Archives for posts with tag: Man of Steel

batmancollagebybabynightsoil

One day our consciousnesses or rather those of our descendants will be able to perceive the multi-verse, defy space and time, and engage in a logic beyond the childish way you and I have been thinking. As our cells ready the coming mutations and our technologies reflect our peculiar ambitions, we grasp for examples that can anchor us in the blurred existential hurricane that is surely multi-versal living. One Virgil to our Dante in this exciting stage of development is the Batman. We are living in an age where people are living in multiple Batman universes. A noticeable portion of the world population coexists with multiple Batmans. While Batman is not unique in this and certainly not among other comic heroes, Batman is special. His multiple universes are more fully developed than any other superhero.

Look at some of the universes that continue to expand:

New 52 Batman (This universe is the same (sort of) as the Justice League War animated movie universe, but not necessarily the Son of Batman animated movie universe. Batman of the New 52 is complicated because he and Green Lantern have a lot more history than Superman and other heroes, making this particular universe great exercise for our evolving brains. All of which has been twisted even more strangely with the all whole Zero Year timing and whatever Jonah Hex and Dr. Arkham get into in the past. Of all the characters in the New 52, Batman holds the distinction of appearing in the most titles with no serious competition for the honor. At any given time, well over 10 creators at DC Comics are working on Batman stories.)

New 52 Batman Earth-2 (where he is notably the father of Huntress/Robin)

Lil Gotham (Here we find familiar characters celebrating familiar holidays)

Batman ’66 (A reflection of the old Batman TV Show universe, itself a reflection of the Silver Age Batman universe and the Warholian utopia/dystopia of the Swinging Sixties- it’s not inception, it’s not an Alanis Morrissette song, it’s more like Medeski Martin & Wood playing their own arrangement of an American jazz song about French people impersonating Chinese porcelain work)

Batman Earth One (Remember this gem from a few years ago? Will there be a Volume 2?)

Injustice (The storyline constitutes multiple universes itself and features multiple Batmans)

Batman Arkham (This universe has its fair share of continuity problems, especially when it dabbled in the prequel arts with Arkham Origins)

Zack Snyder Universe (where the Dark Knight is portrayed by the kid on Voyage of the Mimi)

LEGO Batman (and arguably LEGO Movie Batman is a separate universe; the missus and I recently assembled a LEGO batmobile tumbler, the ride from the Nolanverse, which would be a separate universe from the LEGO Batman universe as it exists in most of the sets, the video games, and the LEGO Batman movie (and, again, the LEGO Movie))

The upcoming Gotham TV series (This universe, much like other universes, rearranges chronology without causing major rifts to meaning. This phenomenon is one of the more popular Elseworlds literary devices- it relies on the familiar to give its new universe strength and recognizes time as a variable, not a constant.)

DCU Online/Infinite Crisis (The online playable universes of the DC multi-verse are (or have the potential to be) some of the highest functioning universes outside of the metanarrative (and what, dear readers, is the Batman metanarrative?))

JL8 (Yale Stewart’s charming running comic of Justice League members as kids is one of many amazing fan-created universes out there. Don’t we all have our own Batman universes that we’ve created? When kids play with Batman toys, they create narratives and become architects of our practice multiverse. Also there’s a bit of perverted Bat-fiction, even pornographic productions of the highest quality. I think Lexi Belle makes a more convincing batgirl than Sunny Lane, but it’s amazing that the modern Batman reader even has a choice in selecting their adult film Barbara Gordon.)

Meanwhile, many Batman universes that we accept as being closed continue to remain alive in our consciousnesses:

The Nolanverse (A self-contained universe spanning three films, the Dark Knight trilogy has solidified itself as my generation’s  onscreen Batman, forcing me to face all the issues surrounding my own mortality as a new Batman, Batfleck, appears in the near future. A glitch in this universe transforms Batman’s love interest into a more talented actress between films.)

Batman: The Animated Series (Hardly the only time the Dark Knight has been animated, but one that resonates so strongly and featured the work of true legends like Marv Wolfman and Denny O’Neil. The show also introduced Harley Quinn who quickly transuniversed across the multiverse into established Batman universes.)

