like to draw your attention. Much praise has been tossed to Jeff Lemire and Andrea Sorrentino’s Green Arrow, collected in Green Arrow Vol. 4: The Kill Machine. The art distinguishes itself from the unofficial DC house-style and the writing invigorates Oliver Queen as a character. I do think that in praising Lemire and Sorrentino’s work, a lot of undeserved criticism has been thrown Ann Nocenti’s way. Her depiction of Oliver Queen as an Ugly American in the People’s Republic of China is one of my favorite instances of seeing China portrayed in a superhero comic. Jim DeMatteis has seemingly inherited the Dark family of DC titles, emerging from his run on The Phantom Stranger. In Justice League Dark Vol. 4: Rebirth of Evil, he takes over for Lemire- moving the story from Trinity War to Forever Evil territory. The little demon Constantine‘s are great, but I wouldn’t have minded a bit more Frankenstein, my favorite member of the Justice League Dark. With the announcement of Charles Soule signing an exclusive contract with Marvel, I expect DeMatteis may take over Swamp Thing, which had a good, but short Vol. 4: Seeder. Matteis does interesting things with the character in Justice League Dark, but if I was going to pick the new writer of Swamp Thing, I’d go for either Tim Seeley, Kurtis Wiebe, or Angelo Tirrotto. To write an Animal Man title despite his joining Justice League United, I’d recruit Corinna Sara Bechko or Joshua Ortega with the instructions to keep Animal Man dark. Finally, the new slew of Green Lantern creators gave the ring-slingers an exciting year. Ranked best to least best: Red Lanterns, Green Lantern, Green Lantern Corps, Green Lantern: New Guardians. Outside of those Vol. 4s, I was disappointed with the Larfleeze title, but look forward to Cullen Bunn’s Sinestro.

Best Non-Picture Book Author to Write a Picture Book

the boys are dead and girl just wanna have fun

Toby Litt on Dead Boy Detectives

When I lived in Ireland, I discovered the work of Toby Litt, an author whose work was not available in the United States, and absolutely fell in love with it. Deadkidsongs, in particular, left me creeped out and inspired. When I heard he would be rebooting the Vertigo series Dead Boy Detectives I waiting in hefty anticipation for the trade to be released. While I was not disappointed, I must admit that Litt has not taken to the medium as quickly as the likes of Brad Meltzer who blew the comics world away with Identity Crisis. I do however see great potential in the future comics work of Litt as he adapts to the medium. Reading the trade, you can see him become more comfortable and, in turn, more capable.

Best Superhero Live-Action Movie

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X-Men: Days of Future Past, like its predecessors, stands well above the rest of the Marvel movies (with the possible exception of Captain America: Winter Soldier). Jennifer Lawrence, Hugh Jackman, Michael Fassbender, and the rest of the classic mutants put on a great show and new arrivals like Quicksilver brought energy to the film. This and X-Men: First Class are my favorite of the X-Men movies. They somehow managed to make Fan Bing Bing look terrible, which is my only real complaint about the film.

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In conclusion, I’m looking forward to more great comics this year though I have some concerns about a few creative teams at DC (Wonder Woman) and will miss some of my favorite creators and titles as they disappear from the shelves, hopefully replaced by new books of splendor, wonder, and ideas.

 

 

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