Archives for posts with tag: disney

bigbadsupes

For trade readers, April has seen a lot of action along the fringes of the Superman meta-narrative. Elseworlds, alternate Earths, alternate timelines, clones, and adaptations- we live in a time of many Supermen. I’ve written previously on how Batman is preparing us for travel through the multiverse and today I’m going to discuss how Superman’s multiple existences in the multiverse allow us to confront and cope with some of our fears- or rather, just one fear: evil Superman. (bad Superman?)

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This month saw the publication of three trades that deal with an alternate Superman and each of these alternate Superman are more evil than the Superman archetype. Each of these titles stand among some of the best DC is publishing- compelling stories that twist the Man of Steel into a reflection of the terrors associated with absolute power and nigh-invulnerability.

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In Earth-2 Vol. 5: The Kryptonian, a Superman under the control of Darkseid has come to post-Apokolips Earth-2 to bring about a revival of Apokoliptian terror. The fear that our greatest heroes will come under the power of tyrants is not an irrational fear and Earth-2 is full of deceitful authorities coming from all angles.

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The heroes of Earth-2, including a Red Tornado Lois Lane, attempt to use Clark’s adopted parents Jonathan and Martha Kent to bring Superman to his senses. This strategy is common when trying to calm Superman down. It seems very natural to us because we believe that humanity is what makes Superman good which is all sorts of problematic, but it comforts us to think that our way of life could keep a god from doing terrible things, which is odd in itself as many comfort themselves by worshiping a god that does in fact do terrible things and swear allegiance to an employer who might not care if they live or die.

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In Justice League 3000, Wonder Woman, The Flash, Green Lantern, and Batman have been resurrected alongside Superman in a morally questionable experiment completed by the Wonder Twins in the distant future.

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These Wonder Twins differ greatly from the original Wonder Twins and that can be said for all of the members of the Justice League. Of these not-exactly-cloned clones, Superman falls the shortest of his legacy.

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Here, Superman is a sex-crazed blood-thirsty idiot who keeps forgetting that he no longer has the power to fly. This depiction of an imbecilic Superman preys upon the same fear that perpetuates the dumb jock stereotype and inspired so much protest against George W. Bush’s presidency. We are afraid of the stupid and the powerful. Being powerless in the face of mediocrity can feel worse than being powerless in the face of brilliance- here, there is no respect for the fool leading you, no hope.

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In Injustice: Gods Among Us Year Two, the story of a Superman driven to vengeful murder and then obsessive fascism continues as more and more DC Comics characters try to make sense of this totalitarian Last Son of Krypton. I’ve really enjoyed Injustice. When it first came out, I avoided it because I didn’t want to read a comic book based on a video game, but when I heard Mike Miller, one of the artists, speak about it at Dragon Con (and then subsequently found a copy of the first trade for $5), I decided to pick it up. Immediately I was impressed at how well Tom Taylor grasped the characters. I should mentioned that Tom Taylor wrote about this fascist Superman and also wrote the Earth-2 Darkseid-controlled Superman. Maybe he has an irrational fear of Superman and his therapist suggested he work through those issues by bringing his fears to their absurd conclusion. In Year One, Superman ended war. In Year Two, Superman must figure out a way to keep the peace. To do so, he needs an army and Lex Luthor has developed a pill that will allow normal humans to rock and roll all night while simultaneously partying every day. The pill even let Alfred beat up Superman.

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Superman’s motivation towards absolute rule comes from the Joker tricking him into killing Lois Lane, their unborn child, and the entire city of Metropolis. Superman just wants to keep everybody safe. This motivation creates a very different totalitarian Superman than the classic Red Son where Superman’s drive towards a one-world government-dictatorship is more philosophical than emotional. All these stories of Superman going over the edge really make me want to reread Red Son. In both cases, Batman is there to oppose him. In Earth-2 and Justice League 3000, alternate Batmans prove to be the voice of reason in the face of a radically imperfect Superman.

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All of this evil Superman stuff just off the heels of Forever Evil, a storyline than spanned nearly the entire New 52 universe and featured Ultraman, the Crime Syndicate’s answer to Superman, as one of its main villains.

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As well as Superman works as a metaphor for absolute good, he also works quite well as a metaphor for absolute evil.

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Last night the missus and I headed down to The Goat Farm to check out The Cricket Gallery‘s exhibit featuring animation art from 1990s cartoons including several Nicktoons like Ren and Stimpy, Rugrats, Doug, Aaah! Real Monsters, Rocko’s Modern Life, and Hey Arnold, but also MTV icons Beavis and Butthead as well as Aeon Flux. While the weather was chilly, the response from everyone in attendance was very warm- the crowd  ooh’d and aah’d at all these artifacts from their childhood. Not all of the cartoons made their way to China, but my wife still recognized a lot of them. She would’ve been really happy to see Daria, who she’s fallen a bit in love with since coming to the US, but the cynical Miss Morgendorffer was nowhere to be found.

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The exhibit also features some classic Disney and Warner Bros. cells and sketches.

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There was a good lot of Simpsons sketches, but they weren’t represented on the scale of the Nickelodeon stuff. In addition to the Lisa sketch below, there were sketches of several Simpsons characters. There’s a particularly charming one of Krusty the Clown that I didn’t get a picture of, so you should really go there yourself. It’s free and lasts until November 16.

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Of course, my favorite items in the exhibit feature a certain Caped Crusader and some of the rogues who really came to life in Batman: The Animated Series- Clayface, Two-Face, Joker. The exhibit was great and my only complaint is that it’s a little small considering the size of the Cricket Gallery collection and the size of the venue- also, how could you display Batman: TAS stuff and not include any Harley Quinn item?

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I’ll be the first to admit that these photos don’t do any of the pieces justice. I forgot my proper camera and just took there with my phone. You should go to the exhibit yourself anyway. Like I said, it’s free and lasts  until November 16. I hope the Cricket Gallery will share more of their collection in the future.

 

dioesmuertosaurus

Here’s another batch of panda artifacts that I’ve been working on. In the first one, I’m trying out a couple of things. I’ve filled the eye sockets with a red that equally romantic and demonic. Additionally I’ve added some patterns on the face, inspired by the many Dios Los Muertos faces I’ve seen recently, and then I colored the flesh, which I usually leave white, an orange, in hopes of evoking fond tiger spirits.

Fashion meets nature

In this picture, I’m nonchalantly drawing parallels between flowers, hair, and stars. I’m trying to generate a feeling of repetition without actually using repetition, like varying a phrase in music. Nothing heavy.

 

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The color schemes here are taken from Disney’s interpretations of beloved childhood shoe-gazers Winnie the Pooh and his jackass friend Eeyore.

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This is a picture of Kiwan and Jennie from Billion Dollar Baby, an Atlanta-based musical duo that I met at Wonder Root. One of the first things I noticed about Kiwan was his jewelry, which he wears every day. Those of you who follow this blog will understand why I was immediately attracted to it. Jennie and I were interviewed simultaneously a few weeks back. I’m not sure when it will become available, but I’ll likely let you know. You should keep your eyes and ears peeled for Billion Dollar Baby.

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