The Dark Knight Returns universe (Frank Miller’s classic Elseworlds story had new life breathed into it with last year’s animated film. This story, closely tied to the zeitgeist (equal parts apathy and fascism) of the 1980s, continues to help readers, and now viewers, transport to a time when Batman was disappointed in both the hippies and the conservatives.)

Jeph Loeb has provided two separate Batman universes. With Tim Sale, he created the Long Halloween universe, which is not much of a departure from Frank Miller’s Year One universe. Later Loeb launches the Superman/Batman series, which brings Supergirl back to the DC universe in a form I believe far superior to the Supergirl that died back in Crisis on Infinite Earths- itself being a primer on balancing an overwhelming multi-verse with an accessible story (with varying degrees of success)

Year 100, DC One Million (Paul Pope and Grant Morrisson probably walk with each foot in a different universe at all times.)

Whatever Happened to the Caped Crusader? (This very short yet poignant set of mixed up eulogies for the Dark Knight delivered by his closest friends and enemies provides multiple alternate histories for the Dark Knight. One of the very few Batman stories that Neil Gaiman has written.)

This list could really go on and on as Batman has been featured in an overwhelming amount of material and a good chunk of that remains relevant to the modern Batman reader. When humanity is confronted with what will surely be the greatest existential crisis we will face collectively up to that point, I believe the modern Batman readers will have contributed to the evolutionary process that will enable our collective consciousness to navigate an open multiverse. Also net neutrality will prove to be even more important than even Tim Wu currently anticipates, but he deserves some credit too- not as much as Batman, but some.

 

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Upon the announcement that Jesse Eisenberg would play Lex Luthor in the upcoming sequel to Man of Steel, I’ve felt a slight discomfort with the casting. I like Jesse Eisenberg, Lex Luthor is one of my favorite characters of all time, and more importantly, I think Eisenberg will do a great job as Lex Luthor. My discomfort comes from the difficulty is separating Eisenberg from his Jewish heritage. Eisenberg is not the first Jew to play Lex Luthor- Smallville’s Michael Rosenbaum played an incredible Lex- but part of Eisenberg’s charm is how well he personifies many of the characteristics that pop culture finds endearing about the way Jews behave. He’s not Woody Allen, but he played him once in a movie. Does he play up to Jewish stereotypes? Sure, to some extent, but he’s also embraced roles that challenged popular conceptions of Jews, such as playing an Orthodox Jewish MDMA smuggler in Holy Rollers. Eisenberg is Jewish and deserves a certain amount of consideration when he portrays Jews positively or negatively as it is his own culture he’s representing. From Shakespeare to Star Wars, Jews has suffered negative portrayals by gentiles and while it is a generally accepted dramatic trope, negative Jewish stereotypes are usually identified by the Anti-Defamation League swiftly and often make news. As a person of Jewish heritage myself, I’ve come to tolerate the negative depiction of Jews as unavoidable symptom of a larger systemic social problem and rarely make a crusade about the way Jews are presented. As the husband of a Chinese woman, I’ve probably become more sensitive to the portrayal of Chinese people in Western media than I am to representations of Jews that reinforce stereotypes.

So……………………

what’s wrong with a Jewish Lex Luthor?

Lex Luthor plays to some very specific Jewish stereotypes

1) Lex Luthor is the smartest man in the world. This point may be argued by Michael Holt or Ray Palmer, but it is generally accepted in the DC Universe that Lex Luthor is the smartest man on Earth. When I was living in China, the most common reaction to the discovery of my Jewish heritage was: “This is why you are so clever.” or “The Jews are very clever.” While this is not really a negative stereotype, it is a stereotype and one that makes the lives of Jewish children with learning disabilities doubly difficult. Is unforgivable to portray Jews as intelligent? No. Is it racist to portray Jews as intelligent? I’m not sure if it is. The belief that Jews are somehow smarter than others is rooted in the Jewish tradition of revering scholarship. Many cultures place an emphasis on education, but there is something special about the role education plays in the development of Jewish identity, both communally and for the individual.

