Archives for posts with tag: Vietnam

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My recent campaign to get panda portraits of my wife on display at our favorite restaurants has added a second location. We visited Dua Vietnamese Noodle for lunch on my wife’s birthday. Her special birthday wish was to get two to-go orders of pho- one for lunch and one for a midnight snack- from Dua. We don’t frequent Dua as much as other pho spots because their hours aren’t particularly convenient and parking is annoying, but their noodles are so good that my wife looks for any opportunity to squeeze in a visit. We made the trip on her birthday and brought the restaurant a gift- a portrait I had done of her a few weeks earlier. The owners were very receptive and have asked me to do a few more pieces.

dua

If you ever find yourself in Downtown Atlanta before 6pm and you’re hungry, I strongly recommend Dua. They have two locations on Broad Street: Dua and Dua 2 Go, which, as the name suggests, offers their regular menu to go. To all my fellow Dragon Con people, I recommend walking a little further down Peachtree Street to eat here during the Con. They’re closed on Sundays, so hit them up on Friday and Saturday. It’s just far enough from the major DC hotels that you won’t have to wait forever- definitely better food and experience than the spots in Peachtree Center!

babynightsoilatscottseatsandsweets

Above you can see the inaugural restaurant panda portrait which I did for Scott’s Eats and Sweets in Mableton, Georgia, which is also a Vietnamese noodle spot. We’d eat at Scott’s more often too but Mableton is pretty far from where we live. It’s a nice to spot to meet up with some of our OTP (that’s outside-the-perimeter for you out-of-towners) friends.

sweets

I hope to get a few more restaurants in before the end of the year. If you’re interested in displaying a portrait of my wife as a panda eating the cuisine of your restaurant, send me an email (waynexiaolong@gmail.com) and we can try to put something together. I must warn you that in the interest of preserving my integrity as an artist- your food better be delicious or you get farts instead of arts.

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rockchaircuties

Here’s another slew of panda portraits. Subjects include happy young pandas in rocking chairs, panda academics exploring the substance and consequence of popular culture, the War Corps Starlord, and a fantastic noodle spot in Mableton, Georgia called Scott’s Eats and Sweets that I highly recommend.

dragonconpanel

“Soyez réalistes, demandez l’impossible.

If scholars were more like pandas, it would be easier to secure a faculty position.

warcorpsstarlord

sweets

 

Here are several photoshops that I threw together- nothing earth-shattering or violence-instigating, but a little naughty. Most of them strive to achieve a statement about consumerism or some such self-destructive, self-deceiving behavior. You can click on any of the pictures to seem them larger, but there aren’t any really any hidden details to see. I supposed some of them can be classified as NSFW, depending on your employer.

holarious

Mao Zedong and Ho Chi Minh

breastexam

The S in TSA stands for Satan

OCD

Taking extreme care of your teeth

durexdinoaurs

The land before time

dildo

Magic wand

cravingsmeme

Taco Bell menu

axepepperspray

Unleash the chaos

nutellaalbumcover

100 Days of Nutella

tsajenet

Poetic justice via the TSA

faceoff

In honor of Wayne Xiao Long now appearing on the social media platform known as Facebook, Wayne Xiao Long is presenting the first Wayne Xiao Long Faceoff. Employing the ancient customs of facing off and offing face, Wayne Xiao Long Faceoffs will pit brother against brother, thesis against antithesis, children against their parents, and, as always, Batman against Bruce Lee. Here in the first Wayne Xiao Long Faceoff, similarly themed graphic novels will duke it out in the arena of Wayne Xiao Long’s personal preferences and refined tastes.

WAR ZOMBIES

’68 vs Graveyard of Empires

If you haven’t read this books, I recommend them both, but who has time to read every war zombie graphic novel? Both stories tell of a zombie outbreak witnessed by American military overseas. From the titles of the texts, you should be able to tell which military action that refer to (1968 was the year of the Tet Offensive and consequential change in thinking about Vietnam while Graveyard of Empires is a nickname for Afghanistan.) ’68 finds the zombies beyond the battlefield, eating brains on the domestic front as well, while Graveyard of Empires features a contained and coordinated zombie infestation that spans the Soviet invasion of Afghanistan and the U.S. occupation following 9/11. If you’re really short on time, go for Mark Sable and Paul Azaceta’s Graveyard of Empires because it’s a mini-series. While Graveyard of Empires is a great read, ’68 wins this faceoff. Both stories benefit from a lot of research and great art, but Mark Kidwell did more research and the team of Nat Jones and Jay Fotos created better art. One of the main characters in ’68 is an American-Chinese soldier named Yam; he’s fed up with the racist U.S. military, the distrusting local population, and, of course, the zombies- all in all, a very sympathetic character. As much as I like Yam, I’m disappointed with what little attention Kidwell paid to the Chinese language and to the way Chinese people speak pidgin English as he has given Yam’s mom a distinctly Japanese mispronunciation of English. Of course, if you know me or follow this blog, you know I can be a little nit-picky about how China is represented in comics.

