Archives for posts with tag: jewelry

I finished reading God Bless You, Mr. Rosewater by Kurt Vonnegut yesterday. If you haven’t read it, I strongly encourage it. Some passages are so spot on that one must immediately reread them to make certain such truths actually made it to print. I read my wife’s copy and the book had evidently had a previous owner as well. I don’t know them, but after reading all their notes and seeing the words they underlined, I feel as if I know one thing about them- they really missed the point of the book. Mostly they had underlined words, presumably so they could look them up in the dictionary. The underlined words were either SAT words or words with less relevance outside their time, geography, and experience than within them. The passages that were underlined seemed to be sentences that would’ve agreed the grand old American objectivist Ayn Rand, a woman whose philosophies run counter with the book’s Hamletesque protagonist Eliot Rosewater. The book looks critically at the class system of the United States, both as an institution and in everyday practice. It is particularly sympathetic to the poor, victims of economic turmoil beyond their control and becoming less relevant with the advent of machines. Eliot’s father makes a lot of statements against welfare assistance, social programs, and “obscenity”- these were the statements that the previous reader decorated with meaningless notes like “Well-stated!” Perhaps the saddest part is a little note they wrote to themselves saying “I think Kilgore Trout may have helped write this book. There’s a sentence on the back of book.” As readers of Vonnegut well know, Kilgore Trout is a reoccurring character in his books, a science fiction writer who tells heavy truths in his work, much like the author in Saga. That’s a great comic, Saga. Anyway, it was fun to read this book alongside such an innocent reader that I’ve never met. I’ve consumed a lot of used textbooks, mostly history and philosophy- nonfiction – and I could understand why people underlined and took notes. Nonfiction is much easier to untie than fiction- when you read along with a stranger with a nonfiction work, you can start to see the argument they’re putting together or at least pieces of it. With fiction, you often get people underlining for more sentimental reasons. Sure, they could be literature scholars, but you can tell the difference between a scholar and a sentimental reader. You don’t feel like a peeping tom when you’re sharing research with a scholar- that’ s the transparency that gives our knowledge value. However, reading fiction with a stranger’s notes feels a bit perverted and sparks the engines of imagination and totally unsolicited judgement on the person’s entire being. It’s a love/hate relationship- maybe other people fantasize about meeting that person, sharing their intellectual insights, falling in love, etc. but I just think “What a fucking idiot” every time I see what they underline or read the notes they write. I take those little clues out of context, build an unflattering context around them, and then rule that whoever read the book before me is exactly what’s destroying civilization. It’s worse if you borrow a friend’s book and they’ve underlined all these sappy emotional passages and your imagination forces you to apply it to things in your friend’s life. Or what your mom underlined in 50 Shades of Grey.

Anyway, here are a few different covers that have been used for God Bless You, Mr. Rosewater by Kurt Vonnegut. Who wore it better?

To Give Eliot Rosewater is twice the lunatic you'll ever be

god bless you winston smith

Fly Hunter god bless you mr rosewater and forget bill murray

V for Vendetta

Stuff My Piggy Bank

Title Page Rave Til Dawn

Three Books One Cup

Sylvia is Ophelia

When I'm An Old Baby

Pigs on wheels Dresden Copy

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Green_Lantern_v.4_24

While WXL is officially a comic book blog, it’s been a while since I addressed an comics-related issue. I’ve been rereading the Green Lantern/Green Lantern Corps, starting with Rebirth. I’ve just finished The Sinestro Corps War and will probably stop after the other Lantern Corps are introduced, but before Blackest Night goes into full swing. It’s hard to read this material without considering the impact that Geoff Johns has had on the Green Lantern and the DC multiverse in general. When Johns and his various and very talented partners-in-crime brought Hal Jordan back as a Green Lantern, he had been possessed by both Parallax and the Spectre, spent a bit of time with the Phantom Stranger, and played a role in bringing about the destruction of both the Green Lantern Corps and his hometown Coast City. In the books leading up to Blackest Night, the GL creative team resolved the matter of Parallax’s infection of Hal somewhat, enabled Hal to shed the Spectre, returned the ring to Hal’s finger, reestablished the Corps and established additional colors, and brought Coast City back from its ashes.

Please don’t take this article too seriously.