2) Lex Luthor is the richest man in the world. Lex is not only one of the richest people in the DC Universe, but he has obtained his wealth through the type of ruthless business behaviors that non-Jews have frequently accused Jews of engaging in. Of course, Eisenberg’s portrayal of Lex Luthor won’t be as damaging as Bernie Madoff or any of the very Lex-Luthorian types of Jewish descent that the US government has an irrational fear of prosecuting. The stereotype that Jews have lots of money is hardly new. The phenomenon of Jewish wealth can largely be traced back to the limiting of opportunities for Jews by the gentile populatins in which they lived. The inability to own land and Christian opposition to usury can both be credited with encouraging a tradition of finance and trade in Jewish communities, making both finance and trade elemental to the Jewish economy and to Jewish social mobility.

3) Superman is Jesus. As we all know, Superman was created by a couple of nice Jewish boys from Ohio and the comic book industry itself was largely created by Jews, borrowing many of its production strategies from the garment industry where Jews were also prevalent. Why did these Jews make a caped Jesus? The Christ-like nature of Superman has always been there. While Superman’s origin story greatly mirrors the story of Moses, we should pay attention to some differences in the two stories. Moses liberates his people from the tyranny of the Egyptians while Superman liberates a foreign population from the tyranny of themselves and external forces of Darkness. Superman is Jor-El’s only son. Jor-El gives his only son to the people of Earth- people he largely look down upon while simultaneously adoring them (sounds like any god you’ve heard of?). The messianic nature of Superman is well-documented and generally accepted, so I won’t go into too much detail here and will assume that you accept that the idea of “Superman as Christ” has legitimacy. Lex Luthor hates Superman- perpetuating the idea that Jews hated Jesus or willfully contributed to his crucifixion is an irresponsible assessment of the relationship Jesus had he with members of his own community.

For these reasons, I’m a little uncomfortable with Jesse Eisenberg playing Lex Luthor, but as a comic fan, I have no doubt that he will do a better job than Kevin Spacey, the worst Lex Luthor of all time. My favorite Lex so far? Either Clancy Brown or Anthony LaPaglia.

Honestly, I might be more excited about the Son of Batman animated movie that was recently announced more than the Man of Steel sequel.

As frequenters of this site know, crosswords of varying difficulty have appeared sporadically since the site began. The empire was built on those little boxes, penciled in between our slings and arrows, our ups and downs. Yesterday a small start up tech firm known as The Google brought attention to the 100th anniversary of the versatile medium. Those nerds celebrated with an animated doodle. The World’s Second Greatest Detective , refusing to be outdone by a bunch of coder and cooties, decided to massacre two birds with one stone by simultaneously commemorating the 100th anniversary of the crossword with the publication of DC Comics New 52 Villains Omnibus, a mammoth tome featuring each of DC Comics Villains Month issues from this past September, with a DC Villains Crossword. The answers are all titles taken from the New 52 Villains Omnibus, so don’t go looking for Catwoman, Hush, Amazo, Gentleman Ghost, etc. If you need a list of those titles, click here.  If you click on the puzzle, it gets much bigger too.

villainscw

Across

5. what’s cooler than cool? ice cold

7. classic teen tightener

8. makes lions cowardly with gas

9. say hello to their little friend

10. pointed the Flash to Flashpoint

11. more badass than Duane Chapman

16. rules Gotham from a shadowed perch, behind granite and lime

17. the blackest night’s blackest knight

22. rough in a diamond

23. lives in the worst part of Gotham City

25. if dialing h gets you preparation e, this is how you get preparation h

29. Jordan’s friend, Natu’s father

30. Aquaman’s brother

32. Can be usually be found at the Iceberg

33. Solomon Grundy died on Saturday, but Superman died on this one

34. Born in the dark, molded by it

35. I make a point of never being clueless, who am I?

36. One of the Jor-El’s best buddies if only in his mind

38. faster pussycat kill kill

39. So Raven

43. Played poorly by Kevin Spacey

44. big bad harv

45. Has a cooler collection of bottles than any frat boy you know

47. Of all of Darkseid’s minions, he probably finds the most sexual gratification from spanking

Down

1. Coast City’s least favorite Superman

2. Not the handsomest villain but possibly the hungriest

3. one of the few female characters to put on more clothes in the New 52

4. his scientific discoveries were vital to Talia’s war on Batman, Inc.

