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Yesterday I received the Baby Nightsoil Series 5 Stickers in the mail. This batch is even bigger than Series 4, making it the biggest batch yet. A complete set would include 8 stickers. You may notice somewhat a return to pandas in the batch after exploring other critters in Series 4 and Series 3. This series contains a panda tribute to the recently deceased Hot Rod Rowdy Roddy Piper, a throwback from the Super Mario calendar, and some lovely panda ladies. This series also includes a sticker that will only be available for the next four days while supplies last during Atlanta’s notorious science fiction/fantasy convention Dragon Con, a send up of Jim Jones of the People’s Temple and J’onn J’onnz the Martian Manhunter, founding member of the Justice League of America. If you’re interested in any of these stickers and you’re attending this year’s convention, there are two easy ways to track me down: 1) Go to the Art Show between 3pm and 8pm and look for the most overwhelmingly handsome volunteer which will be me. 2) Attend the DC Comics an Cultural Studies panel on Monday at 2:30pm in Hanover F (the Comics track room) at the Hyatt. I like to trade stickers for art, comics, and pictures of cosplayers.

Here’s a look at the Series 5 stickers in all their glittery glory.

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I recently embarked on an intense reading/rereading mission. Throwing myself into the Green Lantern narrative as I had never before, I set off to read the entire GLC chronology up to this point beginning with Hal Jordan becoming a Green Lantern again in Green Lantern: Rebirth. For GL fans, this ambitious reading project is something similar, on a much smaller scale, to the Islamic rite of the Hajj. As Muslims fulfill their religious duty by making their pilgrimage, modern Green Lantern fans owe it to themselves to familiarize themselves with as much of the story as possible and while it isn’t possible to read the entire story in one sitting, I believe there is something special about reading it all at once.

Light reading

Light reading

My motivation for this spurred from my wife giving me the Brightest Day omnibus for Christmas. I had read much of the story out of sequence and I had picked up a few trades at conventions- saving them for when I had amassed a complete set. With the introduction of the Brightest Day omnibus, I went ahead and filled in the rest of the holes though I did miss a few- I haven’t read the Teen Titans trade associated with Brightest Day and I’d really like to because the Black Adam/Isis family from 52 is one of my favorite storylines in DC history.

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As an active member of the comic book internet community, I intended to write about the experience as I went along. I considered starting a twitter account and live-tweeting as I read, but I ending up just getting lost in the narrative. It’s hard not to. This run on Green Lantern is extremely well-executed- a sophisticated narrative with a reaching stories that attempt to take the notion of a universe controlled by tiny blue fascists to its ultimate absurd conclusion. During the first few trades, those leading up the Sinestro Corps War, I found myself constantly impressed with Geoff Johns forethought. The seeds of the Blackest Night and all the new Lantern corps as sowed in the very first issues where Johns brings Hal back. The integral roles played by Mongul, Cyborg Superman, and the Manhunters in the arrival of the Blackest Night and the writing of Atrocitus into Hal Jordan’s origin story all demonstrate such solid planning I wonder how much Johns had planned when he first began writing the character.

pucca-starsapphireWhile Johns’s master plan is certainly apparent, reading the whole story together allowed a chance to see how characters and concepts developed. The voices of certain writers who joined Johns become easily recognizable- primarily Dave Gibbons, Peter Tomasi, Tony Bedard, and Peter Milligan- and the end of Johns run is not only noticeable, but the final issue is included in the collected trades of every GL title published at that time. The creative teams that followed that crew brought their own voices as well. Though the art is largely consistent, both following and creating the DC house styles of their time. Some characters are drawn wildly different from artist to artist. None more so than Arisia Rrab- Reis gives her an adorable pixie face, Gleason makes her a hideous troll, and all the other artists find themselves somewhere in between. The female lanterns of all the applicable Lantern Corps often find themselves most easily distinguished by the nature of their scanty uniforms, but even that changes over time. When Rob Vendetti took Johns’s place as the guiding hand of the GL legacy, female characters in nearly all of the GL titles found their uniforms had become more conservative or at least less revealing. Green Lanterns like Arisia Rrab and the Star Sapphires received more modest outfits, but Red Lantern Bleez kept her trademark skeleton wings and black thong- which I’m happy about it. I can’t really imagine Bleez without some sort of overwhelming sexuality- it’s part of her origin story to some degree that she be sexually desirable and hostile to sexual advances. Sinestro Corps member and hot librarian Lyssa Drak actually sports a more conversative garb in the Sinestro series, but rocks her more traditional barely-there attire in the Sinestro issue published as part of Villains Month and in the Sinestro: Future’s End issue. It could be intentional, but I suspect disrupted communication as the likely culprit.

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When I first read Blackest Night, I read a digital copy that put every issue in chronological order. Unfortunately DC hasn’t collected the event that way. Instead, they separate the trades by title. To recreate the single issue experience, one would need to carry a lot of books with them, juggle them intermittently, and do their best to keep their bookmarks from falling into the wrong hands. If you don’t want to do that, I’d recommend reading the books in this order and split a few of the books in half.