WINNER: ’68 by Mark Kidwell, Nat Jones, and Jay Fotos

VAMPIRES OF A DISTINCT NATIONAL CHARACTER

American Vampire vs The New Deadwardians

A faceoff between Scott Snyder and Rafael Albuquerque’s American Vampire and Dan Abnett and I.N.J. Culbard’s The New Deadwardians is not exactly fair. American Vampire is a much longer ongoing work while The New Deadwardians is not. Still The New Deadwardians holds its own as a unique and valuable contribution to vampire literature and as a worthwhile criticism of Edwardian Britain. Both books feature vampires and use vampire mythology to reveal their respective nation’s essences, but they differ in many crucial ways. In The New Deadwardians, the reality of vampires is public knowledge while it remains underground (barely) in the American Vampire series. The New Deadwardians covers a much short time period than American Vampire, which stretches nearly a century from the end of the U.S. Civil War to the tumultuous times that followed the Second World War. Both works are political in nature, but follow something Margaret Thatcher said once about how European politics being compelled by history and American politics being driven by philosophy. The plot of American Vampire, like the American vampires themselves, is driven by the needs of individualism while the plot of The New Deadwardians and the European vampires of American Vampire are much more interested in social control and power than the ideals of freedom or personal justice. Having said that, the suffragettes are my favorite part of The New Deadwardians. If you have the time and resources, I highly recommend reading them both. I also highly recommend sharing comics- my copy of The New Deadwardians is on loan to a Dracula expert at Georgia Tech and I am grateful to my wife’s tallest co-worker for lending me all the American Vampire books, which is a hefty set that all public libraries should carry. Yay, sharing! The final results of this faceoff may be biased by my own totally awesome American-ness, so you should probably just read both titles (and write to DC telling them to put Dan Abnett back on Resurrection Man). Book 4 of American  Vampire is the weakest of the series, but still better than most stuff being published.

WINNER: American Vampire by Scott Snyder and Rafael Albuquerque, with others

REIMAGINED CHILDREN’S STORIES

Peter Panzerfaust vs No Place Like Home

Two of the coolest books being published right now are Kurt Wiebe and Tyler Jenkins’s Peter Panzerfaust and Angelo Tirotto and Richard Jordan’s No Place Like Home, which draw inspiration from J.M. Barrie’s Peter Pan and L. Frank Baum’s The Wizard of Oz. Peter Panzerfaust places a charismatic Peter Panzerfaust in World War II France with several lost boys. The book captures the magical excitement and child-like wonder of being an orphan in wartime as Wiebe adeptly pulls your heartstrings and stirs your imagination. Familiar characters like Tinkerbell and the Darlings slowly creep in the fill out this Peter Pan Fan Fiction. If Wiebe and Jenkins can keep up this energy, this comic could be made into a movie that my mom would absolutely love. On the other hand, No Place Like Home could be made into a movie that my mom would absolutely hate. No Place Like Home is a little trashy, much more so than Peter Panzerfaust, but that makes sense- one is a horror comic intended for adults and one is playful historical fiction meant for a wider audience. This difference makes this faceoff a little more difficult, so I’ll return to a myth a friend of mine shared with me back in Dalian:

“Hundreds and hundreds of years ago, a prince was too be married and needed simply to choose his bride. Three candidates were chosen for him and set a challenge before each of them as he directed them to one of many rooms in his palace-

‘Here is one hundred American dollars. You challenge is to fill this room.’

Each candidate left with their challenge and the money the prince had bestowed upon them. While the candidates fetched their materials, the prince and the other members of his court played FIFA Soccer 12.

The first candidate to return brought several bags of gold and put them in the room. The items covered less than one third of the floor.

The second candidate to return brought several Mylar balloons, filling nearly three quarters of the rooms volume.

The third candidate brought a candle, which she placed in the center of the room and lit, filling the room with light.

Who did the prince choose to be his bride? The one with the biggest boobs, of course.”

Using the wisdom from this ancient tale, the winner of this faceoff has been determined.

WINNER: No Place Like Home by Angelo Tirotto and Richard Jordan

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