6. Wonder Woman’s brother

8. whether male or female, a problem for hawkman

10. looking to put Green Lanterns’ lights out

12. A failure for Lex Luthor, especially compared to Superboy

13. One of Jor-El’s best buddies

14. hair like the Joker

15. Inspired the pornographic thespian Jack Napier

16. poison ivy planted seeds in him

17. gave Aquaman’s dad a heart attack

18. one bullet minimalist

19. Gems of the Gem Cities

20. digs lysistrata and wearing other people’s faces

21. most wtf character choice in Injustice video game

24. Grandfather to Thomas Wayne’s grandson

26. of Super Villains

27. just another clever beat inventing knowing

28. put the rot in rot world

31. The man with a kryptonite heart

37. aims to make aiming arrows difficult

40. once wore a lot of Sinestro Corps rings

41. christened Cyrus Gold, possibly on a Tuesday

42. iconic cosplay favorite who appeared in an animated series before appearing in a comic

45. subject of the best storyline in 52

46. kisses with his Apokolips

Google across my angry middle finger

Above you can see what Google’s doodle looked like while below you can find the correct responses to the crossword clues.

answers

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While WXL is officially a comic book blog, it’s been a while since I addressed an comics-related issue. I’ve been rereading the Green Lantern/Green Lantern Corps, starting with Rebirth. I’ve just finished The Sinestro Corps War and will probably stop after the other Lantern Corps are introduced, but before Blackest Night goes into full swing. It’s hard to read this material without considering the impact that Geoff Johns has had on the Green Lantern and the DC multiverse in general. When Johns and his various and very talented partners-in-crime brought Hal Jordan back as a Green Lantern, he had been possessed by both Parallax and the Spectre, spent a bit of time with the Phantom Stranger, and played a role in bringing about the destruction of both the Green Lantern Corps and his hometown Coast City. In the books leading up to Blackest Night, the GL creative team resolved the matter of Parallax’s infection of Hal somewhat, enabled Hal to shed the Spectre, returned the ring to Hal’s finger, reestablished the Corps and established additional colors, and brought Coast City back from its ashes.

Please don’t take this article too seriously.

Coast City is traditionally depicted as a California city- sometimes it feels like San Diego and sometimes like San Francisco. Its creation fills a void left by Gotham City and Metropolis’s similarities to New York City and Chicago, Star(ling) City’s similarity to Seattle, and the Gem Cities’ similarities to the Twin Cities. In the Silver Age, Coast City embodied much of the essence of California as understood by the American imagination- a little more laid back than the East Coast, but on the edge of the future, cowboys living better through chemistry. More than Metropolis, Coast City was the city of tomorrow. As the 20th century progressed, California dreaming changed its tone and the American imagination adapted, crafting a new vision of what California meant. This new vision reacted to the rise of new subcultures that became closely associated with California- the Beats, hippies, the Manson family, pornographers, Black Panthers, Scientologists, Silicon Valley, People’s Church, Church of Satan, the out gay community, United Fruit Workers, and other strong personalities that informed both California and US identity. Coast City still somewhat resembled San Diego minus the Hispanic population, but it hardly resembled San Francisco by the time it was destroyed in the 1990s. I see Coast City more like Detroit, incredibly optimistic in the Silver Age and ruined largely by outside factors. Detroit came to mind initially because it’s the hometown of Geoff Johns.