Blackest Night: Tales of the Corps

1/2 Blackest Night

1/2 Blackest Night: Green Lantern

Blackest Night: Black Lantern Corps Vol. 1

1/2 Blackest Night: Green Lantern Corps

Blackest Night: Rise of the Black Lanterns

2/2 Blackest Night: Green Lantern

2/2 Blackest Night: Green Lantern Corps

Blackest Night: Black Lantern Corps Vol. 2

2/2 Blackest Night

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Both Blackest Night and Brightest Day require the reader to know a bit about the DC universe, both contemporary and historical, to fully appreciate all the ins and outs. In the Blackest Night trades, they’ve provided blurbs about how each character rising from the dead to become a Black Lantern originally died, which I definitely appreciate.

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Beyond the White Lantern of it all, Brightest Day actually has much less to do with the Lanterns than it does the rest of the DC universe. The affiliated GL books are actually quite strong though. I particularly like the story line of the Weaponer of Qward and his quest for vengeance against Sinestro from the Green Lantern Corps title, which depends entirely on Deadman creating a net out of White Lantern light in Brightest Day. The Brightest Day overlaps with the War of the Green Lanterns through a limited series called Green Lantern: Emerald Warriors. The War of the Green Lanterns peters out through the Green Lantern titles and a small handful of limited series. In the aftermath of the War of the Green Lanters, the arrival of The New 52 is very apparent. The trade War of the Green Lanterns: Aftermath ends with two single issue stories that suggest heavily their authors were simply waiting out the clock before getting the emotional spectrum involved in any new crises. The shift from pre New 52 to New 52 is weirder for the Green Lantern titles than any of the others (even Batman) as so much of the Green Lantern story depends on a character-rich past. Rebooting Superman makes Cyborg Superman’s destruction of Coast City hard to explain. Similarly rebooting Green Arrow makes his friendship with Hal Jordan patchier than an early puberty beard. Johns, Tomasi, Milligan, and Bedard do their damnedest to balance the demands of the Lanterns with the demands of the New 52 reboot, but one character comes off really weird: J’onn J’onzz. Before the New 52, he’s one of the Brightest Day twelve while in the New 52, he’s a virtually unknown agent operating in odd stealth. Newsarama recently published a list of queer doings afoot in the New 52 and Martian Manhunter featured prominently among their findings

J'imm J'onzz

J’imm J’onzz

In addition to reading all the texts, I also watched all the films and must regret that DC has pursued more Green Lantern animated movies. I liked the television series okay, though it paled in comparison to the superior series Beware the Batman!, which suffered the same cancellation fate, but the tv series was a bit more childish than the animated movies. I stand by my earlier contention that outside of the comics, the best use of Green Lantern in media is Lego Batman 3: Beyond Gotham.

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…And somehow this all felt relevant because something big is coming for the Green Lanterns as DC is cancelling most Green Lantern titles in the coming months. With that knowledge, I spent much of my time reading also speculating.

 

 

 

Mesoamerica Resiste (outside) by the Beehive Collective

Mesoamerica Resiste (outside) by the Beehive Collective

Yesterday I have the privilege of attending one of the Beehive Collective’s touring workshops for their gushingly beautiful and incredibly detailed work ¡Mesoamérica Resiste! which illustrates many of the issues at play in the Plan Pueblo Panama (P.P.P.) or Mesoamerican Integration and Development Project.  The collective put all of their resources to work to craft the piece including numerous illustrators, scientists, and contributions from local people throughout the area affected by the PPP. Two women, Meg and Mandy, toured with the piece and gave thorough explanations of the many themes, metaphors, and assertions of the work. You can learn more about the Beehive Collective and their touring schedule by visiting their site and I strongly encourage that you do.

Mesoamerica Resiste (inside) by the Beehive Collective

Mesoamerica Resiste (inside) by the Beehive Collective

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These are some Halloween decorations that Jasmine and I made today at Wonder Root. They’ll be on display presumably until Halloween, but there’s two Halloween parties planned there this week and the party hosts may choose to discard these decorations we toiled over today. Above is a tribute to Lou Reed. After making all the pumpkins, I really was in the mood for a banana.
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Jasmine made this bat, but I made all the other decorations. The whole project rests however upon her having some candy in her car, which ignited the fire and keeps it burning deep, deep into the future.

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Here’s a Frankenstein made from construction paper and a little bit of duct tape.

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Classic Jack-o-lantern, loosely based on Pontius Pilate.

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The Boo and Happy Halloweeen are also made from construction paper, as is the blood. Fair warning to you vampires- you cannot survive on construction paper blood.
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This is where our little Halloween project began- some candy, a bowl, and a dream featuring four deadly handsome pumpkins inspired by the Pringles guy, Kool-Aid Man, and a panda.

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