Archives for posts with tag: cinema

aquamanlookingforben

My wife woke me up this morning to tell me that that the internet was a-buzz with news that Ben Affleck would play Batman in the upcoming Superman-Batman movie. At first, I thought, “This is a weird yet very boring dream.” My second thoughts were more practical. My wife is bilingual and reads both the Chinese internet and the real internet*, so perhaps a new strategy of the Wu Mao party was to troll the shit out of the internet with such ridiculous news in an effort to destabilize U.S. hegemony. It makes sense, right? Americans agree not to intervene with Taiwan’s return and Ben Affleck will not disgrace the cowl- call it bat-boat diplomacy. After brushing my teeth, getting dressed, etc. I went to the internet myself and was overwhelmed by how fast the scheme had taken hold. Further proof of what the Freemasons have always known, inception is possible. Were the Chinese to blame for Damian Wayne’s death as well? Was Grant Morrison’s psychedelic experience in the East nothing more than Manchurian Candidate brain-washing? Why start the Ben Affleck as Batman hoax at the same time as the Bo Xilai trial?

What about Christian Bale? As a child, his portrayal of J.G. Ballard in “Empire of the Sun” was not flattering to the Chinese, praising the bravery of the Japanese as they violently occupied China. Later in life, his support of Chen Guangcheng got him beaten up by the Chinese police  after Bale had worked with Zhang Yimou.  The Chinese release of “The Dark Knight Rises” was delayed. Is it a personal mission against Christian Bale? I doubt it because casting Ben Affleck as the Batman will only make Christian Bale’s portrayal look that much better much like Clooney did for Keaton.

Eventually my suspicions subsided. The Chinese government wouldn’t do such a thing. In Supergods, Grant Morrison alludes a Chinese government program to create a real-life Superman- which I guess is more like a real life Captain America, but then it would have to be Captain China, do you remember Red China Man, enemy of Mr. Freedom? Anyway I digress. I don’t think we can blame China for casting Ben Affleck as Batman as the news appeared first in the U.S…. unless a sleeper cell just woke up.

I also don’t think actors should play more one superhero. If you’re the Human Torch, you shouldn’t be Captain America. If you were Daredevil, you shouldn’t be Batman. If you were Kaiser Soze, you shouldn’t be Lex Luthor. I also think Ben Affleck is too old to play Batman. The potential for another sustainable Batman franchise is weakened by Affleck’s decaying mortal coil.

When Ben Affleck played Superman, it drove it to kill himself, so I don’t understand why he would even want to play Batman.

On the other hand, I would be interested in a Batman story written by Affleck and I could even consider Casey Affleck as a really good Riddler. I’d like Scott Snyder to write a Batman movie and Gail Simone to write a Batgirl movie. I think Tom Tykwer should direct a superhero here- maybe Flash? Animal Man? That would be sweet, right? Tom Tykwer directs Animal Man, Anton Corbijn directs Swamp Thing, Sofia Coppola directs Zatanna, Guy Ritchie directs Constantine and it all culminates in Guilermo del Toro directs Justice League Dark.

From several corners of the internet, disappointment seems to dominate this discussion and I expect the democratic nature of the comic book industry to force Affleck to walk away from the project with his batarangs between legs. Kind of embarrassing, but better to be pushed off the project now than be blamed for ruining DC’s hope to develop a cinematic universe on the scale of Marvel’s.

*the bit about “the Chinese internet and the real internet” is just a joke, so don’t get offended. As we all know, the internet is, in fact, separated on an entirely different system: the zero internet and the one internet. One of them is governed by Jesus and the other is governed by Darth Vader.

butzerbabe

Jeffrey Bützer is a living musical treasure. For years, he’s been crafting sounds that transform the environment around them. He employs a wide arsenal of instruments and has played with some really talented folks. I first met Jeff back in the twentieth century when we were both working at an extremely corrupt discount movie theater that has since closed. I had the pleasure of playing with him once. I don’t remember much of what we played, but I do remember he espousing an ambition to play more swamp rock. Since then, his music has only gotten more sophisticated. You should check out his music, join the cool kids for a celebration of the release of his new album “Collapsible” at the Goat Farm, and enjoy our interview with the maestro himself.

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INTERVIEW WITH JEFFREY BÜTZER

WXL: You have a new record coming out on June 29th. You must be very excited. What’s the newest thing about your new album?

JEFFREY BÜTZER:
Yes, I do and yes, I am. The most noticible difference is the addition of vocals on 90% of it by the very talented Cassi Costoulas (who has joined our band) and Lionel Fondelville (from France). He wrote most of the lyrics as well. Other than that I would say  the biggest difference is the direction I am trying to take as a composer. Moving
away from the clunkier, Oom-PA, Tom Wait-ish approach I kind of took with my first record, (and spilling into the following one). I am listening and drawing influence from more dream-pop, French folk and French-pop on my newer tunes.

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WXL: You are celebrating your album’s release with a performance at the Goat Farm, one of Atlanta’s most unique venues and a good fit for your music. What is your favorite venue in Atlanta?

JEFFREY BÜTZER: For rock shows I always love the EARL. But The Goat Farm is probably my all around favorite place in Atl right now. They are so supportive of artist. It is exactly what the City needed.

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WXL: Your music appeals to an international audience and you draw from the traditions of many different cultures to create your unique sound. Are there any places in the world that you dream of playing? Is there any exotic instrument that you’re dying to get your hands on?

JEFFREY BÜTZER: I would love to play in Spain, Italy, and Japan. We’ve been fortunate to get to play over seas a few times, but never in any of those destinations. There aren’t really too many instruments on my “want” list right now. I would love a Celeste if anyone has one lying around.

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WXL: If you were a superhero in the DC Universe, which villain from that universe do you think would make the most appropriate nemesis for you?

JEFFREY BÜTZER:  Oh boy, I don’t know my DC universe too well. Most likely whatever
villain can destroy what little time I have to myself these days. OR, I think everyone would like to fight Bizarro, right?

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WXL: One of the most sincere compliments I could give your music is that its intelligence is apparent by how readily it brings to mind thoughts of death and romance. In addition to your extraordinary musical talents, you have some expertise in film.  What are your favorite cinematic death scenes and cinematic romance scenes? Also can you recommend films that you believe combine the two concepts in poignant ways?

JEFFREY BÜTZER: First off, thank you for the compliment. That is tough? There are so many great death scenes. I like Belle De Jour, Dead Man, A Zed and Two Noughts. I love the sugguestion at the end of one of my favorite recent films, A Serious Man. Romantic scenes, the first one that pops in my head is the phone call scene in Before Sunrise, to me that is one of the purist romances on film. As far as recommendations for films that combine both…that is hard. I think Peter Greenaway in his own detached way deals with both in an interesting way. For lighter fare, the recent French romantic- comedy Delicasy is pretty good!

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