Let’s look at what destroyed Coast City and what destroyed Detroit. Once the Oa of automobiles, Detroit’s contribution to US culture and its international reputation has largely been overshadowed by its economic decline. Can you imagine the American experience without Motown or MC5, much less without the automobile? The economy of Coast City when it is first introduced centers around Ferris Aircraft, which isn’t the automobile industry, but both employ machinists, mechanics, and engineers, if you know what I mean. These two industrial cities are destroyed from within and without.

The destruction of Coast City is generally attributed to three individuals:

Mongul loves yellow

Mongul

Is it just me or are there some underlying racial issues with this character? He is a yellow-skinned villain bent on world(s) domination through dynastic rule. His name is one letter away from Mongol, shorthand for Mongoloid (if you subscribe to the antiquated theory of three distinct races (Negroid, Caucasoid, Mongoloid)) which refers to people with ancestry from Asia. He’s built much more like a Mongolian than a Japanese person and his name is likely inspired by the notoriety of the Mongol Empire. In the late 20th century, the failing communist nation of Mongolia posed little threat to Detroit. Japan and its robust automotive industry, however, posed a significant one and that idea continues to find a captive audience. Manufacturing in Asia has only grown as a go-to scapegoat for a decline in US manufacturing. The nations of Japan and Korea developed economically, achieved legitimacy, and consolidated regional influence largely on the backs of their automotive industries. Their rise came at the cost of Detroit.

cyborg superman

Cyborg Superman

As his name implies, Hank Henshaw is a half-human half-robot version of the Man of Steel. In a dangerous partnership with Mongul, Cyborg Superman transforms Coast City literally into an Engine City. Coast City is replaced by an exponentially more industrialized version of itself to serve the ambitions of the foreign power Mongul. Much like Detroit’s woes, there is an undeniable John Henry overtone to the terraforming of Coast City. It’s man vs machine and machine wins.

hal jordan loves jewelry

Hal Jordan

The legacy of Coast City’s destruction is best characterized by its effect on Hal Jordan. Left so distraught by his hometown’s demise, Hal Jordan allows himself to fall victim to Parallax or what FDR might call “fear itself.” The decline of Detroit has certainly taken a toll on the will power of the people of the city and perhaps in some of their darker moments, people have embraced fear over optimism.

When Geoff Johns brings Hal Jordan back to the Green Lantern mantel, he also brings Coast City back into existence. By doing so, I believe Geoff Johns is communicating a hope for his hometown to persevere through difficult times and eventually revitalize itself. In one of this last moves as Green Lantern kingpin, Johns introduced the character of Simon Baz in his native Detroit, providing a much less nuanced role for his hometown than any parallels that could be brought between Coast City and Detroit.

I like when creators represent, whether it’s Johns placing Simon Baz in Detroit or Robert Kirkman setting the Walking Dead in Georgia. Comics can capture physical and spiritual geography in ways unique to the medium such as Strange Attractors, Deogratias, and Palestine. Of course, the Marvel Universe approaches real-life geography in a way distinctly its own.

In conclusion, I would welcome Aquaman to Atlanta. He’s gonna love the fountains at Centennial Park.

aquamanlookingforben

My wife woke me up this morning to tell me that that the internet was a-buzz with news that Ben Affleck would play Batman in the upcoming Superman-Batman movie. At first, I thought, “This is a weird yet very boring dream.” My second thoughts were more practical. My wife is bilingual and reads both the Chinese internet and the real internet*, so perhaps a new strategy of the Wu Mao party was to troll the shit out of the internet with such ridiculous news in an effort to destabilize U.S. hegemony. It makes sense, right? Americans agree not to intervene with Taiwan’s return and Ben Affleck will not disgrace the cowl- call it bat-boat diplomacy. After brushing my teeth, getting dressed, etc. I went to the internet myself and was overwhelmed by how fast the scheme had taken hold. Further proof of what the Freemasons have always known, inception is possible. Were the Chinese to blame for Damian Wayne’s death as well? Was Grant Morrison’s psychedelic experience in the East nothing more than Manchurian Candidate brain-washing? Why start the Ben Affleck as Batman hoax at the same time as the Bo Xilai trial?

