Archives for posts with tag: Francis Manupaul

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With the release a few weeks ago of Wonder Woman Vol. 6: Bones, Brian Azzarello and Cliff Chiang’s spectacular run on Wonder Woman is now available in full in trade format. The story, told over 35 issues and a few annuals, is compiled in six volumes each sporting a one word title: Blood, Guts, Iron, War, Flesh, and Bones. I imagine DC will release the run in a more concise form- maybe two volumes? omnibus? In its current state, you’ll want to read all six volumes as it is one complete story with suspense constantly building to a very classy plot twist.

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Tasked with rebooting Wonder Woman for the New 52, Azzarello and Chiang made the bold decision to alter her origin story- exposing her origins from clay as lie told to Diana by her mother Hippolyta to keep her own affair with Zeus a secret from Diana and more importantly, Hera, who have demanded retribution for another woman sharing a bed with her husband as is the custom among Olympians. This change to Wonder Woman’s origin story brought forth scores of fantastic characters, a true pantheon of pun-masters. The scripts for this story possess a wit rare in comics or any other medium- a wit that perhaps can only perform in the medium of comics and a wit unabashedly fond of puns.

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I spoke at length about Wonder Woman’s introduction to her extended family tree at last year’s Comics and Popular Arts Conference at Atlanta’s Dragon Con. With each issue, Wonder Woman becomes more acquainted with the citizens and standard operating procedures of Olympus. Hephaestus, Hades, Eros, Dionysus, Aphrodite, Cassandra, Artemis, Apollo, Demeter, Strife, War, and a Wesley Willis-inspired Milan are just a small sample of the colorful characters Wonder Woman now finds herself related to. The whole family adjusts not only to Wonder Woman, but other surprise family members come in to shake things up- particularly the one known only as the First Born.

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Because Wonder Woman has her hands full with all of this family drama, the rest of the DC universe stays largely off the pages of these books with the exception of regular appearances by Orion of New Genesis (not old Olympus). Readers who follow Superman/Wonder Woman know that Superman’s absence from the adventures outlined in this story has left the Man of Steel with some feelings of inadequacy.

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The lack of other DC superheroes is a bit of a blessing. Readers can read this run without feeling the baggage of an entire universe’s continuity. The series has since the New 52’s inception been a title that non-superhero readers could digest more easily than more continuity-rich titles like Green Lantern, Superboy, or any of the Trinity (War or Sin) related titles. Because of this, I highly recommend the collection as a gift for beginner readers. While the book contains a healthy bit of violence, some sexual content, and an intrinsic critique of religion, I believe the book is not only appropriate for young readers, but particularly valuable to a younger audience as it introduces them to Greek mythology as well as sophisticated story-telling elements in a way that’s more enjoyable than formal education.

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As the New 52 comes to a close, this run on Wonder Woman will be remembered as one of the best elements of the reboot. Unlike other great runs (Manupaul and Buccellato’s Flash, Williams and Blackman’s Batwoman (especially), Johns and Reis’s Aquaman) that have ended, this series demonstrates a more perfect overall architecture. As I read the final pages, I feel more satisfied as the story came to its conclusion. The only other run from the New 52 that comes to mind that demonstrated the kind of forethought seen here is Morrison’s Action Comics but the creative teams behind both titles approached rebooting two of DC’s biggest titles. I don’t include Snyder and Capullo’s Batman here because their run hasn’t ended (and hopefully won’t end for a good long while)

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Ten Best Comics of 2012 2013

Like US military intervention in Syria,  Dragon Con looms in the very near future. Feeling less informed on Syria than comics, I present what I hope will be an annual tradition for Wayne Xiaolong. I present my list of the best comics of the year. These are comics that I read between last year’s Dragon Con and this year’s Dragon Con, so rather than mark the year from New Years to New Years, we’ll be marking the year from Labor Day to Labor Day.

THE BEST COMICS OF THE YEAR (in no particular order, but the first one is the best one)

Saga

In my opinion, Saga is by far the best comic book of the year, if not the best comic book ever. Saga continues to amaze not only with each issue, but with each page and in every panel. The dialogue will make you think, laugh, and smile. This book compelled to read most of Brian Vaughn’s back catalog and I highly recommend you read  Y: The Last Man in its entirety and also check out Pride of Baghdad. He’s also producing “Under The Dome,” which is starting out interestingly enough. Fiona Staples’s art is amazing and I am drawing much inspiration from her style on some of my own projects.

Pinocchio Vampire Slayer

This is a fun book put together by two creators slated to appear at Dragon Con, Van Jensen and Dusty Higgins. It was announced at Comic Con that all of the volumes of Pinocchio Vampire Slayer will be collected in an omnibus edition, which is probably the way to read it because the individual volumes are quick reads that leave you wanting more.

Batman

The whole Bat-family of books has been a joy to read since the launching of the New 52 despite the death of my favorite Robin of all-time, which happened in Batman Inc. not Batman. Batman has carried the weight of the two major crossovers in the Bat-family of books, “The Night of Owls” and “The Death of the Family.” Both have been really creepy. Greg Capullo’s art compliments Scott Synder’s twisted imagination to create an almost fatty macabre noir. Really great stuff. Seriously though, all the Bat-books are worth reading- Batgirl, Batman and Robin, Nightwing, Birds of Prey, Red Hood and the Outlaws, Detective Comics, etc.

68

68 is a zombie book that takes place mostly in Vietnam during the late 1960s. Rich in historical reference and detail, overflowing with sophisticated humor, and filled with consistently creative art (which is often difficult for a war comic), 68 continues find value in an idea that lesser creators would turned into a dull gimmick.

Revival

Like 68, Revival is a book about the dead coming back to life, however the walking dead in Revival retain a lot more motor function.

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The Flash

The Flash puts the science back in science fiction. The art in The Flash is arguably the best in the New 52.

Batwoman

Remember when I said the art in The Flash is arguably the best in the New 51? Batwoman is the reason for the argument.

Strange Attractors

Nearly all the books on this list use the comic book medium in new, exciting ways specific to the medium. Perhaps most so in The Flash and Strange Attractors. Strange Attractors actually makes me want Charles Soule and Francis Manipaul to team up- the whirring lines in both books almost create a new dimension in the format, elements of movement that challenge the medium but also echo Silver Age Flash as well as the Family Circus. This book is a great gift for anyone from or who lives in New York City. There are a lot of great lines in this book.

The Manhattan Projects

This book is crazy and crazy in a well-researched and incredibly creative way. Hickman’s writing is absolutely top notch and nearly overshadows Patarra’s incredibly innovative art and approach to story telling as well as the book’s sleak overall design.

Lost Cat

More greatness from Jason.

No Place Like Home

I love this creepy spin on the Wizard of Oz and can’t wait to learn what’s really going on.

Hopeless Maine

Tim Burton should direct this comic book. If you like Coraline or similarly creepy stories with assertive young girls facing physically impossible odds, you’ll appreciate this spooky story of orphans and friendship.

Anyway, that’s the list. I better get to bed as I’ll be volunteering all day tomorrow for Dragon Con- figured I’d get as much of my volunteering out of the way on Thursday, so I can enjoy the actual Con. I’m looking forward especially to “Gender, Race, and Identities in Comics” on Friday; the parade, post-parade brunch, Amanda Connor, Darwyn Cooke, Neal Adams, and some Bootie mash ups on Saturday; Jimmy Palmiotti on Sunday (and of course, my own panel “Comics Through a Socio-Political Lens”); and being able to still stand as I do my last volunteering on Monday.

It’s going to great weekend, Atlanta. Maybe it’ll even be a great year.

 

 

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