Coast City is traditionally depicted as a California city- sometimes it feels like San Diego and sometimes like San Francisco. Its creation fills a void left by Gotham City and Metropolis’s similarities to New York City and Chicago, Star(ling) City’s similarity to Seattle, and the Gem Cities’ similarities to the Twin Cities. In the Silver Age, Coast City embodied much of the essence of California as understood by the American imagination- a little more laid back than the East Coast, but on the edge of the future, cowboys living better through chemistry. More than Metropolis, Coast City was the city of tomorrow. As the 20th century progressed, California dreaming changed its tone and the American imagination adapted, crafting a new vision of what California meant. This new vision reacted to the rise of new subcultures that became closely associated with California- the Beats, hippies, the Manson family, pornographers, Black Panthers, Scientologists, Silicon Valley, People’s Church, Church of Satan, the out gay community, United Fruit Workers, and other strong personalities that informed both California and US identity. Coast City still somewhat resembled San Diego minus the Hispanic population, but it hardly resembled San Francisco by the time it was destroyed in the 1990s. I see Coast City more like Detroit, incredibly optimistic in the Silver Age and ruined largely by outside factors. Detroit came to mind initially because it’s the hometown of Geoff Johns.

Let’s look at what destroyed Coast City and what destroyed Detroit. Once the Oa of automobiles, Detroit’s contribution to US culture and its international reputation has largely been overshadowed by its economic decline. Can you imagine the American experience without Motown or MC5, much less without the automobile? The economy of Coast City when it is first introduced centers around Ferris Aircraft, which isn’t the automobile industry, but both employ machinists, mechanics, and engineers, if you know what I mean. These two industrial cities are destroyed from within and without.

The destruction of Coast City is generally attributed to three individuals:

Mongul loves yellow

Mongul

Is it just me or are there some underlying racial issues with this character? He is a yellow-skinned villain bent on world(s) domination through dynastic rule. His name is one letter away from Mongol, shorthand for Mongoloid (if you subscribe to the antiquated theory of three distinct races (Negroid, Caucasoid, Mongoloid)) which refers to people with ancestry from Asia. He’s built much more like a Mongolian than a Japanese person and his name is likely inspired by the notoriety of the Mongol Empire. In the late 20th century, the failing communist nation of Mongolia posed little threat to Detroit. Japan and its robust automotive industry, however, posed a significant one and that idea continues to find a captive audience. Manufacturing in Asia has only grown as a go-to scapegoat for a decline in US manufacturing. The nations of Japan and Korea developed economically, achieved legitimacy, and consolidated regional influence largely on the backs of their automotive industries. Their rise came at the cost of Detroit.

cyborg superman

Cyborg Superman

As his name implies, Hank Henshaw is a half-human half-robot version of the Man of Steel. In a dangerous partnership with Mongul, Cyborg Superman transforms Coast City literally into an Engine City. Coast City is replaced by an exponentially more industrialized version of itself to serve the ambitions of the foreign power Mongul. Much like Detroit’s woes, there is an undeniable John Henry overtone to the terraforming of Coast City. It’s man vs machine and machine wins.

hal jordan loves jewelry

Hal Jordan

The legacy of Coast City’s destruction is best characterized by its effect on Hal Jordan. Left so distraught by his hometown’s demise, Hal Jordan allows himself to fall victim to Parallax or what FDR might call “fear itself.” The decline of Detroit has certainly taken a toll on the will power of the people of the city and perhaps in some of their darker moments, people have embraced fear over optimism.

When Geoff Johns brings Hal Jordan back to the Green Lantern mantel, he also brings Coast City back into existence. By doing so, I believe Geoff Johns is communicating a hope for his hometown to persevere through difficult times and eventually revitalize itself. In one of this last moves as Green Lantern kingpin, Johns introduced the character of Simon Baz in his native Detroit, providing a much less nuanced role for his hometown than any parallels that could be brought between Coast City and Detroit.

I like when creators represent, whether it’s Johns placing Simon Baz in Detroit or Robert Kirkman setting the Walking Dead in Georgia. Comics can capture physical and spiritual geography in ways unique to the medium such as Strange Attractors, Deogratias, and Palestine. Of course, the Marvel Universe approaches real-life geography in a way distinctly its own.

In conclusion, I would welcome Aquaman to Atlanta. He’s gonna love the fountains at Centennial Park.

censoredbirdo

Today I posted a series of twelve illustrations based on characters from Ninetendo’s beloved Super Mario franchise. Because of their mature nature, I am choosing not to post them on the home page. If you would like to see the full, uncensored images, please click on SUPER MARIO NUDES and enjoy this celebration of some of the Mushroom Kingdom’s most memorable characters. All of these pictures feature nudity and should only be viewed by an appropriate audience. If you feel uncertain about viewing these pictures, you might as well not look at them. They’re cute pictures, but it’s not like you’ll be missing out on Dostoevsky.
I hope you like them.
censoredplant

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