What about Christian Bale? As a child, his portrayal of J.G. Ballard in “Empire of the Sun” was not flattering to the Chinese, praising the bravery of the Japanese as they violently occupied China. Later in life, his support of Chen Guangcheng got him beaten up by the Chinese police  after Bale had worked with Zhang Yimou.  The Chinese release of “The Dark Knight Rises” was delayed. Is it a personal mission against Christian Bale? I doubt it because casting Ben Affleck as the Batman will only make Christian Bale’s portrayal look that much better much like Clooney did for Keaton.

Eventually my suspicions subsided. The Chinese government wouldn’t do such a thing. In Supergods, Grant Morrison alludes a Chinese government program to create a real-life Superman- which I guess is more like a real life Captain America, but then it would have to be Captain China, do you remember Red China Man, enemy of Mr. Freedom? Anyway I digress. I don’t think we can blame China for casting Ben Affleck as Batman as the news appeared first in the U.S…. unless a sleeper cell just woke up.

I also don’t think actors should play more one superhero. If you’re the Human Torch, you shouldn’t be Captain America. If you were Daredevil, you shouldn’t be Batman. If you were Kaiser Soze, you shouldn’t be Lex Luthor. I also think Ben Affleck is too old to play Batman. The potential for another sustainable Batman franchise is weakened by Affleck’s decaying mortal coil.

When Ben Affleck played Superman, it drove it to kill himself, so I don’t understand why he would even want to play Batman.

On the other hand, I would be interested in a Batman story written by Affleck and I could even consider Casey Affleck as a really good Riddler. I’d like Scott Snyder to write a Batman movie and Gail Simone to write a Batgirl movie. I think Tom Tykwer should direct a superhero here- maybe Flash? Animal Man? That would be sweet, right? Tom Tykwer directs Animal Man, Anton Corbijn directs Swamp Thing, Sofia Coppola directs Zatanna, Guy Ritchie directs Constantine and it all culminates in Guilermo del Toro directs Justice League Dark.

From several corners of the internet, disappointment seems to dominate this discussion and I expect the democratic nature of the comic book industry to force Affleck to walk away from the project with his batarangs between legs. Kind of embarrassing, but better to be pushed off the project now than be blamed for ruining DC’s hope to develop a cinematic universe on the scale of Marvel’s.

*the bit about “the Chinese internet and the real internet” is just a joke, so don’t get offended. As we all know, the internet is, in fact, separated on an entirely different system: the zero internet and the one internet. One of them is governed by Jesus and the other is governed by Darth Vader.

If you happen to be in Dalian, Liaoning province, China this weekend, I strongly recommend you check out the Dusk Festival. A lot of great Chinese bands will be playing. Some of my favorites are Duck Fight Goose and my dear friends Doc Talk Shock. Below is a review I did for Doc Talk Shock’s latest record Lights of Detour for Focus on Dalian magazine, a bilingual (English & Chinese) journal serving the Dalian community. While you’re reading the review a year after it was published and several reviews have been published since, I say with confidence that my review was the first published review of the record. The review is pretty glowing and you should be skeptical because of my personal relationship with the band and the fact that I wrote the lyrics for several songs on the record- but if you can look past those red flags and give the record a listen, you’ll see it’s worthy of my praise and worthy of yr. ears. Of the surprising things to come from the review is that Brad Seippel, a gentlemen from Mobile, Alabama collaborated with on a few tracks and shared billing with one of his projects Thruoutingenue many times, was living in Beijing when the article was published and it brought us back into contact briefly. I’ve had the good fortune of befriending some really talented and creative people- I’m not bragging, I’m counting my blessings. For those of you who found yourselves outside of the circle of cool, here’s yr. chance to catch up. In honor of the reprint, I whipped up a panda portrait of this international rock phenomenon. If yr. interested in more great Chinese bands, I strongly recommend Wang Wen 惘闻, the Sound and the Fury , Porcupine, Rebuilding the Rights of the Statue (RETROS), Zi Ran Juan,New Pants, Hang on the Box, ma2, Gemini Trip, and the Bear Minorities (Yu Dong and Jiang Hao from DTS making dreams melt with sound). Before I left Dalian, I made a film with Jiang Hao, Yu Dong, and an Irish DJ named Peter Donelan that exhibited our music and the ideology of a discourse-generating experiment we developed together called ‘Wonder-Were-Wolf,” the title both a nod to Wonder Woman and our monthly meetings where we turned in werewolves over heaping piles of meat and flowing rivers of drink. One last Chinese gem: My favorite Chinese song-and-dance man from my favorite province (Sichuan, of course) MC石头 (MC Stone) – if you get a chance to see him and his crew (which resembles a Chinese casting for an early John Waters film) perform live, you MUST go.

The review is posted below the pic.doctalkshockischineserockShortly after I arrived in Chengdu in 2007, an enthusiastic musician from Northeast China contacted me on the internet to say, and I’m paraphrasing quite recklessly here, “Welcome to our China. You are a musical genius.”  Few things have ever endeared me to someone like praise and we quickly began exchanging music, thoughts on music, and general pleasantries with each other. In 2010, Jiang Hao and I finally met in person. This fateful meeting occurred on my birthday and Doc Talk Shock’s first EP proved to be a birthday gift that continues to bring me ‘confusion and joy.’ While it lacked the cosmic intimacy of Bear Minorities (Jiang Hao’s previous project with fellow member of DTS Yu Dong), I could hear something really special in their new band.

Employing the powers of persuasion that have won Doc Talk Shock so many fans, Jiang Hao convinced me that my life would be incomplete without an extended detour through the city he calls home, Dalian. Once moving here, I found Jiang Hao and Yu Dong not only to be talented musicians, but also gracious neighbors. In both Doc Talk Shock and life, the songwriting duo compliment each other much like Thurston Moore (Jiang Hao) and Lee Ranaldo (Yu Dong) of Sonic Youth. In turn, these two have found a talented rhythm section that compliments them well. In addition to keeping time, bassist Evgeny ‘The Man of Steel’ Kozachinskiy and drummer Sean Rollins provide Doc Talk Shock with a certain exoticism, representing their native Russia and United States respectively. On stage or off, these four gentlemen bring a semblance of rock n roll sincerity to everything they do.

Their first EP and live shows brought Doc Talk Shock to the attention of iconic Beijing record label Modern Sky. The label offered to release their first full-length album and sent Yang Haisong of PK14 to Dalian to produce the record. Recorded in only eight days, Lights of Detour maintains the velocity of a live performance while offering pockets of headphone gold.

“Sweet Swear” begins the album with fidgeting guitar notes, reminiscent a carefree child playing with a blade of glass, that are soon joined by equally aimless, but effect-laden guitar and drums that putter out the rhythm of a slow-motion trampoline. This introduction evokes the space jazz of Tortoise and Euphone, but soon finds itself trumped by the glorious spirit of rock. This first outburst of rock triumph and its subsequent retreat back to heady instrumentation sets the tone for Lights of Detour, following a formula of climaxes and collapses sprinkled with pleasantly surprising deviations from what the ear expects to come next. “The Futurist” stands out as an obvious single- catchy, dreamy, youthful. “Paint the Volcano,” the album’s fourth track and my personal favorite, goes in several directions at once, culminating in the kind of rock triumph that lifts your heart towards the sun.

On several of the tracks on Lights of Detour, Kozachinskiy and Rollins tackle sophisticated time signatures with both cool nonchalance and raw fury.  Because the record flows so seamlessly, it’s easy to overlook the shifts in time signatures. The record illuminates how much Jiang Hao and Yu Dong have matured as songwriters since the first EP. In Red Rock: The Long, Strange March of Chinese Rock & Roll, Jonathan Campbell explains one of the major dilemmas in assessing Chinese rock music, the difference between what is ‘good’ and what is ‘good for China,’ and I deem Doc Talk Shock’s Lights of Detour to be great, not only by the standards of Chinese rock, but by the standards of both international and trans-dimensional rock.

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